Ben Jonson, in a fit of indignation at the niggardliness of James the First, exclaimed, "He despises me, I suppose, because I live in an alley:—tell him his soul lives in an alley." We think we see a hackney-coach moving out of its ordinary patience, and hear it say, "You there, who sit looking so scornfully at me out of your carriage, are yourself the thing you take me for. Your understanding is a hackney-coach. It is lumbering, rickety, and at a stand. When it moves it is drawn by things like itself. It is at once the most stationary and the most servile of commonplaces. And when a good thing is put into it, it does not know it."
But it is difficult to imagine a hackney-coach under so irritable an aspect. Hogarth has drawn a set of hats or wigs with countenances of their own. We have noticed the same thing in the faces of houses; and it sometimes gets in one's way in a landscape-painting, with the outlines of the rocks and trees.
A friend tells us that the hackney-coach has its countenance, with gesticulation besides: and now he has pointed it out, we can easily fancy it. Some of them look chucked under the chin, some nodding, some coming at you sideways. We shall never find it easy, however, to fancy the irritable aspect above-mentioned.
A hackney-coach always appeared to us the most quiescent of movables. Its horses and it, slumbering on a stand, are an emblem of all patience in creation, animate and inanimate.
The submission with which the coach takes every variety of the weather, dust, rain, and wind, never moving but when some eddying blast makes its old body shiver, is only surpassed by the vital patience of the horses.
Can anything better illustrate the poet's line about
"—Years that bring the philosophic mind,"
than the still-hung head, the dim indifferent eye, the dragged and blunt-cornered mouth, and the gaunt imbecility of body dropping its weight on three tired legs in order to give repose to the lame one? When it has blinkers on, they seem to be shutting up its eyes for death, like the windows of a house. Fatigue and the habit of suffering have become as natural to the creature as the bit to its mouth.
Once in half-an-hour it moves the position of its leg, or shakes its drooping ears. The whip makes it go, more from habit than from pain. Its coat has become almost callous to minor stings. The blind and staggering fly in autumn might come to die against its cheek.
Of a pair of hackney-coach horses, one so much resembles the other that it seems unnecessary for them to compare notes. They have that within them which is beyond the comparative. They no longer bend their heads towards each other as they go. They stand together as if unconscious of one another's company. But they are not.