CHAPTER IV.

SOULS IN PURGATORY.

As if pursued by the Furies, with uncovered head, his yellow locks fluttering in the wind, he rushed onward through the streets, over the long Elbe bridge, past the golden crucifix, which towered in the moonlight, and now along the river bank beneath the Brühl Terrace, following the river, and listening to the rippling waves, that murmur of peace and eternal rest.

The moon threw golden streaks of light on the river, and a long shadow on its bank, the shadow of the poet, who was hurrying on in grief and agony. Where? He did not know, he was not conscious that he was walking on the verge of an open grave; he was only instinctively seeking a solitude, a retreat where the ear of man could not hear, nor the eye of man see him. He wished to be alone with his grief, alone in the trying hour when he would be compelled to tear the fair blossom from his heart, and tread it under foot as though it were a poisonous weed. He wished to be alone with the tears which were gushing from his soul, with the cries of agony that escaped his quivering lips—alone in the great and solemn hour when the poet was once more to receive the baptism of tears, that his poetic children, his poems, might be nourished with the blood that flowed from his wounded breast.

He had now entered the little wood which at that time skirted the river bank a few hundred yards below the terrace. Its darkness and silence was what he had sought, and what he needed. Alone! Alone with his God and his grief! A loud cry of anguish escaped his breast and must have awakened the slumbering birds. The foliage of the trees was agitated by a plaintive whispering and murmuring, as though the birds were saying to the moonbeams: “Here is a man who is suffering, who is wrestling with his agony! Console him with your golden rays, good moon; give him of your peace, starry summer eve!”

Perhaps the moon heard the plaintive appeal of the birds and the spirits of the night, for at this moment it broke forth from the concealing clouds and showed its mild, luminous countenance, and pierced the forest with its golden beams, seeking him who had disturbed the peace of slumbering Nature with the agonized cry of his wakeful, tormenting grief.

There he lies, stretched out like a corpse, or like one in a trance. But the moon sees that he is not dead, not unconscious, and sadly witnesses the tears trickling down his countenance, and hears his sobs and wails, the wails of the genius suffering after the manner of humanity; and yet the spirit of God dwells in his exalted mind, and will give him strength to overcome this grief.

The night sheds a soft light on his tearful countenance, as though it greeted him with a heavenly smile; and the stars stand still and twinkle their greetings to the poet. The melody of the birds is hushed, and they listen in the foliage, as though they understood his lamentations. Schiller had now raised his head; the stillness and solitude of the night had cooled the burning fever of his soul.

“Is it then true, am I destined only to suffer and to be deceived? Years roll on and I have not yet enjoyed the golden fruits that life promises to man, the golden fruits of Arcadia. My heart was filled with such joyous anticipations, my soul longed for these fruits. Although the spring-time of my life has hardly begun, its blossoms have already withered. All is vanity and illusion! Falsehood alone can make men happy, truth kills them like God’s lightning! I have looked thee in the face again to-day, Truth, thou relentless divinity, and my heart burns in pain, and my soul is filled with agony. The poet is a prophet, my present condition proves it; what the poet in me sung, the poor child of humanity now experiences; my sufferings are boundless.”