"The Great Highway" is a "farewell to life and a self-declaration."
| Hamlet (14) | 1908-1909 |
| Julius Cæsar (14) | |
| Memorandum to the Members of the Intimate Theatre. (14) | |
| Macbeth and Other Plays by Shakespeare (14) | |
| An Open Letter to the Intimate Theatre (14) |
(14) Dramaturgy.
| The Origins of our Mother Tongue (15) | 1910 |
| Biblical Proper Names (15) | 1910 |
| Roots of World-Languages (15) | 1910 |
| Speeches to the Swedish Nation | 1910 |
| The State of the People | 1910 |
| Religious Renaissance | 1910 |
| China and Japan[1] | 1911 |
(15) Philology.
Dr. John Landquist, the editor of the posthumous edition of Strindberg's collected works, has kindly placed the following note on Strindberg's manuscripts at our disposal:
"The MSS., most of which are still in existence, are written with the utmost care in Strindberg's clear and energetic hand, and are often beautifully ornamented. They reflect the neatness and order with which the author surrounded himself, and also the love with which he carried out his work. When writing mediæval drama, Strindberg illuminated his MSS. like a mediæval handwritten manuscript with artistically designed and coloured initial letters, and with miniatures painted by himself--the whole harmonising with the period and surroundings in which the action takes place. On other pages there is interspersed in the writing itself such ornamentation as would correspond to the time and atmosphere of the written work. As a rule he used hand-made Lessebo-paper, and generally made very few alterations. He hardly ever copied out his MSS. In later years he seldom corrected anything when once it had been written down. He did not like to read through his own works after having completed them."
(1) Plays. (2) Stories. (3) Novels. (4) History. (5) Satyrical Sketches. (6) Stories in Historical Setting. (7) Poems. (8) Autobiography (9) Essays. (10) Autobiographical Novel. (11) Meditative Autobiography. (12) Historical. (13) Chamber Plays. (14) Dramaturgy. (15) Philology.
[1] All correspondence relating to the authorisation of translations of Strindberg's works and the rights of performing his plays in England and America should be addressed to Herr Albert Bonnier, of Stockholm. He is now the sole representative of Strindberg's literary executors.