In speaking of the story of Poland with a cold-blooded reader of history I expressed my appreciation of the noble proportions of their struggles and my sympathy for their present unfortunate plight, to which she replied: “Yes, but it is so entirely their own fault. They are so fiery, so precipitate, so romantic. They got themselves into it! Their poesy and romance and folly make them charming as individuals, but ridiculous as a nation. I like the Poles, but I have no patience with Poland.” How exactly the world’s verdict on the artistic temperament! There is a round hole, and, lo and behold! all squares must be forced into it!
Suppose that everything resolved itself into the commonplace; where would be your imagination, your fancy, your rich experience of the heart and soul? Poland furnishes just this element in history. Her struggles are so romantic, her follies so charmingly natural to a high-strung nation, her despair so profound, her frequent revolutions so buoyant in hope, that she reminds me of a brilliant woman striving to make dull women understand her, and failing as persistently and completely as the artistic temperament always fails.
A frog spat at a glowworm. “Why do you spit at me?” said the glowworm. “Why do you shine so?” said the frog.
Poland’s singers have voices so piercingly sweet; her novelists have pens touched with such divine fire; her actors portray so much of the soul; her patriots have always shown such reckless and inspiring bravery; and now, in her desolation and subjection, there is still so much pride, such noble dignity under her losses, that of all the countries in the world Poland holds both the heart and mind by a fascination of which she herself is unconscious, marking a noble simplicity of soul which is in itself an added indication of her queenly inheritance.
Julia Marlowe in her Countess Valeska is a Pole to her finger-tips. Her acting is superb. Cleopatra herself never felt nor inspired a diviner passion than Valeska; but when it came to a question of her love or her country she rose above self with an almost superhuman effort and saved her country at the expense of her love.
No American who has not the same awful passion of patriotism; no one who is not a lover of his country above home or friends or wife or children; who does not love his America second only to his God; whose blood does not prickle in his veins at the sound of “The Star-Spangled Banner,” and whose eyes do not fill with tears at the sight of “Old Glory” floating anywhere, can understand of what patriotism the Pole is capable.
Nor can one who has not the foolish, romantic, nervous, high-strung, artistic temperament understand from within Poland’s national history. For that reason one is apt to find famous places in Europe which have only an historical significance somewhat disappointing. One fails to find in a battle fought for the sake of conquest by an overweening ambition such soul-stirring pathos as in the leading of a forlorn hope from the spirit of patriotism, or of a woman’s pleadings where a man’s arguments have failed. For that reason Austerlitz touches one not so nearly as the struggle around Memel. As we drew near Memel things began to look lonely and foreign and queer, and its picturesque features were enhanced by recollection of Napoleon and Queen Louise.
Memel is near Tilsit, and the river Niemen, or Memel, empties into the Baltic just below here. The conference on the raft appeals to me as one of the most thrilling and yet pitiably human events in all history.
Its sickening anticlimax to poor Queen Louise was so exactly in keeping with the smaller disappointments which assail her more humble sister women in every walk of life that it takes on the air of a heart tragedy. I tried to imagine the feelings of the Queen when she journeyed to Memel to hold her famous interview with Napoleon. How her pride must have suffered at the thought of lowering herself to plead for her husband and her country at Napoleon’s hands! How she hated him before she saw him! How she more than hated him after she left him! How she must have scorned the beauty upon which Napoleon commented so idly when a nation’s honor was at stake! A typical act of the emperor of the French nation! Napoleon proved by that one episode that he was more French than Corsican.
In the Queen’s illness at Memel she was so poorly housed that long lines of snow sifted in through the roof and fell across her bed. But that was as nothing to her mental disquiet while the fate of her beloved Prussia hung in the balance.