Museum of Antiquity: A Description of Ancient Life

by L. W. Yaggy; T. L. Haines

"The Pharaoh was the earthly manifestation and avatar of the unseen and mysterious power which oppressed the souls of man with terror. 'I am Pharaoh,' 'By the life of Pharaoh,' 'Say unto Pharaoh whom art thou like in thy greatness.' These familiar phrases of Scripture gain a new emphasis of meaning as we remember them amongst these temple palaces."

Speaking of this magnificent temple, and of the avenue of sphinxes we have just mentioned, Belzoni exclaims, that "on approaching it the visitor is inspired with devotion and piety; their enormous size strikes him with wonder and respect to the gods to whom they were dedicated. The immense colossal statues, which are seated at each side of the gate, seems guarding the entrance to the holy ground; still farther on was the majestic temple, dedicated to the great God of the creation." And a little after, "I was lost," says he, "in a mass of colossal objects, every one of which was more than sufficient of itself alone to attract my whole attention. I seemed alone in the midst of all that is most sacred in the world; a forest of enormous columns, adorned all round with beautiful figures and various ornaments from top to bottom. The graceful shape of the lotus, which forms their capitals, and is so well-proportioned to the columns, that it gives to the view the most pleasing effect; the gates, the walls, the pedestals, and the architraves also adorned in every part with symbolical figures in basso relievo and intaglio, representing battles, processions, triumphs, feasts, offerings, and sacrifices, all relating to the ancient history of the country; the sanctuary, wholly formed of fine red granite, with the various obelisks standing before it, proclaiming to the distant passenger, 'Here is the seat of holiness;' the high portals, seen at a distance from the openings of the vast labyrinth of edifices; the various groups of ruins of the other temples within sight; these altogether had such an effect upon my soul as to separate me, in imagination, from the rest of mortals, exalt me on high over all, and cause me to forget entirely the trifles and follies of life. I was happy for a whole day, which escaped like a flash of lightning."

Such is the language of Belzoni in describing these majestic ruins, and the effect they had upon him. Strong and enthusiastic as his expressions may, perhaps, appear, they are perfectly similar, we assure you, to those of other travelers. They all seem to have lost the power of expressing their wonder and astonishment, and frequently borrow the words and phrases of foreign nations to describe their feelings at the sight of these venerable and gigantic efforts of the old Egyptians.

We have said that this avenue of sphinxes led to the temple of Luxor.

This second temple, though not equal to that of Karnac in regard to its colossal proportions, was its equal in magnificence, and much superior to it in beauty and style of execution.

At its entrance there still stand two obelisks 100 feet high, and of one single block covered with hieroglyphics executed in a masterly style. It is at the feet of these obelisks that one may judge of the high degree of perfection to which the Egyptians had carried their knowledge in mechanics. We have seen that it costs fortunes to move them from their place. They were followed by two colossal statues forty feet high. After passing through three different large courts, filled with columns of great dimensions, the traveler reached the sanctuary, surrounded by spacious halls supported by columns, and exhibiting the most beautiful mass of sculpture in the best style of execution.

"It is absolutely impossible," again exclaims Belzoni, "to imagine the scene displayed, without seeing it. The most sublime ideas that can be formed from the most magnificent specimens of our present architecture, would give a very incorrect picture of these ruins. It appeared to me like entering a city of giants, who, after a long conflict, were all destroyed, leaving ruins of their various temples, as the only proofs of their former existence. The temple of Luxor," he adds, "presents to the traveler at once one of the most splendid groups of Egyptian grandeur. The extensive propylæon, with the two obelisks, and colossal statues in the front; the thick groups of enormous columns, the variety of apartments, and the sanctuary it contains. The beautiful ornaments which adorn every part of the walls and columns, cause in the astonished traveler an oblivion of all that he has seen before."

So far Belzoni; and in this he is borne out by Champollion, who speaks of Thebes in terms of equal admiration. "All that I had seen, all that I had admired on the left bank," says this learned Frenchman, "appeared miserable in comparison with the gigantic conceptions by which I was surrounded at Karnac. I shall take care not to attempt to describe any thing; for either my description would not express the thousandth part of what ought to be said, or, if I drew a faint sketch, I should be taken for an enthusiast, or, perhaps, for a madman. It will suffice to add, that no people, either ancient or modern, ever conceived the art of architecture on so sublime and so grand a scale as the ancient Egyptians."

The Great Pyramid, which is yet an enigma, stands for our astonishment. Herodotus tells us, when speaking of the Labyrinth of Egypt, that it had 3,000 chambers, half of them above and half below ground. He says, "The upper chambers I myself passed through and saw, and what I say concerning them is from my own observation. Of the underground chambers I can only speak from the report, for the keepers of the building could not be got to show them, since they contained, as they said, the sepulchres of the kings who built the labyrinth, and also those of the sacred crocodiles; thus it is from hearsay only that I can speak of the lower chambers. The upper chambers, however, I saw with my own eyes, and found them to excel all other human productions. The passage through the houses, and the various windings of the path across the courts, excited in me infinite admiration, as I passed from the courts into the chambers, and from chambers into colonnades, and from colonnades into fresh houses, and again from these into courts unseen before. The roof was throughout of stone like the walls, and the walls were carved all over with figures. Every court was surrounded with a colonnade, which was built of white stone exquisitely fitted together. At the corner of the labyrinth stands a pyramid forty fathoms high, with large figures engraved on it, which is entered by a subterranean passage." No one who has read an account of the Great Pyramid of Egypt, the building of Solomon's Temple, and of the ruins of ancient stone buildings still remaining, will doubt the ability of the ancients in the art of building with stones. Baalbec has probably the largest stones ever used.