V. (No. 1515). A small folio from Colbert’s library, bound in calf, in Groslier’s style. The text is complete, but there are numerous interlinear and marginal corrections and additions, in the same handwriting as MS. VII.
VI. (Nos. 1516 to 1519). Four quarto vols., red morocco, Béthune arms. The first prologue is deficient, as is also the last leaf of tale lxxi.
VII. (No. 1520). A folio vol., calf and red morocco, stamped with fleurs-de-lys and the monogram of Louis XVIII. This MS. on stout ruled paper, in a beautiful italic handwriting of the end of the sixteenth century, is complete. Unfortunately Queen Margaret’s phraseology has been considerably modified, though, on the other hand, the copyist has inserted a large number of different readings, as marginal notes, which render his work of great value. It is frequently quoted in the present translation.
VIII. (No. 1523). A folio vol., calf, from the De La Marre library. The first two leaves are deficient, and the text ends with the fifth tale of Day IV.
IX. (No. 1522). A small folio, bound in parchment, from the De La Marre library. Only the tales of the first four days are complete, and on folio 259 begins a long poem called Les Prisons, the work probably of William Filandrier, whom Queen Margaret protected. On the first folio of the volume is the inscription, in sixteenth-century handwriting: Pour ma sour Marie Philander. The poem Les Prisons is quoted on pp. xxxviii.-ix. vol. i. of the present work. It concludes with an epitaph on Margaret, dated 1549.
X. (No. 1524). A folio vol. from Colbert’s library, bound in red and yellow morocco, on which is painted, on a blue ground, a vine laden with grapes twining round the trunk of a tree. On either side and in gold letters is the device, Sin e doppo la morte (until and after death). Following the title-page, on which the work is called “The Decameron of the most high and most illustrious Princess, Madame Margaret of France,” is a curious preface signed “Adrian de Thou,” and dated “Paris, August 8, 1553.” This Adrian de Thou, Lord of Hierville and canon of Notre Dame de Paris, counsellor and clerk of the Paris Parliament, was the fourth son of Augustine de Thou and uncle to James Augustus de Thou, the historian. He died in October 1570. His MS. of the Heptameron, a most beautiful specimen of caligraphy, contains a long table of various readings and obscure passages; this was consulted in preparing the text for the present translation. The titles to the tales have also been borrowed from this MS.; they were composed by De Thou himself, and figure in no other MS. copy.
XI. (No. 1525). A small folio, calf, from Colbert’s library, very incomplete and badly written, but containing the Miroir de Jésu Crist crucifié, the last poem Queen Margaret composed (see ante, vol. i. p. lxxxvi.).
XII. (No. 2155). A small quarto, red morocco, from the library of Mazarin, whose escutcheon has been cut off. The text, which is complete and correct, excepting that a portion of the prologue has been accidentally transposed, is followed by an epitaph on the Queen. The handwriting throughout is that of the end of the sixteenth century.
The other MSS. of the Heptameron are the following:—
XIII. (Orleans town library, No. 352). A folio vol. of 440 pp. It is doubtful whether this MS. is of the sixteenth or seventeenth century. It bears the title L’Heptaméron des Nouvelles, &c. There are numerous deficiencies in the text.