Another delightful place for children was the Hippodrome, long since demolished and built over. It was a huge open-air stadium, where, in addition to ordinary circus performances, there were chariot-races and gladiatorial combats. The great attraction of the Hippodrome was that all the performers were driven into the arena in a real little Cinderella gilt coach, complete with four little ponies, a diminutive coachman, and two tiny little footmen.

Talking of Cinderella, I always wonder that no one has pointed out the curious mistake the original translator of this story fell into. If any one will take the trouble to consult Perrault's Cendrillon in the original French, he or she will find that Cinderella went to the ball with her feet encased in "des pantoufles de vair." Now, vair means grey or white fur, ermine or miniver. The word is now obsolete, though it still survives in heraldry. The translator, misled by the similarity of sound between "vair" and "verre," rendered it "glass" instead of "ermine," and Cinderella's glass slippers have become a British tradition. What would "Cinderella" be as a pantomime without the scene where she triumphantly puts on her glass slipper? And yet, a little reflection would show that it would be about as easy to dance in a pair of glass slippers as it would in a pair of fisherman's waders.

I remember well seeing Napoleon III. and the Empress Eugenie driving down the Rue de Rivoli on their return from the races at Longchamp. I and my brother were standing close to the edge of the pavement, and they passed within a few feet of us. They were driving in a char-a-banes—in French parlance, "attele a la Daumont"—that is, with four horses, of which the wheelers are driven from the box by a coachman, and the leaders ridden by a postilion. The Emperor and Empress were attended by an escort of mounted Cent-Gardes, and over the carriage there was a curious awning of light blue silk, with a heavy gold fringe, probably to shield the occupants from the sun at the races. I thought the Emperor looked very old and tired, but the Empress was still radiantly beautiful. My young brother, even then a bigoted little patriot, obstinately refused to take off his cap. "He isn't MY Emperor," he kept repeating, "and I won't do it." The shrill cries of "Vive l'Empereur!" seemed to me a very inadequate substitute for the full-throated cheers with which our own Queen was received when she drove through London. I used to hear the Emperor alluded to as "Badinguet" by the hall-porter of our hotel, who was a Royalist, and consequently detested the Bonapartes.

My father had been on very friendly terms with Napoleon III., then Prince Louis Napoleon, during the period of his exile in London in 1838, when he lived in King Street, St. James'. Prince Louis Napoleon acted as my father's "Esquire" at the famous Eglinton Tournament in August, 1839. The tournament, over which such a vast amount of trouble and expense had been lavished, was ruined by an incessant downpour of rain, which lasted four days. My father gave me as a boy the "Challenge Shield" with coat of arms, which hung outside his tent at the tournament, and that shield has always accompanied me in my wanderings. It hangs within a few feet of me as I write, as it hung forty-three years ago in my room in Berlin, and later in Petrograd, Lisbon, and Buenos Ayres.

One of the great sights of Paris in the "sixties," whilst it was still gas-lighted, was the "cordon de lumiere de la Rue de Rivoli." As every one knows, the Rue de Rivoli is nearly two miles long, and runs perfectly straight, being arcaded throughout its length. In every arch of the arcades there hung then a gas lamp. At night the continuous ribbon of flame from these lamps, stretching in endless vista down the street, was a fascinatingly beautiful sight. Every French provincial who visited Paris was expected to admire the "cordon de lumiere de la Rue de Rivoli." Now that electricity has replaced gas, I fancy that the lamps are placed further apart, and so the effect of a continuous quivering band of yellow flame is lost. Equally every French provincial had to admire the "luxe de gaz" of the Place de la Concorde. It certainly blazed with gas, but now with electric arc-lamps there is double the light with less than a tenth of the number of old flickering gas-lamps; another example of quality vs. quantity.

Most of my father and mother's French friends lived in the Faubourg Saint Germain. Their houses, though no doubt very fine for entertaining, were dark and gloomy in the daytime. Our little friends of my own age seemed all to inhabit dim rooms looking into courtyards, where, however, we were bidden to unbelievably succulent repasts, very different to the plain fare to which we were accustomed at home. Both my brother and myself were, I think, unconscious as to whether we were speaking English or French; we could express ourselves with equal facility in either language. When I first went to school, I could speak French as well as English, and it is a wonderful tribute to the efficient methods of teaching foreign languages practised in our English schools, that at the end of nine years of French lessons, both at a preparatory school and at Harrow, I had not forgotten much more than seventy-five per cent. of the French I knew when I went there. In the same way, after learning German at Harrow for two-and-a-half years, my linguistic attainments in that language were limited to two words, ja and nein. It is true that, for some mysterious reason, German was taught us at Harrow by a Frenchman who had merely a bowing acquaintanceship with the tongue.

In 1865 the fastest train from Paris to the Riviera took twenty-six hours to accomplish the journey, and then was limited to first-class passengers. There were, of course, neither dining-cars nor sleeping cars, no heating, and no toilet accommodation. Eight people were jammed into a first-class compartment, faintly lit by the dim flicker of an oil-lamp, and there they remained. I remember that all the French ladies took off their bonnets or hats, and replaced them with thick knitted woollen hoods and capes combined, which they fastened tightly round their heads. They also drew on knitted woollen over-boots; these, I suppose, were remnants of the times, not very far distant then, when all-night journeys had frequently to be made in the diligence.

The Riviera of 1865 was not the garish, flamboyant rendezvous of cosmopolitan finance, of ostentatious newly acquired wealth, and of highly decorative ladies which it has since become. Cannes, in particular, was a quiet little place of surpassing beauty, frequented by a few French and English people, most of whom were there on account of some delicate member of their families. We went there solely because my sister, Lady Mount Edgcumbe, had already been attacked by lung-disease, and to prolong her life it was absolutely necessary for her to winter in a warm climate. Lord Brougham, the ex-Lord Chancellor, had virtually created Cannes, as far as English people were concerned, and the few hotels there were still unpretentious and comfortable.

Amongst the French boys of our own age with whom we played daily was Antoine de Mores, eldest son of the Duc de Vallombrosa. Later on in life the Marquis de Mores became a fanatical Anglophobe, and he lost his life leading an army of irregular Arab cavalry against the British forces in the Sudan; murdered, if I remember rightly, by his own men. Most regretfully do I attribute Antoine de Mores' violent Anglophobia to the very rude things I and my brother were in the habit of saying to him when we quarrelled, which happened on an average about four times a day.

The favourite game of these French boys was something like our "King of the Castle," only that the victor had to plant his flag on the summit of the "Castle." Amongst our young friends were the two sons of the Duc Des Cars, a strong Legitimist, the Vallombrosa boy's family being Bonapartists. So whilst my brother and I naturally carried "Union Jacks," young Antoine de Mores had a tricolour, but the two Des Cars boys carried white silk flags, with a microscopic border of blue and red ribbon running down either side. One day, as boys will do, we marched through the town in procession with our flags, when the police stopped us and seized the young Des Cars' white banners, the display of the white flag of the Bourbons being then strictly forbidden in France. The Des Cars boys' abbe, or priest-tutor, pointed out to the police the narrow edging of red and blue on either side, and insisted on it that the flags were really tricolours, though the proportion in which the colours were displayed might be an unusual one. The three colours were undoubtedly there, so the police released the flags, though I feel sure that that abbe must have been a Jesuit.