We here perceive a cavity in the anterior portion of the abdomen and which is divided into two principal cells by a horny triangle.
"The bottom of each cell offers to children who catch the Cicada a spectacle which amuses them, and which may be admired by men who know how to make the best use of their reason. The children think they see a little mirror of the thinnest and most transparent glass, or that a little blade of the most beautiful talc is set in the bottom of each of these little cells. That which one might see if this were the case would in no way differ from what one actually sees; the membrane which is stretched out at the bottom of the cells does not yield in transparency either to glass or to talc; and if one looks at it obliquely, one sees in it all the beautiful colours of the rainbow. It seems as if the Cicada has two glazed windows through which one can see into the interior of its body."
The horny triangle of which we spoke above only separates in two the lower part of the cavity. The upper part is filled by a white, thin, but strong membrane. This membrane is only drawn tight when the body of the Cicada is raised. But with all this, where is the organ of song? What parts produce the sound? Réaumur will enlighten us on this point.
He opened the back of a Cicada, and laid bare the portion of the interior which corresponds with the cavity where the mirrors are, and was immediately struck with the size of the two muscles which meet and are attached to the back of the horny triangle, and to that one of its angles from which start the sides which form the cavities in which are both the mirrors.
"Muscles of such strength, placed in the belly of the Cicada, and in that part of the belly in which they are found, seem to be only so placed in order that they may move quickly backwards and forwards those parts which, being set in motion, produce the noise or song. And indeed, whilst I was examining one of these muscles, in moving it about gently with a pin, slightly displacing it, and then letting it return to its proper place, it so happened that I made a Cicada that had been dead for many months sing. The song, as might be expected, was not loud; but it was strong enough to lead me on to the discovery of the part to which it was due. I had only to follow the muscle I had been moving, to search for the part on which it abutted."
Fig. 79.
Musical Apparatus of the
Male Cicada.
In the large cavity, in which are the mirrors and the other parts mentioned above, there are besides two equal and similar compartments, two cells, in which are placed the instrument of sound. This is a membrane in the shape of a kettledrum, not smooth, but, on the contrary, crumpled and full of wrinkles ([Fig. 79]). When it is touched it is more sonorous than the driest parchment. If the furrows on its convex surface are rubbed with a small body, such as a piece of rolled-up paper, incapable of piercing or tearing it, it is easily made to sound; and the sound is occasioned by the portions of the kettledrum which are depressed by the friction of the small body, returning to their former position as soon as it has ceased to act upon them. It is here that the two strong muscles act whose existence and use were discovered by Réaumur.