Creation-Story of the Mixtecs

It will be well to return for a moment to the creation-story of the Mixtecs, which, if emanating from a somewhat isolated people in the extreme south of the Mexican Empire, at least affords us a vivid picture of what a folk closely related to the Nahua race regarded as a veritable account of the creative process. When the earth had arisen from the primeval waters, one day the deer-god, who bore the surname Puma-Snake, and the beautiful deer-goddess, or Jaguar-Snake, appeared. They had human form, and with their great knowledge (that is, with their magic) they raised a high cliff over the water, and built on it fine palaces for their dwelling. On the summit of this cliff they laid a copper axe with the edge upward, and on this edge the heavens rested. The palaces stood in Upper Mixteca, close to Apoala, and the cliff was called Place where the Heavens Stood. The gods lived happily together for many centuries, when it chanced that two little boys were born to them, beautiful of form and skilled and experienced in the arts. From the days of their birth they were named Wind-Nine-Snake (Viento de Neuve Culebras) and Wind-Nine-Cave (Viento de Neuve Cavernas). Much care was given to their education, and they possessed the knowledge of how to change themselves into an eagle or a snake, to make themselves invisible, and even to pass through solid bodies.

After a time these youthful gods decided to make an offering and a sacrifice to their ancestors. Taking incense vessels made of clay, they filled them with tobacco, to which they set fire, allowing it to smoulder. The smoke rose heavenward, and that was the first offering (to the gods). Then they made a garden with shrubs and flowers, trees and fruit-bearing plants, and sweet-scented herbs. Adjoining this they made a grass-grown level place (un prado), and equipped it with everything necessary for sacrifice. The pious brothers lived contentedly on this piece of ground, tilled it, burned tobacco, and with prayers, vows, and promises they supplicated their ancestors to let the light appear, to let the water collect in certain places and the earth be freed from its covering (water), for they had no more than that little garden for their subsistence. In order to strengthen their prayer they pierced their ears and their tongues with pointed knives of flint, and sprinkled the blood on the trees and plants with a brush of willow twigs.

The deer-gods had more sons and daughters, but there came a flood in which many of these perished. After the catastrophe was over the god who is called the Creator of All Things formed the heavens and the earth, and restored the human race.

Zapotec Creation-Myth

Among the Zapotecs, a people related to the Mixtecs, we find a similar conception of the creative process. Cozaana is mentioned as the creator and maker of all beasts in the valuable Zapotec dictionary of Father Juan de Cordova, and Huichaana as the creator of men and fishes. Thus we have two separate creations for men and animals. Cozaana would appear to apply to the sun as the creator of all beasts, but, strangely enough, is alluded to in Cordova’s dictionary as “procreatrix,” whilst he is undoubtedly a male deity. Huichaana, the creator of men and fishes, is, on the other hand, alluded to as “water,” or “the element of water,” and “goddess of generation.” She is certainly the Zapotec female part of the creative agency. In the Mixtec creation-myth we can see the actual creator and the first pair of tribal gods, who were also considered the progenitors of animals—to the savage equal inhabitants of the world with himself. The names of the brothers Nine-Snake and Nine-Cave undoubtedly allude to light and darkness, day and night. It may be that these deities are the same as Quetzalcoatl and Xolotl (the latter a Zapotec deity), who were regarded as twins. In some ways Quetzalcoatl was looked upon as a creator, and in the Mexican calendar followed the Father and Mother, or original sexual deities, being placed in the second section as the creator of the world and man.

A Flood-Myth of the Nahua