p. x 1. 5 The Life of Sir Kenelm Digby. By One of his Descendants [T. Longueville]. 1896.

p. xi 1. 29 For the controversy about the date of his birth, see the usual biographical authorities:—Longueville, op. cit., Digby's Memoirs, ed. Nicolas, 1827; Dict. of Nat. Biog.; Biog. Brit. (Kippis); Wood's Athenae Oxon., iii. 688; Aubrey's Lives, ii. 323, etc. etc.

p. xiv 1. 13 "the elder Lady Digby." See text, p. 141.

p. xv 1. 15 "manuscript of elections." See W.H. Black's Catalogue of the Ashmolean MSS., 240, 131 and 1730, 166.

p. xx 1. 20 Journal of a Voyage to Scanderoon, ed. J. Bruce for Camden Soc., 1868.

p. xxi 1. 3 "Scanderoon had to be repudiated." Here is a curious echo of the affair, quoted by Mr. Longueville from Blundell of Crosby. "When the same Sir Kenelm was provoked in the King's presence (upon occasion of the old business of Scanderoon) by the Venetian Ambassador, who told the King it was very strange that his Majesty should slight so much his ancient amity with the most noble state of Europe, for the affections which he bore to a man (meaning Sir Kenelm) whose father was a traitor, his wife a ——, and himself a pirate, altho' he made not the least reply (as long as the ambassador remained in England) to those great reproaches, yet after, when the quality of his enemy was changed (by his return) to that of a private person, Sir Kenelm posted after him to Italy. There sending him a challenge (from some neighbouring state) he found the discreet Magnifico as silent in Italy as himself had been in England, and so he returned home."

p. xxii 1. 13 The Memoirs were edited by Sir N.H. Nicolas from the Harleian MS. 6758 in 1827.

p. xxii 1. 28 "outburst of vile poetry." See Poems from Sir K.D.'s papers, ed. Warner. Roxburghe Club, 1877.

p. xxiii 1. 16 "hermit." The portrait of Digby in this guise, painted by Janssen, in the possession of T. Longueville, Esq., is reproduced in Mr. Longueville's life of his ancestor. Says Pennant in his Journey from Chester to London, ed. 1782, "I know of no persons who are painted in greater variety than this illustrious pair [Digby and his wife]: probably because they were the finest subjects of the time."