The Great God Pachacamac
Later Peruvian mythology recognised only three gods of the first rank, the earth, the thunder, and the creative agency. Pachacamac, the great spirit of earth, derived his name from a word pacha, which may be best translated as “things.” In its sense of visible things it is equivalent to “world,” applied to things which happen in succession it denotes “time,” and to things connected with persons “property,” especially clothes. The world of visible things is thus Mamapacha (Earth-Mother), under which name the ancient Peruvians worshipped the earth. Pachacamac, on the other hand, is not the earth itself, the soil, but the spirit which animates all things that emerge therefrom. From him proceed the spirits of the plants and animals which come from the earth. Pachamama is the mother-spirit of the mountains, rocks, and plains, Pachacamac the father-spirit of the grain-bearing plants, animals, birds, and man. In some localities Pachacamac and Pachamama were worshipped as divine mates. Possibly this practice was universal in early times, gradually lapsing into desuetude in later days. Pachamama was in another phase intended to denote the land immediately contiguous to a settlement, on which the inhabitants depended for their food-supply.
Peruvian Creation-Stories
It is easy to see how such a conception as Pachacamac, the spirit of animated nature, would become one with the idea of a universal or even a partial creator. That there was a pre-existing conception of a creative agency can be proved from the existence of the Peruvian name Conticsi-viracocha (He who gives Origin, or Beginning). This conception and that of Pachacamac must at some comparatively early period have clashed, and been amalgamated probably with ease when it was seen how nearly akin were the two ideas. Indeed, Pachacamac was alternatively known as Pacharurac, the “maker” of all things—sure proof of his amalgamation with the conception of the creative agency. As such he had his symbol in the great Coricancha at Cuzco, an oval plate of gold, suspended between those of the sun and the moon, and placed vertically, it may be hazarded with some probability, to represent in symbol that universal matrix from which emanated all things. Elsewhere in Cuzco the creator was represented by a stone statue in human form.
Pachayachachic
In later Inca days this idea of a creator assumed that of a direct ruler of the universe, known as Pachayachachic. This change was probably due to the influence of the Inca Pachacutic, who is known to have made several other doctrinal innovations in Peruvian theology. He commanded a great new temple to the creator-god to be built at the north angle of the city of Cuzco, in which he placed a statue of pure gold, of the size of a boy of ten years of age. The small size was to facilitate its removal, as Peruvian worship was nearly always carried out in the open air. In form it represented a man with his right arm elevated, the hand partially closed and the forefinger and thumb raised, as if in the act of uttering the creative word. To this god large possessions and revenues were assigned, for previously service rendered to him had been voluntary only.