But Rafael flung his arms wildly about his father, and would not let him go.

“Oh, I wish—I wish—” sobbed the boy.

“Wish nothing for yourself nor for me but that we may do our duty,” said Don Carlos, his voice, rich with caressing tones, as quiet as if they were all guessing riddles together under the old olive tree. “Hush! I will tell you one story, one short story, more. Will you give me a smile for a story, my Pilarica? And will you remember it every word, my Rafael, till I come again? The sun goes forth in the morning, on the course that God has set him, and never halts nor turns. Yet three times in the day he lifts his face and calls: ‘Lord, I am tired.’ And three times God answers him out of heaven and says: ‘Follow thy path.’ ”

Then Rafael let fall his clasping arms, and Pilarica’s smile, her mother’s smile, gleamed out through the tears, and their father’s look, as he lifted his hat, rested lovingly on two brave children before he turned and went swiftly out of their sight.

XI
UP AND AWAY

AS the children, riding their donkeys, came in sight of the garden, Tia Marta stood squinting over the gate. Her eyes were redder than ever, but they saw all there was to see. They saw the little olive face of Pilarica shining like the face of one who has looked upon a glory, for the child’s soul had caught fire from her brother’s deed of sacrifice and her father’s solemn words, from all the courage and the love of that farewell scene at the station. She had not known before in her short life that grief, as well as joy, is beautiful.

“It is the mother looks out of her eyes this day,” said the old woman, addressing Don Quixote, who twitched a friendly ear. “The holy rose loves the thorns amid which it grew.”

Pilarica understood this hardly better than the little white ass, though he made a point of looking impressed, but she could not wait to question, so eager was she to do her father’s bidding and explore the summer-house.

Rafael’s face was flushed and there was something glittering on his eyelashes that made him turn away from Tia Marta’s scrutiny. But his chin was squarer than ever and, even before seeking comfort from his fragmentary Sultana, he led away the donkeys with a new air of responsibility.

Then Tia Marta’s glance, flashing into indignant comprehension, fell on the queer figure that followed, leading the mules. If looks could kill, Pedrillo would have dropped with a thump in the dust of the road. The garden gate banged in his very face, but the Galician, nothing daunted, began to sing in a curious, croaking voice: