VIII
A HISTORY
Whitaker returned at once to the Theatre Max, but only to find the front of the house dark, Forty-sixth Street gradually reassuming its normal nocturnal aspect.
At the stage-door he discovered that no one knew what had become of the manager. He might possibly be at home.... It appeared that Max occupied exclusive quarters especially designed for him in the theatre building itself: an amiable idiosyncrasy not wholly lacking in advertising value, if one chose to consider it in that light.
His body-servant, a prematurely sour Japanese, suggested grudgingly that his employer might not improbably be found at Rector's or Louis Martin's. But he wasn't; not by Whitaker, at least.
Eventually the latter realized that it wasn't absolutely essential to his peace of mind or material welfare to find Max that night. He had been, as a matter of fact, seeking him in thoughtless humour—moved solely by the gregarious instinct in man, which made him want to discuss the amazing events of the evening with the one who, next to himself and Sara Law, was most vitally concerned with them.
He consulted a telephone book without finding that Drummond had any private residence connection, and then tried at random one of the clubs of which they had been members in common in the days when Hugh Whitaker was a human entity in the knowledge of the town. Here he had better luck—luck, that is, in as far as it put an end to his wanderings for the night; he found a clerk who remembered his face without remembering his name, and who, consequently, was not unwilling to talk. Drummond, it seemed, had lived at the club; he had dined alone, that evening, in his room; had ordered his motor car from the adjacent garage for seven o'clock; and had left at about that hour with a small hand-bag and no companion. Nothing further was known of his actions save the police report. The car had been found stationary on Washington Bridge, and deserted, Drummond's motor coat and cap on the driver's seat. Bystanders averred that a man had been seen to leave the car and precipitate himself from the bridge to the stream below. The body was still unrecovered. The club had notified by telegraph a brother in San Francisco, the only member of Drummond's family of whom it had any record. Friends, fellow-members of the club, were looking after things—doing all that could and properly ought to be done under the circumstances.
Whitaker walked back to his hotel. There was no other place to go: no place, that is, that wooed his humour in that hour. He could call to mind, of course, names of friends and acquaintances of the old days to whom there was no reason why he shouldn't turn, now that he had elected to rediscover himself to the world; but there was none of them all that he really wanted to see before he had regained complete control of his emotions.
He was, indeed, profoundly shocked. He held himself measurably responsible for Drummond's act of desperation. If he had not wilfully sought to evade the burden of his duty to Mary Ladislas, when he found that he was to live rather than die—if he had been honest and generous instead of allowing himself to drift into cowardly defalcation to her trust—Drummond, doubtless, would still be alive. Or even if, having chosen the recreant way, he had had the strength to stick to it, to stay buried....