The royal cavalcade now pressed onward, and the captives were conducted to their allotted prison in the Vermilion Towers. The residence provided for the princesses was all that imagination could ask and splendour devise. It was situated in a tower somewhat apart from the main palace of the Alhambra, and on one side was cheered by the prospect of a garden beautiful as the first step into paradise, while on the other it overlooked a deep and umbrageous ravine that separated the grounds of the Alhambra from those of the Generalife. But to the beauties of this delightful place the princesses were blind. They languished visibly, and by none was their indisposition remarked so shrewdly as by old Kadiga, who guessed its cause without any great difficulty. Taking pity upon their forlorn condition, she told them that as she was passing the Vermilion Towers on the preceding evening she heard the cavaliers singing after the day’s labours to the strains of a guitar, and at the request of the princesses she arranged with their jailer that they should be set to work in the ravine, beneath the windows of the damsels’ apartments.

The very next day the captives were given labour which necessitated their presence in the ravine. During the noontide heat, while their guards were sleeping, they sang a Spanish roundelay to the accompaniment of the guitar. The princesses listened, and heard that it was a love ditty addressed to themselves. The ladies replied to the sound of a lute played by Zorayda, the burden of which was:

The rose by the screen of her leaves is concealed,

But the song of the nightingale pierces the shield.

Every day the cavaliers worked in the ravine, and an intercourse was maintained between them and the no less captive princesses by songs and romances which breathed the feelings of either party. In time the princesses showed themselves on the balcony when the guards were wrapped in noonday slumber. But at length this desirable condition of affairs was interrupted, for the three young nobles were ransomed by their families and repaired to Granada to commence their homeward journey. They approached the aged Kadiga, and requested her to assist them to fly with the princesses to Spain. This proposal the old dame communicated to her young mistresses, and finding that they embraced it with alacrity a plan of escape was arranged. The rugged hill on which the Alhambra is built was at that time tunnelled by many a subterranean passage leading from the fortress to various parts of the city, and Kadiga arranged to conduct the royal damsels by one of these to a sally-port beyond the walls of Granada, where the cavaliers were to be in waiting with swift horses to bear the whole party over the borders.

The appointed night arrived, and when the Alhambra was buried in deep sleep the princesses, accompanied by their duenna, descended from their apartments to the garden by means of a rope-ladder—all save Zorahayda, the youngest and most timorous, who at the decisive moment could not endure the idea of leaving her father. The advance of the night patrol which guarded the palace made it necessary for her sisters and Kadiga to fly without her. Groping their way through the fearful labyrinth, they succeeded in reaching the gate outside the walls. The Spanish cavaliers were waiting to receive them. The lover of Zorahayda was frantic when he learned that she had refused to leave the tower, but there was no time to waste in lamentations; the two princesses mounted behind their lovers, Kadiga behind another rider, and, dashing the spurs into the flanks of their steeds, the party galloped off at top speed.

They had not proceeded far when they heard the noise of an alarm from the battlements of the Alhambra, while a lurid watch-fire burst into flame on its topmost turret. Lashing their horses to a frenzy of speed, they succeeded in outdistancing their pursuers, and by taking unfrequented paths and hiding in wild barrancas they were at last so fortunate as to reach the city of Cordova, where the princesses were received into the bosom of the Church and united to their respective lovers.

Mohammed was well-nigh demented at the loss of his daughters, but, rather unnecessarily, took pains to redouble his watch over the one who had remained. The unfortunate Zorahayda, thus closely guarded, repented of her vacillation, and we are told that many a night she was seen leaning on the battlements of the tower in which she was confined, looking in the direction of Cordova. Legend, never very merciful either to heroine or reader, says that she died young, and her melancholy fate gave birth to many a sad ballad, both Moorish and Castilian, so that she was at least successful in inspiring song—a celebrity to which her more fortunate sisters did not attain.

The Story of Prince Ahmed