"Well, well!" he exclaimed, introducing the subject of the Campanile, "it really seems as if the town is waking up! I hear there is a lift in the tower, and the old angel on the top has been actually placed on a pivot, to act as a weather vane as well as a thing of beauty. That's more than could have been expected of slow Venetians. If it were only possible to get in a few automobiles there might be some hope for the city."
"Automobiles!" Giovanni was indignant, resenting even the mention of such newfangled contrivances. "Venice wouldn't be Venice with automobiles!"
"Well, motor-cycles, then!" laughed Pietro good naturedly; "anything that would give some noise and ginger to the old town. Pep is what Venice needs!" And he chuckled to himself at the thought of motor-cycles on St. Mark's Square.
Neither Giovanni nor Luisa had any patience with such talk, but the children edged nearer, and their eyes grew bigger as they asked him eager questions in regard to the marvelous things he had mentioned.
"Have you ever seen horses?" Andrea ventured timidly; "I mean real horses, not pretend ones like those on the top of St. Mark's?"
"Horses!" he repeated, bursting into so loud a laugh that Maria shrank away, half frightened; "horses! Why, they're so old-fashioned that no one cares for them any more. They're quite too slow for the twentieth century!"
Andrea's head swam—horses old-fashioned! What kind of a strange world was it outside of Venice? All at once his childish air castles came tumbling down. But before he could question further it was time for bed, and with his imagination roused to the utmost he tossed uneasily until he fell asleep to dream he was racing with the wind in a strange kind of car with the Devil himself as driver.
The exercises were to begin at ten o'clock the next morning, and the Piazza was fairly packed with people hours before that time. Thanks to Paolo our little group had a good place to view the proceedings in a certain musty alcove of St. Mark's, and there they sat cramped through what seemed to Maria like interminable hours.
As for St. Mark's Square, even Pietro had only words of praise for its gala appearance: from the three flagstaffs opposite the church fluttered the colors of Italy. Everywhere was music, everywhere was gayety, and the crowds of people united in glad cries of "Viva Venezia!" [Footnote: Long live Venice!]
For Venice, more than any other place in the world, belongs to rich and poor alike, and in the midst of it all, sympathizing with every mood, is St. Mark's Church, the pride of the Venetian people. Never did she seem more glorious than on this gala day, never did her gold mosaics sparkle more brilliantly in the sunshine than when the great high magistrate pronounced the solemn words: "Dov'era, com'era," and the bells rang to mark the completion of the exercises.