Clouds swept over the sky, the winds were hushed, and the dense darkness of a winter's night fell like a pall over the dead. Not a soul came nigh the spot, and for hours the silence was unbroken by the footfall of any living creature or by the stirring of a withered leaf. And far away in the dead's man's home lay an oblivious woman, drenched in the sleep of opium.
It was near midnight when a carrier's cart, drawn by an old horse and lit by a feeble lantern, began to climb the silent hill. Weary with the labours of a long day, the carrier sat dozing among the village merchandise. Suddenly he woke with a start: his cart had stopped. Leaning forward, he peered ahead; and the gleam of his lantern fell on the stark figure of a man lying in the middle of the road. A larger mass, dimly outlined, lay immediately beyond. Raising his light a little higher, the carrier saw that the further object was the dead body of a horse.
FARMER JEREMY AND HIS WAYS
Mr Jeremy's system for the regulation of human life was summed up in the maxim, "Put your back into it"; and a lifetime of practising what he preached has endowed that part, or aspect, of his person with an astonishing vitality and developed it to an enormous size. Not without reason did our yeomanry sergeant exhibit his stock joke by informing Jeremy on parade that if only his head had been set the other way he would have had the finest chest in the British army.
But the full significance of Jeremy's back was not to be perceived by one who looked upon it from the drill-sergeant's point of view. It was not only the broadest but the most expressive organ of the farmer's body, and a poet's eye was needed to interpret the meaning it conveyed. For myself, I should never have suspected that it meant anything more than great physical strength employed in a strenuous life, had not a poetical friend of mine taken the matter up and enlightened me. My friend and I were crossing a field by the footpath, and Jeremy, walking rapidly in the same direction, was a few yards ahead.
"There goes a man," I whispered, "who is worth your study. You could write a poem about him. He's one of the few remaining specimens of a type that is becoming extinct. He represents agriculture as it was before the advent of science and Radical legislation. He is the most honest and prosperous farmer in the county: a man, moreover, who has endured many sorrows and conquered them. Let us overtake him, for I should like you to see him face to face."
"Not so," said my friend. "The man's history, as you have told it, and much more beside, is written on his back. Let us remain, therefore, as we are, and study him where such men can best be studied, from the rear. His back, I perceive, especially the upper portion of it, is the principal organ of his intelligence. Observe, he is thinking with his back even now—he hitched his trousers up a moment ago. His thoughts are pleasant—you can see it in the rhythmical movement of the muscles under his coat. He has some great design on hand and is sure he can carry it through—see how his shoulders, as he swings along, seem to be tumbling forward over his chest. He has had great sorrows—the droop in the cervical vertebræ confirms it; he has conquered them—hence that forward plunge into his task. He understands his business; of course; for the back is the organ by which all business is understood. He is honest; he is temperate; he has never broken the seventh commandment. You can read his innocence in the back of his head—I wish mine were like his." And my poetical friend turned round and showed me his villainous cerebellum.
Thus enlightened, I began a closer study of the farmer's habits. I saw a new significance in an odd trick he had of suddenly swinging round on his heels at the interesting point of a conversation and delivering his remarks, and sometimes shaking his fist, with his back to the interlocutor. I say his back, but functionally considered it was not so; since at those moments the functions of the two sides of his body were interchanged, the organ of expression being the side now towards you, with every smile and frown accurately registered in the creases of the coat as they followed the movements of the muscles beneath. So, too, when Jeremy laughed. No doubt his face, while laughing, was expressive enough, but you couldn't see it, because it was turned the other way. What you did see was the farmer's coat, a tergo, twitching up and down as though pulled by a cord and then suddenly released like a Venetian blind; and this was quite enough to ensure your hearty participation in the merriment.