Previous to the establishment of the monarchical government, Thebes was the residence of the principal college of the priesthood, who ruled over the country. It is to this epoch that all writers refer the elevation of its most ancient edifices. The enumeration of them all would require more time than we have.
Here was the temple, or palace of Karnac, of Luxor; the Memnonium; and the Medineh-Tabou, or, as some other travelers spell it, Medinet-habou.
The temple, or the palace of Karnac was, without doubt, the most considerable monument of ancient Thebes. It was not less than a mile and a half in circumference, and enclosed about ten acres. M. Denon employed nearly twenty minutes on horseback in going round it, at full gallop. The principal entrance of the grand temple is on the northwest side, or that facing the river. From a raised platform commences an avenue of Crio-sphinxes leading to the front propyla, before which stood two granite statues of a Pharaoh. One of these towers retains a great part of its original height, but has lost its summit and cornice. Passing through the pylon of these towers you arrive at a large open court, or area, 275 feet by 329 feet, with a covered corridor on either side, and a double line of columns down the centre. Other propylæa terminate this area, with a small vestibule before the pylon, and form the front of the grand hall of assembly, the lintel stones of whose doorway were forty feet ten inches in length. The grand hall, or hypostyle hall, measures 170 feet by 329 feet, supported by a central avenue of twelve massive columns, 62 feet high (without the plinth or abacus), and 36 feet in circumference; besides 122 of smaller, or, rather less gigantic dimensions, 42 feet 5 inches in height, and 28 feet in circumference, distributed in seven lines, on either side of the former. It had in front two immense courts, adorned by ranges of columns, some of which were sixty feet high, and others eighty; and at their respective entrances there were two colossal statues on the same scale. In the middle of the second court there were four obelisks of granite of a finished workmanship, three of which are still standing. They stood before the sanctuary, built all of granite, and covered with sculptures representing symbolical attributes of the god to whom the temple was consecrated. This was the Maker of the universe, the Creator of all things, the Zeus of the Greeks, the Jupiter of the Latins, but the Ammon of the Egyptians. By the side of the sanctuary there were smaller buildings, probably the apartments of those attached to the service of the temple; and behind it other habitations, adorned with columns and porticos, which led into another immense court, having on each side closed passages, or corridors, and at the top a covered portico, or gallery, supported by a great number of columns and pilasters. In this way the sanctuary was entirety surrounded by these vast and splendid buildings, and the whole was enclosed by a wall, covered internally and externally with symbols and hieroglyphics, which went round the magnificent edifice.
COLUMNS OF KARNAC.[ToList]
Beyond this wall there were other buildings, and other courts, filled with colossal statues of grey and white marble. These buildings, or temples, communicated with each other by means of galleries and passages, adorned with columns and statues. The most striking circumstance, however, is, that attached to this palace are the remains of a much more considerable edifice, of higher antiquity, which had been introduced into the general plan when this magnificent building was restored by the Pharaoh Amenophis, the third king of the eighteenth dynasty, nearly 4,000 years ago. This more ancient edifice, or rather its ruins, are considered to be more than 4,000 years old, or 2,272 years Before Christ. A second wall enclosed the whole mass of these immense and splendid buildings, the approach to which was by means of avenues, having on their right and left colossal figures of sphinxes. In one avenue they had the head of a bull; in another they were represented with a human head; in a third with a ram's head. This last was a mile and a half in length, began at the southern gate, and led to the temple of Luxor.
Dr. Manning says: "We now enter the most stupendous pile of remains (we can hardly call them ruins) in the world. Every writer who has attempted to describe them avows his inability to convey any adequate idea of their extent and grandeur. The long covered avenues of sphinxes, the sculptured corridors, the columned aisles, the gates and obelisks, and colossal statues, all silent in their desolation, fill the beholder with awe." (See cut on page 463.)
There is no exaggeration in Champollion's words: "The imagination, which, in Europe, rises far above our porticos, sinks abashed at the foot of the 140 columns of the hypostyle hall at Karnac. The area of this hall is 70,629 feet; the central columns are thirty-six feet in circumference and sixty-two feet high, without reckoning the plinth and abacus. They are covered with paintings and sculptures, the colors of which are wonderfully fresh and vivid. If, as seems probable, the great design of Egyptian architecture was to impress man with a feeling of his own littleness, to inspire a sense of overwhelming awe in the presence of the Deity, and at the same time to show that the monarch was a being of superhuman greatness, these edifices were well adapted to accomplish their purpose. The Egyptian beholder and worshiper was not to be attracted and charmed, but overwhelmed. His own nothingness and the terribleness of the power and the will of God was what he was to feel. But, if the awfulness of Deity was thus inculcated, the divine power of the Pharaoh was not less strikingly set forth. He is seen seated amongst them, nourished from their breasts, folded in their arms, admitted to familiar intercourse with them. He is represented on the walls of the temple as of colossal stature, while the noblest of his subjects are but pigmies in his presence; with one hand he crushes hosts of his enemies, with the other he grasps that of his patron deity.