He arrived in New York on November 10, 1924. That evening I attended a dance given in Harlem by the National Association for the Advancement of Colored People. Some time during the course of the night, Walter White asked me to meet two young Negro poets. He introduced me to Countée Cullen and Langston Hughes. Before that moment I had never heard of either of them.
II
I have merely sketched a primitive outline of a career as rich in adventures as a fruit-cake is full of raisins. I have already stated that I hope Langston Hughes may be persuaded to set it down on paper in the minutest detail, for the bull-fights in Mexico, the drunken gaiety of the Grand Duc, the delicately exquisite grace of the little black girls at Burutu, the exotic languor of the Spanish women at Valencia, the barbaric jazz dances of the cabarets in New York’s own Harlem, the companionship of sailors of many races and nationalities, all have stamped an indelible impression on the highly sensitized, poetic imagination of this young Negro, an impression which has found its initial expression in the poems assembled in this book.
And also herein may be discerned that nostalgia for color and warmth and beauty which explains this boy’s nomadic instincts.
“We should have a land of sun,
Of gorgeous sun,
And a land of fragrant water
Where the twilight
Is a soft bandanna handkerchief
Of rose and gold,