Most unhappily for this speculation (and perhaps even the good-natured Gonzaga took a little more pleasure in it on that account), Alfonso inherited all the detestation of his house for that lucky race; and it is remarkable, that the same jealousies which hindered Ariosto's advancement with the Medici were still more fatal to the hopes of Tasso; for they served to plunge him into the deepest adversity. In vain he had warnings given him, both friendly and hostile. The princess, now Duchess of Urbino, who was his particular friend, strongly cautioned him against the temptation of going away. She said he was watched. He himself thought his letters were opened; and probably they were. They certainly were at a subsequent period. Tasso, however, persisted, and went to Rome. Scipio Gonzaga introduced him to Cardinal Ferdinand de' Medici, afterwards Grand Duke of Tuscany; and Ferdinand made him offers of protection so handsome, that they excited his suspicion. The self-tormenting poet thought they savoured more of hatred to the Este family, than honour to himself.[10] He did not accept them. He did nothing at Rome but make friends, in order to perplex them; listen to his critics, in order to worry himself; and perform acts of piety in the churches, by way of shewing that the love-scenes in the Jerusalem were innocent. For the bigots had begun to find something very questionable in mixing up so much love with war. The bloodshed they had no objection to. The love bearded their prejudices, and excited their envy.
Tasso returned to Ferrara, and endeavoured to solace himself with eulogising two fair strangers who had arrived at Alfonso's court,—Eleonora Sanvitale, who had been newly married to the Count of Scandiano (a Tiene, not a Boiardo, whose line was extinct), and Barbara Sanseverino, Countess of Sala, her mother-in-law. The mother-in-law, who was a Juno-like beauty, wore her hair in the form of a crown. The still more beautiful daughter-in-law had an under lip such as Anacreon or Sir John Suckling would have admired,—pouting and provoking,—[prokaloymenon phileama]. Tasso wrote verses on them both, but particularly to the lip; and this Countess of Scandiano is the second, out of the three Leonoras, with whom Tasso was said by his friend Manso to have been in love. The third, it is now ascertained, never existed; and his love-making to the new, or second Leonora, goes to shew how little of real passion there was in the praises of the first (the Princess Leonora), or probably of any lady at court. He even professed love, as a forlorn hope, to the countess's waiting-maid. Yet these gallantries of sonnets are exalted into bewilderments of the heart.
His restlessness returning, the poet now condescended to craft a second time. Expecting to meet with a refusal, and so to be afforded a pretext for quitting Ferrara, he applied for the vacant office of historiographer. It was granted him; and he then disgusted the Medici by pleading an unlooked-for engagement, which he could only reconcile to his applications for their favour by renouncing his claim to be believed. If he could have deceived others, why might he not have deceived them?
All the lurking weakness of the poet's temperament began to display itself at this juncture. His perplexity excited him to a degree of irritability bordering on delirium; and circumstances conspired to increase it. He had lent an acquaintance the key of his rooms at court, for the purpose (he tells us) of accommodating some intrigue; and he suspected this person of opening cabinets containing his papers. Remonstrating with him one day in the court of the palace, either on that or some other account, the man gave him the lie. He received in return a blow on the face, and is said by Tasso to have brought a set of his kinsmen to assassinate him, all of whom the heroical poet immediately put to flight. At one time he suspected the duke of jealousy respecting the dedication of his poem, and at another, of a wish to burn it. He suspected his servants. He became suspicious of the truth of his friend Gonzaga. He doubted, even, whether some praises addressed to him by Orazio Ariosto, the nephew of the great poet, which, one would have thought, would have been to him a consummation of bliss, were not intended to mystify and hurt him. At length he fancied that his persecutors had accused him of heresy to the Inquisition; and, as he had gone through the metaphysical doubts, common with most men of reflection respecting points of faith and the mysteries of creation, he feared that some indiscreet words had escaped him, giving colour to the charge. He thus beheld enemies all around him. He dreaded stabbing and poison; and one day, in some paroxysm of rage or horror, how occasioned it is not known, ran with a knife or dagger at one of the servants of the Duchess of Urbino in her own chamber.
Alfonso, upon this, apparently in the mildest and most reasonable manner, directed that he should be confined to his apartments, and put into the hands of the physician. These unfortunate events took place in the summer of 1577, and in the poet's thirty-third year.
Tasso shewed so much affliction at this treatment, and, at the same time, bore it so patiently, that the duke took him to his beautiful country seat of Belriguardo; where, in one of his accounts of the matter, the poet says that he treated him as a brother; but in another, he accuses him of having taken pains to make him criminate himself, and confess certain matters, real or supposed, the nature of which is a puzzle with posterity. Some are of opinion (and this is the prevailing one), that he was found guilty of being in love with the Princess Leonora, perhaps of being loved by herself. Others think the love out of the question, and that the duke was concerned at nothing but his endeavouring to transfer his services and his poetic reputation into the hands of the Medici. Others see in the duke's conduct nothing but that of a good master interesting himself in the welfare of an afflicted servant.
It is certain that Alfonso did all he could to prevent the surreptitious printing of the Jerusalem Delivered in various towns of Italy, the dread of which had much afflicted the poet; and he also endeavoured, though in vain, to ease his mind on the subject of the Inquisition; for these facts are attested by state-papers and other documents, not dependent either on the testimony of third persons or the partial representations of the sufferer. But Tasso felt so uneasy at Belriguardo, that he requested leave to retire a while into a convent. He remained there several days, apparently so much to his satisfaction, that he wrote to the duke to say that it was his intention to become a friar; and, yet he had no sooner got into the place, than he addressed a letter to the Inquisition at Rome, beseeching it to desire permission for him to come to that city, in order to clear himself from the charges of his enemies. He also wrote to two other friends, requesting them to further his petition; and adding that the duke was enraged with him in consequence of the anger of the Grand Duke of Tuscany, who, it is supposed, had accused Tasso of having revealed to Alfonso some indecent epithet which his highness had applied to him.[11] These letters were undoubtedly intercepted, for they were found among the secret archives of Modena, the only principality ultimately remaining in the Este family; so that, agreeably to the saying of listeners hearing no good of themselves, if Alfonso did not know the epithet before, he learnt it then. The reader may conceive his feelings. Tasso, too, at the same time, was plaguing him with letters to similar purpose; and it is observable, that while in those which he sent to Rome he speaks of Cosmo de' Medici as "Grand Duke," he takes care in the others to call him simply the "Duke of Florence." Alfonso had been exasperated to the last degree at Cosmo's having had the epithet "Grand" added by the Pope to his ducal title; and the reader may imagine the little allowance that would be made by a haughty and angry prince for the rebellious courtesy thus shewn to a detested rival. Tasso, furthermore, who had not only an infantine hatred of bitter "physic," but reasonably thought the fashion of the age for giving it a ridiculous one, begged hard, in a manner which it is humiliating to witness, that he might not be drenched with medicine. The duke at length forbade his writing to him any more; and Tasso, whose fears of every kind of ill usage had been wound up to a pitch unbearable, watched an opportunity when he was carelessly guarded, and fled at once from the convent and Ferrara.
The unhappy poet selected the loneliest ways he could find, and directed his course to the kingdom of Naples, where his sister lived. He was afraid of pursuit; he probably had little money; and considering his ill health and his dread of the Inquisition, it is pitiable to think what he may have endured while picking his long way through the back states of the Church and over the mountains of Abruzzo, as far as the Gulf of Naples. For better security, he exchanged clothes with a shepherd; and as he feared even his sister at first, from doubting whether she still loved him, his interview with her was in all its circumstances painfully dramatic. Cornelia Tasso, now a widow, with two sons, was still residing at Sorrento, where the poet, casting his eyes around him as he proceeded towards the house, must have beheld with singular feelings of wretchedness the lovely spots in which he had been a happy little boy. He did not announce himself at once. He brought letters, he said, from the lady's brother; and it is affecting to think, that whether his sister might or might not have retained otherwise any personal recollection of him since that time (for he had not seen her in the interval), his disguise was completed by the alterations which sorrow had made in his appearance. For, at all events, she did not know him. She saw in him nothing but a haggard stranger who was acquainted with the writer of the letters, and to whom they referred for particulars of the risk which her brother ran, unless she could afford him her protection. These particulars were given by the stranger with all the pathos of the real man, and the loving sister fainted away. On her recovery, the visitor said what he could to reassure her, and then by degrees discovered himself. Cornelia welcomed him in the tenderest manner. She did all that he desired; and gave out to her friends that the gentleman was a cousin from Bergamo, who had come to Naples on family affairs.
For a little while, the affection of his sister, and the beauty and freshness of Sorrento, rendered the mind of Tasso more easy: but his restlessness returned. He feared he had mortally offended the Duke of Ferrara; and, with his wonted fluctuation of purpose, he now wished to be restored to his presence for the very reason he had run away from it. He did not know with what vengeance he might be pursued. He wrote to the duke; but received no answer. The Duchess of Urbino was equally silent. Leonora alone responded, but with no encouragement. These appearances only made him the more anxious to dare or to propitiate his doom; and he accordingly determined to put himself in the duke's hands. His sister entreated him in vain to alter his resolution. He quitted her before the autumn was over; and, proceeding to Rome, went directly to the house of the duke's agent there, who, in concert with the Ferrarese ambassador, gave his master advice of the circumstance. Gonzaga, however, and another good friend, Cardinal Albano, doubted whether it would be wise in the poet to return to Ferrara under any circumstances. They counselled him to be satisfied with being pardoned at a distance, and with having his papers and other things returned to him; and the two friends immediately wrote to the duke requesting as much. The duke apparently acquiesced in all that was desired; but he said that the illness of his sister, the Duchess of Urbino, delayed the procuration of the papers, which, it seems, were chiefly in her hands. The upshot was, that the papers did not come; and Tasso, with a mixture of rage and fear, and perhaps for more reasons than he has told, became uncontrollably desirous of retracing the rest of his steps to Ferrara.
Love may have been among these reasons—probably was; though it does not follow that the passion must have been for a princess. The poet now, therefore, petitioned to that effect; and Alfonso wrote again, and said he might come, but only on condition of his again undergoing the ducal course of medicine; adding, that if he did not, he was to be finally expelled his highness's territories.