THE SIXTH CHRONICLE
HOW HE SANG TO HIS MANDOLIN AND WHAT CAME OF HIS SINGING
They walked back slowly in silence up the street down which they had ridden. Earth darkened, the moon grew brighter: and Rodriguez gazing at the pale golden disk began to wonder who dwelt in the lunar valleys; and what message, if folk were there, they had for our peoples; and in what language such message could ever be, and how it could fare across that limpid remoteness that wafted light on to the coasts of Earth and lapped in silence on the lunar shores. And as he wondered he thought of his mandolin.
"Morano," he said, "buy bacon."
Morano's eyes brightened: they were forty-five miles from the hills on which he had last tasted bacon. He selected his house with a glance, and then he was gone. And Rodriguez reflected too late that he had forgotten to tell Morano where he should find him, and this with night coming on in a strange village. Scarcely, Rodriguez reflected, he knew where he was going himself. Yet if old tunes lurking in its hollows, echoing though imperceptibly from long-faded evenings, gave the mandolin any knowledge of human affairs that other inanimate things cannot possess, the mandolin knew.
Let us in fancy call up the shade of Morano from that far generation. Let us ask him where Rodriguez is going. Those blue eyes, dim with the distance over which our fancy has called them, look in our eyes with wonder.
"I do not know," he says, "where Don Rodriguez is going. My master did not tell me."
Did he notice nothing as they rode by that balcony?
"Nothing," Morano answers, "except my master riding."