Paulinus of Nola, always beflowered and elegant, wrote to Augustin: "Your letters are a luminous collyrium spread over the eyes of my mind." Augustin, who remonstrated with him upon the scarcity of his own letters, replies in language which our own Précieuses would not have disowned: "What! You allow me to pass two summers—and two African summers!—in such thirst?… Would to God that you would allow enter to the opulent banquet of your book, the long fast from your writings which you have put me upon during all a year! If this banquet be not ready, I shall not give over my complaints, unless, indeed, that in the time between, you send me something to keep up my strength." A certain Audax, who begged the honour of a special letter from the great man, calls him "the oracle of the Law"; protests that the whole world celebrates and admires him; and finally, at the end of his arguments, conjures him in verse to "Let fall upon me the dew of thy divine word." Augustin, with modesty and benignity, returns his compliments, but not without slipping into his reply a touch of banter: "Allow me to point out to you that your fifth line has seven feet. Has your ear betrayed you, or did you want to find out if I was still capable of judging these things?"… Truly, he is always capable of judging these things, nor is he sorry to have it known. A young Greek named Dioscorus, who is passing through Carthage, questions him upon the philosophy of Cicero. Augustin exclaims at any one daring to interrupt a bishop about such trifles. Then, little by little, he grows milder, and carried away by his old passion, he ends by sending the young man quite a dissertation on this good subject.
Those are among his innocent whimsicalities. Then, alongside of letters either too literary, or erudite, or profound, there are others which are simply exquisite, such as the one he wrote to a young Carthage girl called Sapida. She had embroidered a tunic for her brother. He was dead, and she asked Augustin kindly to wear this tunic, telling him that if he would do this, it would be a great comfort for her in her grief. The bishop consented very willingly. "I accept this garment," he said to her, "and I have begun to wear it before writing to you…." Then gently he pities her sorrow, and persuades her to resignation and hope.
"We should not rebuke people for weeping over the dead who are dear to them…. When we think of them, and through habit we look for them still around us, then the heart breaks, and the tears fall like the blood of our broken heart…."
At the end, in magnificent words, he chants the hymn of the Resurrection:
"My daughter, your brother lives in his soul, if in his body he sleeps. Does not the sleeper wake? God, who has received his soul, will put it again in the body He has taken from him, not to destroy it—oh, no, but some day to give it to him back."
* * * * *
This correspondence, voluminous as it is, is nothing beside his numberless treatises in dogma and polemic. These were the work of his life, and it is by these posterity has known him. The theologian and the disputer ended by hiding the man in Augustin. To-day, the man perhaps interests us more. And this is a mistake. He himself would not have allowed for a moment that his Confessions should be preferred to his treatises on Grace. To study, to comment the Scriptures, to draw more exact definitions from the dogmas—he saw no higher employment for his mind, or obligation more important for a bishop. To believe so as to understand, to understand the better to believe—it is a ceaseless movement of the intelligence which goes from faith to God and from God to faith. He throws himself into this great labour without a shade of any attempt to make literature, with a complete sinking of his tastes and his personal opinions, and in it he entirely forgets himself.
One single time he has thought of himself, and it is precisely in the Confessions, the spirit of which modern people understand so ill, and where they try to find something quite different from what the author intended. He composed them just after he was raised to the bishopric, to defend himself against the calumnies spread about his conduct. It seems as if he wanted to say to his detractors: "You believe me guilty. Well, I am so, and more perhaps than you think, but not in the way you think." A great religious idea alters this personal defence. It is less a confession, or an excuse for his faults, in the present sense of the word, than a continual glorification of the divine mercy. It is less the shame of his sins he confesses, than the glory of God.
After that, he never thought again of anything but Truth and the Church, and the enemies of Truth and the Church: the Manichees, the Arians, the Pelagians—the Donatists, above all. He lets no error go by without refuting it, no libel without an answer. He is always on the breach. He might well be compared, in much of his writings, to one of our fighting journalists. He put into this generally thankless business a wonderful vigour and dialectical subtlety. Always and everywhere he had to have the last word. He brought eloquence to it, yet more charity—sometimes even wit. And lastly, he had a patience which nothing could dishearten. He repeats the same things a hundred times over. These tiresome repetitions, into which he was driven by the obstinacy of his opponents, caused him real pain. Every time it became necessary, he took up again the endless demonstration without letting himself grow tired. The moment it became a question of the Truth, Augustin could not see that he had any right to keep quiet.
In Africa and elsewhere they made fun of what they called his craze for scribbling. He himself, in his Retractations, is startled by the number of his works. He turns over the Scripture saying which the Donatists amusingly opposed to him: Væ mullum loquentibus—"Woe unto them of many words." But calling God to witness, he says to Him: Væ tacentibus de te—"Woe unto those who keep silent upon Thee." In the eyes of Augustin, the conditions were such that silence would have been cowardly. And elsewhere he adds: "They may believe me or not as they will, but I like much better to read than to write books…."