If there were police about, Lanyard saw nothing of them: not that he would have dreamed of stopping or even of checking speed for anything less than an immovable obstacle….
But as minutes sped it became apparent that there was to be no renewed attempt upon his life for the time being. The pursuers could afford to wait. They could afford to ape the patience of Death itself.
And it came then to Lanyard that he drove no more alone: Death was his passenger.
Absorbed though he was with the control of his machine and the ever-shifting problems of the road, he still found time to think quite clearly of himself, to recognize the fact that he was very likely looking his last on Paris … on life….
But a little longer, and the name of Michael Lanyard would be not even a memory to those whose lives composed the untiring life of this broad avenue.
Before him the Arc de Triomphe loomed ever larger and more darkly beautiful against the field of midnight stars He wondered, would he reach it alive….
He did: still the pursuit bided its time. But the hood of the touring-car nosed him inexorably round the arch, away from the avenue de la Grande Armée and into the avenue du Bois.
Only when in full course for Porte Dauphine did he appreciate De Morbihan's design. He was to be rushed out into the midnight solitudes of the Bois de Boulogne and there run down and slain.
But now he began to nurse a feeble thrill of hope.
Once inside the park enclosure, he reckoned vaguely on some opportunity to make sudden halt, abandon the car and, taking refuge in the friendly obscurity of trees and shrubbery, either make good his escape afoot or stand off the Apaches until police came to his aid. With night to cloak his movements and with a clump of trees to shelter in, he dared believe he would have a chance for his life—whereas in naked streets any such attempt would prove simply suicidal.