Hero Tales and Legends of the Rhine

by Lewis Spence

Its Original Form

In the beginning of the nineteenth century Karl Lachmann, a philologist of some repute, put forward the theory that the poem was made up of a number of distinct ballads or lays, and he eliminated from it all parts which appeared to him to be interpolations. This reduced the whole to twenty lays, which he considered the work of twenty separate minstrels; but if certain ballads relating to episodes in the Nibelungenlied once existed in Germany it is the spirit of these more than the matter which is incorporated into the great epic. In medieval times, when the Nibelungenlied story was popular, minnesingers and harpers, in an attempt to please their audiences, would cast about for fresh incidents to introduce into the story. Popular as was the tale, even a medieval audience could tire of the oft-repeated exploits of its dramatis personae, and the minstrel, dependent upon their goodwill for bed and board, would be quick to note when the tale fell flat. Accordingly he would attempt to infuse into it some new incident or series of incidents, culled from other stories more often than not self-created. Such an interpolation is probably to be noted in the presence of Dietrich of Bern, otherwise Theodoric the Ostrogoth, at the court of Etzel or Attila. To say nothing of the probability of anachronism, geographical conditions are not a little outraged in the adoption of this incident, but the question arose who was to worst the mighty Hagen, whose sombre figure dominates in its gloomy grandeur the latter part of the saga. It would not do for any Hunnish champion to vie successfully with the Burgundian hero, but it would be no disgrace for him to be beaten by Dietrich, the greatest champion of antiquity, who, in fact, is more than once dragged into the pages of romance for the purpose of administering an honourable defeat to a hitherto unconquered champion. We can thus see how novel and subsidiary passages might attach themselves to the epic.

But a day came when the minnesingers of Germany felt that it behoved them to fix once and for all time the shape of the Lay of the Nibelungs. Indeed, not one, but several poets laboured at this task. That they worked with materials immediately to their hand is seen from the circumstance that we have proof of a Low German account, and a Rhenish version which was evidently moulded into its present shape by an Austrian or Tyrolese craftsman—a singer well versed in court poetry and courtly etiquette. The date when the Nibelungenlied received its latest form was probably about the end of the twelfth century, and this last version was the immediate source of our present manuscripts. The date of the earliest known manuscript of the Nibelungenlied is comparatively late. We possess in all twenty-eight more or less complete manuscripts preserved in thirty-one fragments, fifteen of which date from the thirteenth and fourteenth centuries.

Its Fragmentary Nature

Even a surface examination is sufficient to testify to the fragmentary nature of the Nibelungenlied. We can discern through the apparent unity of texture of the work as we now possess it the patchwork where scribe or minstrel has interpolated this incident or joined together these passages to secure the necessary unity of narrative. Moreover, in none of the several versions of the Siegfried epic do we get the ‘whole story.’ One supplements another. And while we shall follow the Nibelungenlied itself as closely as possible we shall in part supplement it from other kindred sources, taking care to indicate these where we find it necessary to introduce them.

Kriemhild’s Dream

In the stately town of Worms, in Burgundy, dwelt the noble and beauteous maiden Kriemhild, under the care of her mother Ute, and her brothers Gunther, Gernot, and Giselher. Great was the splendour and state which they maintained, and many and brave were the warriors who drank wine at their board. Given to martial exercises were those men of might, and day by day the courts of the palace rang to the clangor of sword-play and manly sport. The wealth of the chiefs was boundless, and no such magnificence as theirs was known in any German land, or in any land beyond the German frontiers.

But with all this stateliness and splendour Kriemhild, the beautiful, was unhappy. One night she had had an ominous dream. She dreamed that she had tamed a falcon strong and fierce, a beauteous bird of great might, but that while she gazed on it with pride and affection two great eagles swooped from the sky and tore it to pieces before her very eyes. Affected by this to an extent that seemed inexplicable, she related her dream to her mother, Ute, a dame of great wisdom, who interpreted it as foretelling for her a noble husband, “whom God protect, lest thou lose him too early.” Kriemhild, in dread of the omen, desired to avert it by remaining unwed, a course from which her mother attempted to dissuade her, telling her that if ever she were destined to know heartfelt joy it would be from a husband’s love.

Siegfried

Siegfried, of the Netherlands, son of Siegmund and Sieglind, a warrior bold as he was young and comely, having heard of the great beauty of Kriemhild, desired to visit Worms that he might see the far-famed princess for himself. Until this time he had been wandering through the world doing great deeds: he had won the sword and treasure of the Nibelungs, had overcome their monarchs, had conquered a dwarf Alberich, gaining possession of his cloak of darkness. Hagen, a mighty Burgundian paladin (in a passage which is obviously adapted from another version for the purpose of recounting Siegfried’s previous adventures), tells how “he had slain a dragon and made himself invulnerable by bathing in its blood. We must receive him graciously, and avoid making him our enemy.” Siegfried sojourned at Worms for over a year, distinguishing himself in all the martial exercises of the Burgundians and rendering them splendid service in their wars against the Saxons and Danes. A year passed without his having been allowed to meet Kriemhild, who in secret cherished the utmost admiration for him. Chagrined at the treatment meted out to him, he finally made up his mind to depart. But his hosts did not desire to lose such a valuable ally, and brought about a meeting between him and the lady of his dreams. The passage describing their first sight of one another is full of the essence of romance.