The Greeks, then, had quite a peculiar taste for the song of the Cicada. They liked to hear its screeching notes, sharp as a point of steel. To enjoy it quite at their ease they shut them up in open wicker-work cages, pretty much in the same way as children shut up the cricket, so as to hear its joyous cri-cri. They carried their love for this insect with the screaming voice so far as to make it the symbol of music. We see, in drawings emblematical of the musical art, a Cicada resting on strings of a cythera. A Grecian legend relates that one day two cythera players, Eunomos and Aristo, contending on this sonorous instrument, one of the strings of the former's cythera having broken, a Cicada settled on it, and sang so well in place of the broken cord, that Eunomos gained the victory, thanks to this unexpected assistant. Anacreon composed an ode in honour of the Cicada. "Happy Cicada, that on the highest branches of the trees, having drank a little dew, singest like a queen! Thy realm is all thou seest in the fields, all which grows in the forests. Thou art beloved by the labourer; no one harms thee; the mortals respect thee as the sweet harbinger of summer. Thou art cherished by the muses, cherished by Phœbus himself, who has given thee thy harmonious song. Old age does not oppress thee. O good little animal, sprung from the bosom of the earth, loving song, free from suffering, that hast neither blood nor flesh, what is there prevents thee from being a god?"
It was in virtue of the false ideas of the Greeks on natural history in general, and on the Cicada in particular, that this little animal symbolised, among the Athenians, nobility of race. They imagined that the Cicada was formed at the expense of the earth, and in its bosom, on which account those who pretended to an ancient and high origin, wore in their hair a golden Cicada. The Locrians had on their coins the image of a Cicada. This is the origin which fable assigns to the custom:—
The bank of the river upon which Locris was built was covered with screeching legions of Cicadas; whereas they were never heard (so says the legend) on the opposite bank, on which stood the town Rhegium. In explanation of this circumstance, they pretend that Hercules, wishing one day to sleep on this bank, was so tormented by the "sweet eloquence" of the Cicadas, that, furious at their concert, he asked of the gods that they should never sing there for evermore, and his prayer was immediately granted! This is why the Locrians adopted the Cicada as the arms of their city.
The Greeks did not only delight, as poets and musicians, in the song of the Cicada; they were not content with addressing to it poems, with adoring it, and striking medals bearing its image; obedient to their grosser appetites, they ate it. They thus satisfied at the same time both the mind, the spirit, and the body.
Fig. 78.—Cicada (Male).
The Cicadas are easily to be recognised by their heavy, very robust, and rather thick-set bodies, by their broad head, unprolonged, having very large and prominent ocelli, or simple eyes, three in number, arranged in a triangle on the top of the forehead, and short antennæ. The immature anterior and posterior wings have the shape of a sheath, or case, enveloping the body when the insect is at rest; these are transparent and destitute of colour, or sometimes adorned with bright and varied hues. The legs are not in the least suited for jumping. The female is provided with an auger, with which she makes holes in the bark of trees in which to lay her eggs. The male (Fig. 78) is provided with an organ, not of song, but of stridulation or screeching, which is very rudimentary in the female. We will stop a moment to consider the apparatus for producing the song, or rather the noise, of the male Cicada, and the structure of the female's auger. We are indebted to Réaumur for the discovery of the mechanism by the aid of which the Cicada produces the sharp noise which announces its whereabouts from afar. We will give a summary of the celebrated Memoir in which the French naturalist has so admirably described the musical apparatus of the Cicada. [24]
It is not in the throat that the Cicada's organ of sound is placed, but on the abdomen. On examining the abdomen of the male of a large species of Cicada, one remarks on it two horny plates, of pretty good size, which are not found on the females. Each plate has one side straight; the rest of its outline is rounded. It is by the side which is rectilinear that the plate is fixed immediately underneath the third pair of legs. It can be slightly raised, with an effort, by two spine-like processes, each of which presses upon one of the plates, and when it is raised, prevents it from being raised too much, and causes it to fall back again immediately.
If the two plates are removed and turned over on the thorax, and the parts which they hide laid bare, one is struck by the appearance which is presented. "One cannot doubt that all one sees has been made to enable the Cicada to sing," says Réaumur. "When one compares the parts which have been arranged so that it may be able to sing, as we may say, from its belly, with the organs of our throat, one finds that ours have not been made with more care than those by means of which the Cicada gives forth sounds which are not always agreeable."