It is not until after this consolidation of the trade that we hear of the kirigirisu,—the same musical insect which the poet Kikaku had vainly tried to buy in the city in 1687,—being sold in Yedo. One of the guild known as Mushiya Kojirō (“Kojirō the Insect-Merchant”), who did business in Honjō-Ku, returning to the city after a short visit to his native place in Kadzusa, brought back with him a number of kirigirisu, which he sold at a good profit. Although long famous elsewhere, these insects had never before been sold in Yedo.

“When Midzu Echizen-no-Kami,” says the chronicle, “became machi-bugyō (or chief magistrate) of Yedo, the law limiting the number of insect-dealers to thirty-six, was abolished.” Whether the guild was subsequently dissolved the chronicle fails to mention.

Kiriyama, the first to breed singing-insects artificially, had, like Chūzō, built up a prosperous trade. He left a son, Kaméjirō, who was adopted into the family of one Yumoto, living in Waséda, Ushigomé-ku. Kaméjirō brought with him to the Yumoto family the valuable secrets of his father’s occupation; and the Yumoto family is still celebrated in the business of insect breeding.

To-day the greatest insect-merchant in Tōkyō is said to be Kawasumi Kanésaburō, of Samon-chō in Yotsuya-ku. A majority of the lesser dealers obtain their autumn stock from him. But the insects bred artificially, and sold in summer, are mostly furnished by the Yumoto house. Other noted dealers are Mushi-Sei, of Shitaya-ku, and Mushi-Toku, of Asakusa. These buy insects caught in the country, and brought to the city by the peasants. The wholesale dealers supply both insects and cages to multitudes of itinerant vendors who do business in the neighborhood of the parish-temples during the en-nichi, or religious festivals,—especially after dark. Almost every night of the year there are en-nichi in some quarter of the capital; and the insect-sellers are rarely idle during the summer and autumn months.

Perhaps the following list of current Tōkyō prices[10] for singing-insects may interest the reader:—

Suzumushi3sen 5 rin, to4sen.
Matsumushi4„5„
Kantan10„12„
Kin-hibari10„12„
Kusa-hibari10„12„
Kuro-hibari8„12„
Kutsuwamushi10„15„
Yamato-suzu8„12„
Kirigirisu12„15„
Emma-kōrogi5„
Kanétataki12„
Umaoi10„

These prices, however, rule only during the busy period of the insect trade. In May and the latter part of June the prices are high,—for only artificially bred insects are then in the market. In July kirigirisu brought from the country will sell as low as one sen. The kantan, kusa-hibari, and Yamato-suzu sell sometimes as low as two sen. In August the Emma-kōrogi can be bought even at the rate of ten for one sen; and in September the kuro-hibari, kanétataki, and umaoi sell for one or one and a half sen each. But there is little variation at any season in the prices of suzumushi and of matsumushi. These are never very dear, but never sell at less than three sen; and there is always a demand for them. The suzumushi is the most popular of all; and the greater part of the profits annually made in the insect-trade is said to be gained on the sale of this insect.

IV

As will be seen from the foregoing price-list, twelve varieties of musical insects are sold in Tōkyō. Nine can be artificially bred,—namely the suzumushi, matsumushi, kirigirisu, kantan, kutsuwamushi, Emma-kōrogi, kin-hibari, kusa-hibari (also called Asa-suzu), and the Yamato-suzu, or Yoshino-suzu. Three varieties, I am told, are not bred for sale, but captured for the market: these are the kanétataki, umaoi or hataori, and kuro-hibari. But a considerable number of all the insects annually offered for sale, are caught in their native haunts.