At Peten-Itza, Cortés left his horse, which had fallen sick, to the care of the Indians. The animal died under their mismanagement and because of the food offered it, and the terrified natives, fancying it a divine being, raised an image of it, and called it Izimin Chac (Thunder and Lightning), because they had seen its rider discharge a firearm, and they imagined that the flash and the report had proceeded from the creature. The sight of the idol aroused such wrath in the zealous bosom of a certain Spanish monk that he broke it with a huge stone—and, but for the interference of the cacique, would have suffered death for his temerity. Peten was a city “filled with idols,” as was Tayasal, close at hand, where in the seventeenth century no less than nine new temples were built, which goes to prove that the native religion was by no means extinct. One of these new temples, according to Villagutierre, had a Spanish balcony of hewn stone! In the Temple of the Sun at Tikal, an adjoining city, is a wonderful altar panel, representing an unknown deity, and here also are many of those marvellously carved idols of which Stephens gives such capital illustrations in his fascinating book.
Copan
Copan, one of the most interesting of these wondrous city-centres, the name of which has, indeed, become almost a household word, is in the same district as the towns just described, and abounds chiefly in monolithic images. It yielded after a desperate struggle to Hernandez de Chaves, one of Alvarado’s lieutenants, in 1530. The monolithic images so abundantly represented here are evolved from the stelæ and the bas-relief, and are not statues in the proper sense of the term, as they are not completely cut away from the stone background out of which they were carved. An altar found at Copan exhibits real skill in sculpture, the head-dresses, ornaments, and expressions of the eight figures carved on its sides being elaborate in the extreme and exceedingly lifelike. Here again we notice a fresh racial type, which goes to prove that one race alone cannot have been responsible for these marvellous ruined cities and all that they contain and signify. We have to imagine a shifting of races and a fluctuation of peoples in Central America such as we know took place in Europe and Asia before we can rightly understand the ethnological problems of the civilised sphere of the New World, and any theory which does not take due account of such conditions is doomed to failure.
Mitla
We now come to the last of these stupendous remnants of a vanished civilisation—Mitla, by no means the least of the works of civilised man in Central America. At the period of the conquest the city occupied a wide area, but at the present time only six palaces and three ruined pyramids are left standing. The great palace is a vast edifice in the shape of the letter T, and measures 130 feet in its greater dimension, with an apartment of a like size. Six monolithic columns which supported the roof still stand in gigantic isolation, but the roof itself has long fallen in. A dark passage leads to the inner court, and the walls of this are covered with mosaic work in panels which recalls somewhat the pattern known as the “Greek fret.” The lintels over the doorways are of huge blocks of stone nearly eighteen feet long. Of this building Viollet-le-Duc says: “The monuments of Greece and Rome in their best time can alone compare with the splendour of this great edifice.”
A Place of Sepulture
The ruins at Mitla bear no resemblance to those of Mexico or Yucatan, either as regards architecture or ornamentation, for whereas the Yucatec buildings possess overlapping walls, the palaces of Mitla consist of perpendicular walls intended to support flat roofs. Of these structures the second and fourth palaces alone are in such a state of preservation as to permit of general description. The second palace shows by its sculptured lintel and two inner columns that the same arrangement was observed in its construction as in the great palace just described. The fourth palace has on its southern façade oblong panels and interesting caryatides or pillars in the shape of human figures. These palaces consisted of four upper apartments, finely sculptured, and a like number of rooms on the lower story, which was occupied by the high-priest, and to which the king came to mourn on the demise of a relative. Here, too, the priests were entombed, and in an adjoining room the idols were kept. Into a huge underground chamber the bodies of eminent warriors and sacrificial victims were cast. Attempts have been made to identify Mitla with Mictlan, the Mexican Hades, and there is every reason to suppose that the identification is correct. It must be borne in mind that Mictlan was as much a place of the dead as a place of punishment, as was the Greek Hades, and therefore might reasonably signify a place of sepulture, such as Mitla undoubtedly was. The following passages from the old historians of Mitla, Torquemada and Burgoa, throw much light on this aspect of the city, and besides are full of the most intense interest and curious information, so that they may be given in extenso. But before passing on to them we should for a moment glance at Seler’s suggestion that the American race imagined that their ancestors had originally issued from the underworld through certain caverns into the light of day, and that this was the reason why Mitla was not only a burial-place but a sanctuary.