Next to poor Peter Stark, whom his heart mourned without ceasing, he had cared most for Drummond of all the men he had known and liked in the old life. Now ... he felt alone and very lonely, sick of heart and forlorn. There was, of course, Lynch, his partner in the Antipodes; Whitaker was fond of Lynch, but not with the affection that a generous-spirited youth had accorded Peter Stark and Drummond—a blind and unreasoning affection that asked no questions and made nothing of faults. The capacity for such sentiment was dead in him, as dead as Peter Stark, as dead as Drummond....
It was nearly midnight, but the hour found Whitaker in no humour for bed or the emptiness of his room. He strolled into the lounge, sat down at a detached table in a corner, and ordered something to drink. There were not many others in the room, but still enough to mitigate to some extent his temporary horror of utter loneliness.
He felt painfully the heaviness of his debt to the woman he had married. He who had promised her new life and the rich fulfilment thereof had accomplished only its waste and desolation. He had thrust upon her the chance to find happiness, and as rudely had snatched it away from her. Nor could he imagine any way in which he might be able to expiate his breach of trust—his sins of omission and commission, alike deadly and unpardonable!
Unless ... He caught eagerly at the thought: he might "die" again—go away once more, and forever; bury himself deep beyond the groping tentacles of civilization; disappear finally, notifying her of his intention, so that she might seek legal freedom from his name. It only needed Max's silence, which could unquestionably be secured, to insure her against the least breath of scandal, the faintest whisper of gossip.... Not that Max really knew anything; but the name of Whitaker, as identified with Hugh Morten, might better be permitted to pass unechoed into oblivion....
And with this very thought in mind he became aware of the echo of that name in his hearing.
A page, bearing something on a salver, ambled through the lounge, now and again opening his mouth to bleat, dispassionately: "Mista Whitaker, Mista Whitaker!"
The owner of that name experienced a flush of exasperation. What right had the management to cause him to be advertised in every public room of the establishment?... But the next instant his resentment evaporated, when he remembered that he remained Mr. Hugh Morten in the managerial comprehension.
He lifted a finger; the boy swerved toward him, tendered a blue envelope, accepted a gratuity and departed.
It was a cable message: very probably an answer to his to Grace Pettit. Whitaker tore the envelope and unfolded the enclosure, glancing first at the signature to verify his surmise. As he did so, he heard his name a second time.
"Pardon me; this is Mr. Whitaker?"