August Strindberg, the Spirit of Revolt: Studies and Impressions

by L. Lind-af-Hageby

INDEX
A
Académie des Inscriptions et Belles-Lettres, [119]
Addison, [338]
Adelphi Players, The, [204]
Admirable Crichton, The, [181]
Advent, [304], [305], [306]
Æschylus, [310]
Ahasuerus, [16]
Albericus, [89]
Alembert, d', [209]
Almqvist, K. J. L., [328], [329]
Alone, [19], [284], [285], [335], [350]
Amiel, Journal of, [336]
Antibarbarus I, or the Psychology of Sulphur,
or All is in All, [241], [242]
Antoine, Monsieur André, [171]
Aphrodite Pandemos, [128]
Archer, Mr. William, Play-Making. A Manual of Craftsmanship by, [303]
Aristotle, [251]
Athenæum, [320]
Augier, [170]
Augustine, St. [340]
Augustus, [336]
Aulin, Tor, [352]
Author, The, [19], [122], [133], [134], [152], [284]
Autobiography, [56], [86], [98], [169]
B
Babillotte, Herr Arthur, August Strindberg.
Das Hohe Lied seines Lebens by, [327], [328]
Bach, [352]
Balfour, A.J. [256]
Balzac, [159], [232];
Seraphita by, [260], [281]
Bashkirtseff, Marie, [336]
Baudelaire, [331], [338]
Becque, Henry, Les Corbeaux by, [205], [212]; Souvenirs by, [208]
Beethoven, Sonata in D minor by, [352];
Moonlight Sonata by, [352]
Benson, Mr. A.C., [321]
Berliner Tageblatt, [353], [354]
Bismarck, [313]
Björkman, Herr Edwin, [330]
Björnson, Björnstjerne,
Mary Stuart by, [67], [75], [123], [152];
The King by, [153], [154], [317];
A Gauntlet by, [318], [339]
Black Flags, [325]
Black Glove, The, [316]
Blackwood's Magazine, [320]
Blake, [251], [255], [260]
Blavatsky, Madame, The Secret Doctrine by, [274], [275]
Blotsven, [79]
Blue Bird, The, [144]
Blue Book, A, [282], [284], [286], [287]
Boccaccio, [159]
Bok om Strindberg, En, af Holger Drachmann, Knut Hamsun,
Justin Huntly McCarthy, Björnstjerne Björnson, Jonas Lie,
Georg Brandes, etc., [123], [152]
Bondswoman's Son, The, [18], [19], [282], [283]
Bonnier, Herr Albert, [123], [161], [162]
Book of Job, The, [260]
Bosse, Harriet, [327], [351]
Brandes, Georg, [123], [174], [175], [231]
Brieux, Monsieur, La Robe Rouge by, [225]
Browning, Mrs., [281]
Buckle, [97]
Burned Lot, The, [316], [326]
Burns, Robert, [121], [338]
Byron, Manfred by, [58], [338]
C
Capus, [206]
Caracalla, [336]
Carlyle, [281]
Carmontelle, Proverbes Dramatiques by, [214]
Céller, Monsieur Ludovic, Les décors, les costumes
et la mise-en-scène au XVII siècle by, [215]
Cellini, Benvenuto, [255]
Charles XII, [299], [302], [303], [326], [332]
Chateaubriand, [61], [340]
Chemistry, [244], [245], [248], [251], [252], [253]
Clairpsychism, [256], [276], [278], [285], [286], [287]
Coleridge, [257]
Collected Works of August Strindberg, The, [13], [123]
Comédie rosse, [193]
Comrades, [122], [184], [185], [186], [187], [188], [189], [190], [191], [192],
[193], [194], [195], [225], [322], [332]
Comte, [283]
Confession of a Fool, The, [22], [121], [122], [123], [124], [125], [126],
[127], [128], [129], [130], [131], [132], [133], [223], [228], [237], [242], [343]
Confused Sensations, [228]
Conscious Will in the History of the World, The, [300]
Corot, [96]
Creditors, [172], [195], [196], [197], [198], [199], [200], [201], [202], [203],
[204], [206], [244], [326]
Crimes and Crimes, There are, [309], [310], [326], [352]
Criticism, Literary, [77], [78], [84], [139], [148], [150], [233], [234], [235],
[236], [319], [320], [321], [322], [323], [324], [325]
Crown Bride, The, [304], [306], [349], [353]
D
Dagens Nyheter, [115]
Damascus, To, [256], [288], [297], [304], [311], [312], [313], [314], [315], [316],
[323], [332], [334], [345]
Dance of Death, The, [304], [310], [311], [316], [333], [351], [352]
Dante, [83];
the Commedia by, [89], [260]
De Quincey, [151]
Dickens, [47], [140]
Different Weapons, [151]
Dostoevsky, [232], [297], [327]
Drachmann, Holger, [123], [240]
Drama, The, [330]
Drama, Naturalistic, [170], [171]
"Dramatiska Teatern," [323]
Dream Play, The, [256], [304], [314], [315], [332], [352]
Dryden, [113]
Dudevant, Monsieur Casimir, [346]
Dumas fils, Alexandre, [170], [206];
Le Fils Naturel by, [208]
Dumas père, Alexandre, [47], [170]
Duse, Eleonora, [208]
E
Earl of Bjälbo, The, [299]
Easter, [256], [296], [304], [306], [307],
308, [326], [327], [352]
Edge of the Sea, At the, [230], [231], [297], [323], [337]
Eliasson, Dr., [269]
Emerson, [281]
Encyclopædia Britannica, [143]
Engelbrecht, [299]
Eric XIV, [289], [295], [296], [297], [298], [301], [308], [309], [316],
[326], [333]
Essen, Siri von, [122];
divorce of, [130];
becomes an actress, [130;]
marries August Strindberg, [132];
divorce of, from Strindberg, [237]
Euripides, [310]
F
Fables, [227], [228], [337]
Fabre, Emile, L'Argent by, [172]
Facing Death, [326]
Fairhaven and Foulstrand, [332], [333], [336], [337], [341], [343]
Father, The, [22], [122], [171], [172], [173], [174], [175], [176], [202], [203],
[204], [210], [225], [235], [244], [297], [322], [325], [332]
Fermentation Time, [19], [53], [69], [86], [87]
Feuillet, [214]
First Warning, The, [223]
Fisher Folk, [226], [227], [333]
Fjärdingen and Svartbäcken, From, [135], [136]
Flaubert, [331];
Correspondance of, [336];
Dossier de la Sottise Humaine by, [347]
"Folkteatern," [325]
France, Anatole, [341]
Freethinker, The, [78], [79]
"Freie Bühne," [202]
French Peasants, Among, [228], [229]
G
Geijerstam, Gustaf af, Erik Grane by, [324]
General Discontent, its Causes and Remedies, On the, [229], [230]
Geographical Society, The Imperial Russian, [119]
Gissing, George, New Grub Street by, [141]
Goethe, Faust by, [61], [62], [83]
Goetz von Berlichingen by, [102], [281], [313]
Goncourt, the brothers de, Sœur Philomène by, [172], [214], [331]
Goncourt, Edmond de, [207]
Goncourt, Jules de, [331]
Gorki, Maxim, [17], [204]
Gosse, Mr. Edmund, [231]
Gothic Rooms, The, [297], [325]
Great Highway, The, [256], [304], [313], [314], [338]
Grein, Mr. J.T., [203], [204]
Guiche, Entre Frères by, [214]
Gustavus Adolphus, [280], [299], [301], [302], [316], [334]
Gustavus III, [299]
Gustavus Vasa, [289], [290], [291], [292], [293], [294], [298], [316], [326]
H
Hamsun, Knut, [123]
Hansson, Ola, [220], [238]
Hartmann, [232]
Hauptmann, [204], [317];
The Weavers by, [318]; [326]
Haydn, Sieben Worte des Erlösers by, [352]
Heiberg, Gunnar, [240]
Heidenstam, Werner von, [324];
Karolinerna by, [325]
Heine, [239]
Henry VII, [89]
Hervieu, Paul, Le Dédale by, [201], [204];
L'Inconnu by, [297]
Hirsch, Dr. W., [256]
Historical Miniatures, [300]
Hoffmann, E.T.A., [239]
Kreisler by, [257], [297], [338]
Holbein, [310]
Homer, [90]
Horace, [90], [113]
Hospital of Saint Louis, [247]
Hugo, Victor, [271]
Huysmans, Là-Bas by, [274];
En Route by, [274]
Höffding, [93]
I
Ibsen, [13];
Brand by, [75], [166], [170];
Ghosts by, [172], [317];
Rosmersholm by, [172], [203], [326]
Independent Theatre, The, [203], [204]
Inferno, [15], [19], [243], [248], [256], [257], [274], [277], [279], [280], [285],
[288], [313], [323], [340], [341]
Internationalism, [155]
Intimate Theatre, The, [326], [327]
J
Journey of Lucky Peter, The, [143], [144], [146], [316]
Joy of Life, The, [278]
Julius Cæsar, [336]
Jullien, Monsieur, [205]
K
Keats, [340]
Key, Ellen, [321]
Keys of Heaven, The, [316]
Kierkegaard, Sören, Enten-Eller by, [79]
Knox, John, The First Blast of the Trumpet against
the Monstrous Regiment of Women by, [237]
"Künstler Theater," [216]
L
La Bruyère, [98]
Lady Julie, [172], [176], [177], [178], [179], [180], [181], [182], [183], [184],
[193], [202], [204], [206], [209], [210], [211], [214], [216], [217], [218], [225],
[231], [236], [244], [284], [316], [325]
Lagerlöf, Selma, [324]
Lamb, Charles, [257], [331], [338]
Landquist, Dr. John, Article in Idun by, [315]
Last Knight, The, [299]
Latini, Brunetto, [89]
Lauthenburg, Herr, [326]
Lavedan, Entire Frères by, [214]
Lee, Nathaniel, [257]
Legends, [256], [277], [288], [313], [323]
Lenan, Traumgewalten by, [257]
Lenngren, Anna Maria, Fröken Juliana by, [176]
Lessing, [61]
Levertin, Oscar, [278], [324]
Library of Stockholm, The Royal, [118]
Lie, Jonas, [123], [340]
Link, The, [122], [219], [224], [225], [323]
Loke's Blasphemies, [151]
Louis XIV, [295]
Lucanus, [90]
Lugné-Poë, Monsieur,

[202]
Lundin, Claes, [146]
Luther, [313]
M
Macaulay, [70]
McCarthy, Justin Huntly, [123];
article in The Fortnightly Review by, [183], [225]
Macleod, Fiona, Cathal of the Woods by, [228]
Maeterlinck, [227], [305], [316]
Marcus Aurelius, [336]
Marholm, Laura, [238], [328], [330]
Married, [123], [156], [157], [158], [159], [160], [161], [162], [163], [164],
[165], [166], [167], [168], [169], [235], [236], [237]
Master Olof, [99], [100], [101], [102], [103], [105], [136], [142], [289], [298], [322]
Maupassant, Guy de, [159], [209];
Le Horla by, [297]
Michel-Angelo, [251]
Midsummer, [316], [342], [343]
Mill, John Stuart, [230]
Modern Drama and the Modern Theatre, On, [211], [212]
Moses, [260]
Multiple personalities, [283], [284]
Munch, Edvard, [240], [259], [263]
Murray, Grenville, Les Hommes du Second Empire by, [149]
Musset, Alfred de, [214], [338];
Nuit d'Octobre by, [347]
N
Napoleon, [313]
National Director, The, [299]
Naturalism, [170], [204], [205], [212], [213]
New Kingdom, The, [148], [149], [157], [230], [324]
Newman, [51]
Nietzsche, [13], [194], [231], [232], [284]
Nightingale of Wittenberg, The, [299]
Nobel Prize, The, [321]
Nordau, Max, [149]
O
Oehlenschläger, [79], [82]
Old Stockholm, [146], [147]
Orfila, [248], [260]
Outlaw, The, [81], [84], [85], [86], [345]
Ovid, [90]
P
Pariah, [219], [220], [221], [222]
Paris, In, [328]
Patmore, Coventry, [281]
Paul, Adolf, [240]
Peace movement, The, [155], [156]
Peladan, Sar, Comment on devient Mage by, [280]
Pelican, The, [316], [326]
People of Hemsö, The, [226], [227], [235]
Personne, John, Strindberg-Literature and Immorality
amongst Schoolboys by, [165]
Peter Pan, [144]
Philp, Greta Strindberg von, [353]
Pinero, Sir Arthur, [206]
Playing with Fire, [219], [223], [323], [326]
Poe, [255], [338]
Poems in Verse and Prose, [150], [151]
Przybyszewski, Stanislav, [240], [258], [259], [260], [262]
Q
Quarantine Master's Tales, The, [336], [337], [343], [344]
Queen Christina, [299]
Quesnay, de, [230]
R
Rahmer, Dr. S., Article in Grenzfragen der Literatur
und Medizin by, [256]
Ranft, Herr Albert, [326]
Realism, [170], [183], [212]
Real Utopias, [168]
Red Room, In the, [19], [110], [111], [112], [113]
Red Room, The, [137], [138], [139], [140], [141], [142], [143], [147], [148],
[157], [230], [322]
Reformation, the Protestant, [99], [291]
Religion, [279]
Remorse, [156], [297]
Renan, Souvenirs d'Enfance et de Jeunesse by, [255]
"Residenz Theater," [203], [326]
Reward of Virtue, The, [157]
Rodin, Le Penseur by, [16]
Rome, In, [74], [76], [77], [78], [333]
Rosen, George von, Erik XIV and Karin Månsdotter by, [95]
Rousseau, [19], [154], [209], [230], [234];
Confessions by, [257];
Dialogues by, [257];
Rêveries by, [257], [260]
"Rune," the formation of the, [73]
Ruskin, [281];
Modern Painters by, [320]
S
Saga of the Folkungs, The, [289], [296], [297], [298], [316]
Saint-Saëns, [310]
Samum, [219], [220]
Sand, George, [61], [346]
Sardou, [170]
Scenery of Sweden, The, [236]
Schering, Herr Emil, [330]
Schiller, Die Räuber by, [58], [63];
On the Theatre as an Institution for Moral Education by, [62]
Schnitzler, [204];
Reigen by, [206]
Schopenhauer, [232], [237], [238]
Schumann, Aufschwung by, [258], [259]
"Schwarzen Ferkel, Zum," [239], [240]
Scott, Sir Walter, [47]
Scribe, [170]
Secret of the Guild, The, [142], [345]
Shakespeare, [47], [82], [83], [101];
Hamlet by, [106], [295], [301];
Lear by, [295];
Macbeth by, [295], [296], [343]
Shaw, George Bernard, [206], [233], [234], [318]
Sinology, [118]
Sir Bengt's Wife, [144], [145], [146]
Sketches of Flowers and Animals, [227]
Slippers of Abu Casem, The, [316]
Socialism, [167], [169], [229], [230]
Socrates, [213]
Sophocles, [82], [310]
Sorbonne, La, [248]
Speeches to the Swedish Nation, [279]
Spencer, [106], [230], [283]
Spook Sonata, The, [316], [326]
Stage Society, The, [204]
Stagnelius, E.J., [328]
Stevenson, R.L., [331]
Stockholm's Skärgård, [30], [83], [99], [226]
Storm, [315], [326]
Street riots in Stockholm, [66], [67], [126]
Strindberg, Anne-Marie Bosse-, [316], [353]
Strindberg, August,
death of, [11];
scientific studies of, [12], [37], [60], [83], [238], [239], [240], [241],
[244], [245];
diary of, [14];
faith in the Bible, [14];
love of the early morning, [15];
funeral of, [16];
birth of, [20];
parents of, [20];
ancestry of, [20];
poverty of, [21], [75], [83], [107], [117], [350];
views of, on the family as an institution, [22], [23];
misogyny of; [22], [124], [125], [171], [184], [194], [244], [344], [345];
attacks upon women, [23], [75], [76], [175], [237], [347];
early home of, [24], [29];
early religious doubts of, [25], [32], [33];
early school-days of, [27], [28];
love of nature, [29], [30], [31], [32], [53], [227], [228], [265];
independence of, at school [33], [34];
death of the mother of, [35], [36], [37];
interest of, in music, [38], [53], [352];
constructs machines, [39], [40];
as "gymnasist," [41];
becomes a pietist, [42], [43], [44], [45];
as private tutor, [46], [47], [48];
influence of literature on, [47];
becomes a freethinker, [47];
preaches a sermon, [49];
passes the "student—examen," [50];
enters the University of Upsala, [51];
criticism of academical routine, [51], [52], [53];
becomes a schoolmaster, [54];
studies social conditions, [54], [55], [103], [154], [155], [228], [229], [230];
sympathy of, with the people, [56], [64], [65];
contempt of current morals, [56], [120];
takes up the study of medicine, [59];
comes under the influence of art, [60];
decides to become an actor, [62];
makes his début at the Dramatic Theatre, [67];
tries to commit suicide, [69], [80], [129];
composes his first play, [69];
first attempts to write verse, [71];
first plays refused, [71], [72];
returns to the University, [73];
first performance of a play by, [76];
burns the MSS. of Blotsven, [80];
passes his Latin examination, [81];
presents his æsthetic thesis. [81];
performance of a Viking play by, [84];
King Charles XV sends for, [85];
as a painter, [90], [96], [103], [236], [240];
becomes a journalist, [92];
as an art critic, [95];
lack of self-confidence of, [107];
edits an insurance paper, [108];
financial crash, [109];
obtains a post as telegraph clerk, [114];
resumes journalistic work, [115];
becomes parliamentary reporter and dramatic critic, [116];
is nominated assistant librarian, [118];
class-consciousness of, [126], [127];
first marriage of, [132];
views of, on the sacredness of parenthood, [133], [134];
increasing literary activity of, [135];
first great dramatic success, [142], [143];
on the tragedy of fatherhood, [146], [175];
historical point of view of, [147], [148];
criticises poetry as a form of literary expression, [151];
leaves Sweden, [152];
is prosecuted for blasphemy, [157];
is cheered by the people in Stockholm, [162], [163], [164];
attacks of Conservative press [163];
is found "not guilty," [164];
is denounced by feminists, [165];
advocates rights of women and marriage reform, [167];
views of, on spiritual functions of motherhood, [168];
begins a series of naturalistic plays, [171];
on the educational value of the theatre, [206], [207];
views of, on theatre reform, [214], [215], [216], [217], [218];
obtains divorce from his first wife, [237];
second marriage of, [242];
becomes an alchemist, [251];
madness of, develops, [255];
persecutional mania of, becomes acute, [265];
prepares to die, [266];
fears detention in an asylum, [269];
love of, for his child, [271], [272];
is influenced by Roman Catholicism, [272], [280];
religious feeling of, [273], [279];
attitude of, towards theosophy, [274], [275];
recovery of, [275];
psychic development of, [276];
fiftieth birthday of, [288];
resumes the writing of drama, [288];
as an historical psychologist, [289], [301];
criticism of, as an historian, [301], [302], [303];
national celebration of, [319], [353], [354], [355];
tautology in the writings of, [332], [333];
philological studies of, [334];
attitude towards animals of, [348], [349];
third marriage of, [351];
last illness of, [353], [354];
Stronger, The, [204], [219], [222], [223], [322]
Studies in the History of Culture, [300]
Sudermann, [206]
Sue, Eugène, Le Juif Errant by, [47]
"Svenska Teatern," [326]
Swanwhite, [304], [305], [306], [351]
Swedenborg, Emanuel, [260], [267], [272], [273], [277], [280], [281], [282], [283]
Swedish Academy, The, [321], [324]
Swedish Destinies and Adventures, [150], [300], [325]
Swedish People, The, [148], [300]
Swift, Dean, [234]
Sylva Sylvarum, [241]
Symons, Arthur, Studies in Seven Arts by, [208]
T
Tasso, [255], [273]
Tchekhov, Anton, [204]; The Seagull by, [208]