But, at all events, the Jew is a man; and with Shakespeare's assistance the time has arrived when we can afford to acknowledge the horse for a fellow-creature, and treat him as one. We may say for him, upon the same grounds and to the same purpose, as Shakespeare said for the Israelite, "Hath not a horse organs, dimensions, senses, affections, passions? hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is?" Oh—but some are always at hand to cry out—it would be effeminate to think too much of these things!—Alas! we have no notion of asking the gentlemen to think too much of anything. If they will think at all, it will be a great gain.
As to effeminacy (if we must use that ungallant and partial word, for want of a better) it is cruelty that is effeminate. It is selfishness that is effeminate. Anything is effeminate which would get an excitement, or save a proper and manly trouble, at the undue expense of another. How does the case stand then between those who ill-treat their horses and those who spare them?
To return to the coach. Imagine a fine coach and pair, which are standing at the door of a house, in all the pride of their strength and beauty, converted into what they may both become, a hackney, and its old shamblers. Such is one of the meditations of the philosophic eighteen-penny rider. A hackney-coach has often the arms of nobility on it. As we are going to get into it we catch a glimpse of the faded lustre of an earl's or marquis's coronet, and think how many light and proud hearts have ascended those now rickety steps.
In this coach perhaps an elderly lady once rode to her wedding, a blooming and blushing girl. Her mother and sister were on each side of her; the bridegroom opposite in a blossom-coloured coat. They talk of everything in the world of which they are not thinking. The sister was never prouder of her. The mother with difficulty represses her own pride and tears. The bride, thinking he is looking at her, casts down her eyes, pensive in her joy.
The bridegroom is at once the proudest, and the humblest, and the happiest man in the world. For our parts, we sit in a corner, and are in love with the sister. We dream she is going to speak to us in answer to some indifferent question, when a hoarse voice comes in at the front window and says, "Whereabouts, sir?"
And grief has consecrated thee, thou reverend dilapidation, as well as joy! Thou hast carried unwilling as well as willing hearts; hearts that have thought the slowest of thy paces too fast; faces that have sat back in a corner of thee, to hide their tears from the very thought of being seen.
In thee the destitute have been taken to the poor-house, and the wounded and sick to the hospital; and many an arm has been round many an insensible waist. Into thee the friend or the lover has hurried, in a passion of tears, to lament his loss.
In thee he has hastened to condole the dying or the wretched. In thee the father, or mother, or the older kinswoman, more patient in her years, has taken the little child to the grave, the human jewel that must be parted with.