Gallery, Electoral, of Dresden. Catalogue des Tableaux
de la Galerie Electorate à Dresde. Dresden, 1765, 8vo.iv. 44, 87, and elsewhere
in vol. iii. and iv.
—— Imperial. Catalogue des Tableaux
de la Galerie Imper. et Roy. de Vienne, &c., by Chretien de Mechel. Basle, 1784, 8vo.ii. 356, and other
parts of the work.
—— Royal Florentine. Sometimes indicated in the
first index, by the initial letters R. G. Various Descriptions of it
are pointed out in vol. i. p. 368. Use made of the French work of 1791, 8vo., printed at Arezzo, which contains the dates
also of the more recent painters, in the manner observed in the Florentine
Museum, i. 148. Or they are added to their
portraits in the two chambers dedicated to the painters. This ed. is cited
through the whole work; corrected, i. 63, v. 415.
—— of Modena, see Guida di
Modena.
—— Royal, of Paris. Reissant. Explication
des Tableaux de la Galerie et des Salons de Versailles. Paris, 1753,
8vo. The descriptions of Fontainebleau, of the
Louvre, and of other places mentioned through the work, are contained in
De Murr Bibliothèque de Peinture, p. 683, i. 209, ii. 84, 270, iii. 369, iv. 244, v. 57, 352.
Gallerati, Francesco. Account of the Works of Painters, both
native and foreign, publicly exhibited in the City of Milan, with some
notice of the Sculptors and Architects. First Part. Milan, 1777,
8vo.See Index I.
Galletti, Aloiysii. Inscriptions Venetæ Romæ
Extantes. Romæ, 1757, 4to.See
Index I.
—— Inscriptiones Romanæ. Romæ, 1760,
4to. 3 vols.See Index I.
Gallo. Annals of Messina, ii.
356.
Gamba, Bartolommeo. Observations on the Edition of Ptolemy's
Geography, executed at Bologna, with date of M.CCCC.LXII.8vo.
Bassano, 1796. i. 141.
Garcia, dell'Huerta, Ab. Pietro. Commentari della
Pittura Encaustica del Pennello. Madrid, 1795. ii. 344.
Gemalde, &c.Collection of
the R. Imperial Gallery. Italian School. Vienna, 1796. It is the
work of Sig. Giuseppe Rosa, Director of the
same, written in German. 8vo.i. 196, ii. 257, 258.
Gigli, and other writers on the painters of Siena, i. 374, 436.
Girupeno, see Scaramuccia.
Giulini, Count Giorgio. Memoirs relating to the History,
Government, and Description of the City of Milan, &c. Milan, 1765, 4to.
9 vols.i.
7.
Gori, Ant. Francisci. Thesaurus Veterum
Dypticorum, &c.
Florentiæ, 1759, folio, 3 vols. It is cited
for the age of Finiguerra. i. 114.
——see Condivi.
Guides of various Cities, or Districts,
cited under this general term, which here follow under their respective
titles.
Arezzo. Guida, MS.,
written in 1803, and pointed out to me by the learned Ansaldi. i. 99.
Ascoli. Description of the Paintings, Sculpture, and
Architecture of the famous City of Ascoli, by Baldassare Orsini;
concluding with Historical Notices of the Professors of
Ascoli. Perugia, 1790, 8vo.ii. 7, and often in the third book.
——in Perspective, by Tullio Lazzari. Ascoli,
1724, 8vo.i.
451.
Bassano. Its Guida is inserted in the work of
Verci.
Bergamo. The remarkable Paintings of Bergamo, collected by the
Dott. Andrea Pasta. Bergamo, 1775, 4to.
iii. 4, 175.
Bologna. Bologna Perlustrata di Ant. Masini.ib. 1666, 4to.v. 16, 77, et seq.
——Pictures, Sculpture, and Architecture of the City
of Bologna and its Suburbs, with mention of their Authors, accompanied by
Historical Notes of each. Corrected and improved by Ab. Carlo Bianconi.
ib. 1782, 12mo.v. 4, and often under
the name of Guida di Bologna.
Brescia. Select Paintings of Brescia, by Gio. Ant. Averoldo.
ib. 1700, 4to.v. 362, et
seq.
—— The Pictures and Sculpture of Brescia,
(by Gio. Batista Carboni. Guida di Rovigo,
p. 321.) ib. 1760, 8vo.iii. 4.
Cento. The Pictures of Cento, and the abridged Lives of various
Engravers and Painters of the City, by Orazio Camillo Righetti
Dandini. Ferrara, 1768, 8vo.v. 165.
Cremona. Exact Account of the Paintings, &c. Compiled by Anton Maria Panni. Cremona,
1762, 8vo.v.
53.
Fabriano. Paintings of the Churches of Fabriano,
transcribed from a MS. of
the archives at St. Niccolo, the famous collegiate church of that city.
ii. 17, 19, 190, iii. 29.
Fano. Catalogue of the Pictures preserved in the Church of the
Padri dell'Oratorio of Fano, under title of S. Pietro in Valle.ib. 1781, 12mo.ii. 8.
Ferrara. Paintings and Sculpture of the City of Ferrara, by
Cesare Barotti.ib. 1770, 8vo.v. 317, 322.
—— Guide for Strangers through the City of Ferrara,
by the Dott. Antonio Frizzi. Ferrara, 1787, 8vo.v. 284, and wherever[13]Guida di Ferrara is
mentioned.
Florence. Beauties of the City of Florence, by Francesco Bocchi,
augmented by Gio. Cinelli.ib.
1677, 8vo.i.
59.
—— Guide for Strangers, containing a methodical
account of rare and beautiful paintings in the city of Florence.ib.12mo.
i. 149.
Genoa. Account of the most beautiful Specimens of Painting,
Sculpture, and Architecture, belonging to Genoa, by the Cav. Giuseppe Ratti.ib.
1780, 8vo.vol. iii. et seq.
—— Territories of the Genoese Coasts. Description of
the Paintings, Sculpture, and Architecture, round the Coasts of
Genoa, by the same, 1780, 8vo.v. 364.
Lendinara. On the Genius of the Lendinarese for Painting, and on
some valuable Pictures of Lendinara. Letter of Pietro Brandolese.
Padua, 1795, 8vo. Cited in the Index.
Leghorn. Cav. Pandolfo Titi.
Description of the most rare Objects at present to be met with in
the City of Leghorn. It is inserted in the Guide of
Pisa, written by the same author. i.
285.
Loreto. Account of the S. Casa, &c. Ancona, 1775, 8vo.ii. 8.
Lucca. The Stranger's Companion in Lucca, by Vincenzio
Marchio.ib. 1721, 8vo.i. 149.
—— Sacred Diary of the Churches of Lucca; augmented
by Monsig. Domenico Mansi, Archbishop of
that City.i. 149, v. 454.
Mantua. Description of the Paintings, Sculpture, and
Architecture, contained in the City of Mantua and its Vicinity, by Gio.
Cadioli.ib. 1763, 8vo.iv. 22, 29. In pointing
out the pictures I have not invariably adhered to it.
Milan. Immortality and Honour of the Pencil; or a Description of
the Paintings of Milan, by Agostino Santagostini. (1671). iv. 313, v. 185.
—— Torre Carlo. Portrait of Milan.ib. 1674, 4to.i. 7, iii. 183,
iv. 210.
—— New Guide, &c.;
with the Description of the Certosa of Pavia and of S. Gio. Batista di Monza. Milan, 1783, 12mo.iv. 282. It is always
cited with the date of the year; where this is wanting the following
Guide has been made use of.
—— New Guide of Milan, for the Lovers of the Fine
Arts, by the Ab. Carlo Bianconi.ib. 1787, 12mo.i. 7, iv. 140, 210, and often
throughout the Milanese school.
—— The same, with manuscript corrections and additions, by
the same author. iii. 186, and in Index
I.
Modena. The Paintings and Sculpture of Modena, drawn up by the
Dott. Gian Filiberto Pagani.ib.
1770, 8vo. There is inserted the
Description of the Ducal Gallery; printed also separately in
1792, 8vo.iv.
39.
Montalboddo. Description of the Paintings and Sculpture of the
City of Montalboddo, in the March of Ancona; and Historical Notices of the
same City, by Agostino Rossi.See Colucci. Antichità Picene, tom.
xxxviii.
Murano, see Moschini, &c.
Napoli. Strangers' Guide for the R. City of Naples, by the Ab.
Pompeo Sarnelli.ib. 1685, 8vo.iv. 150.
Napoli. Account of the Beautiful, the Antique, and the Curious,
&c., by the Cav. Celano.iv.
150.
—— New Guide for Strangers, &c., by Antonio Parrino, augmented by his Son
Niccolo. Naples, 1725, 12mo.ii. 382.
—— Brief Description of Naples and its Vicinity, by
the Advocate Giuseppe Galanti.ib. 1792, 8vo. and in Index I.
Padua. Description of the Paintings, Sculpture, and Architecture
of Padua, with some Observations, &c.,
by Gio. Batista Rossetti.ib.
1780, 12mo.iii.
4, 26, 308, 368.
—— The same, newly described, by Pietro Brandolese,
with brief Notices respecting the Artists mentioned in the Work.
1795, 8vo.iii.
4, and wherever Guida di Padova is mentioned.
Parma. Guide and exact Notice for Foreigners of the most
valuable Paintings in many Churches of the City, formerly drawn up by
Clementi Ruta, revised, &c.
Milan, 1780. iv. 140.
—— Il Parmigiano Servitor di
Piazza, &c.See
Affò.
Perugia. Paintings and Sculpture of the City of Perugia, by Gio.
Francesco Morelli.ib., 1683,
16mo. ii. 379.
—— Guide for the Stranger through the noble City of
Perugia, by Baldassare Orsini.ib. 1784, 8vo.ii. 7, 46.
—— Description of the Church of S. Francesco, of the P. P. Minori Conventuali of
Perugia.ib. 1787, 8vo.ii. 8.
Pesaro. Catalogue of the Paintings preserved in the Churches of
Pesaro, by Antonio Becci.ib.
1783, 8vo. There is annexed an account of the
Pesarese professors, written about 1670. ii. 7,
v. 5, 161.
Pescia. Description of the Paintings, Sculpture, and
Architecture of the City and Suburbs of Pescia, in Tuscany, by Innocenzio
Ansaldi. Bologna, 1772, 8vo. It was
published by the Canon Crespi; but the author assured me that the
typography was extremely incorrect. ii.
277.
—— Catalogue of the best Paintings, &c., of the Valdinievole. It is inserted in the
History of Pescia of P. O. B. It was drawn up by the same author. ib.
Piacenza. The public Paintings of Piacenza, by Count Proposto
Carlo Carasi. ib. 1780, 8vo. Some very useful annotations are annexed.
iv. 144.
Pisa. Guide for the dilettante Tourist, in Painting, Sculpture,
and Architecture, for the City of Pisa; drawn up by the Cav. Pandolfo Titi, &c.
Lucca, 1751, 8vo.i. 149.
—— Pisa Illustrata, &c., see Da Morrona.
Ravenna. Researches in Ravenna, by Girolamo Fabri.
Bologna, 1678, 8vo.v. 88.
—— The Stranger directed through the City of Ravenna
and its Suburbs, by the Ab. Francesco Beltrami.ib. 1783, 8vo.v. 5, and other parts of the same book.
Rimino. Paintings of the Churches of Rimino, described by Sig. Carlo Francesco Marcheselli, with new
additions by Gio. Batista Costa.ib. 1754, 8vo.v. 5.
Rome. Description of the Paintings, Sculpture, and Architecture,
publicly exhibited in Rome; a work commenced by the Ab. Filippo Titi of
Città di Castello, with the addition of whatever new has since been done,
up to the present year. Rome, 1763, 8vo.i. 117, and throughout the Roman school.
Corrected, i. 382.
Rovigo. The Paintings, Sculpture, and Architecture of the City
of Rovigo, with indexes and illustrations, by Francesco Bartoli.
Venice, 1793, 8vo.iii. 4, and other parts of the work.
Siena. Abstract of the most remarkable objects in the City of
Siena, for the Use of Foreigners, revised and augmented by Cav. Gio. Antonio Pecci. Siena, 1759 and 1761,
12mo.i. 149,
394, 448.
Trevigi. Description of the most celebrated Paintings of the
City, published by D. Ambrogio Rigamonti.ib. 1776. iii. 4.
Turin. New Guide through the City, by Onorato Derossi.ib. 1781, 12mo.
v. 449.
Venice. The rich Mines of Painting; compendious Information
respecting the Paintings of Venice, by Boschini.ib. 1664, 12mo.iii. 2, 24.
Description of the public Paintings of the City of Venice and
the adjacent Islands; or Revival of the rich Mines of Marco
Boschini. Venice, 1733, 8vo. I have
made use of this edition, now very rare, in pointing out the pictures of
Venice. It was written by Antonio Zannetti, quondam
Alessandro.
Verona Illustrated, an Abridgment for the Use of
Foreigners. 1771, 2 vols.8vo.iii. 4.
Vicenza. Picturesque Jewels of the City of Vicenza, by Marco
Boschini. Venice, 1676, 12mo.iii. 314.
Description of the Architecture, Paintings, and Sculpture of
Vicenza, with some observations, edited by Francesco Vendramini Mosca,
with the learned reflections of a person of quality, namely Count
Eneas Arnaldi. Vicenza, 1779, 2 vols.8vo.iii. 4, 34.
Vienna. Freddy. Description of the City, Suburbs, and Vicinity
of Vienna, in three parts, with annotations, classical and
historical. Vienna, 1800, 3 vols.8vo. Cited in Index I.
Volterra. Ab. Antonfilippo Giachi. Historical Essay on the
ancient and modern State of Volterra. Siena, 2 vols. 1786, 1796, 4to.Seetom. 2, p. 194. Altar-pieces of the Churches,
i. 149, 188, 304, v. and in Index I.
Urbino. Pictures exhibited in public, a MS. work displaying great industry, by Arcangeli;
there communicated to me by the worthy author; with many anecdotes of the
school of Barocci. It is cited in the first Index.
Guidalotti, Franchini Gioseffo. Life of Domenico M. Viani, a
painter. Bologna, 1716, 8vo.v. 238.
H.
Hakert, Filippo. Memoirs of the Messinese Painters, written by
Sig. Gaetano Grano. Naples, 1792,
4to.ii. 440.
—— The same. Letter on the Use of the various kinds
of Varnish; and Answers to it. iv.
247.
Harms, Antoine Frederic. Tables historiques et
chronologiques des plus fameux Peintres, anciens et modernes.
Brunswick, 1742, fol. with additions.
See De Murr, Bibliothèque de Peinture, p. 34. iii. 62, and
in Index I.
Lami, Gio. Dissertation on the Italian Painters and Sculptors who
flourished between 1000 and 1300. It is inserted in the treatise of
Vinci. See the letter V. i. 15.
—— The same. Deliciæ Eruditorum.
Florentiæ, 1736 and 1744, 13 vols.8vo. Cited in tom.
ii. 10.
—— The same. Interpretations of Tuscan Antiquities,
particularly of the City of Florence.ib. 1766, 8vo. in Index I.
Lamo, Alessandro. Discourse respecting Sculpture and Painting, in
which are considered the Life and Works of Bernardino Campo.
Cremona, 1584, 4to.iv. 156, 162, 166, 180, 288.
—— Pietro, author of a MS. upon the Paintings of Bologna, cited in the
Guide of the city, and of which a copy is in possession of the
Cav. Lazara. v.
14.
Lancilotto. Cronaca Modenese, MS.iv. 40.
Lastri, Ab. L'Etruria Pittrice. Florence, 1791
and 1795, 2 vols.fol.i. 13, 31, 149.
Latuada, Serviliano. Description of Milan.ib. 1737 and 1738, 5 vols.
8vo.i. 7,
iv. 210.
Lazzari, Arcip. D. Andrea. Historical Dictionary of Illustrious
Professors of the Fine Arts in the City of Urbino.See
Colucci. Tom. xxxi. ii. 189.
Lazzarini, Canon. Gio. Andrea. Dissertation on Painting, and
notes, inserted in the Guida of Pesaro.
Preface, xxxii. v. 120, 259, 260.
Leist, Lessing, Bar. di Budberg Raspe, Dott. Aglietti, writers on
painting in oil, i. 84, et seq.
Lettere Pittoriche; or a Collection of
Letters on Painting, Sculpture, and Architecture. Rome, 7 vols.4to. from 1574
to 1773. They are cited in the Preface, x. and through the
work.
Lioni, Ottavio. Lives of the most celebrated Painters of the
seventeenth century, with their portraits; to which is added the life of
Carlo Maratti. Rome, 1731, 4to.ii. 241.
Lomazzo, Gio. Paolo. Treatise on the Art of Painting, &c. Milan, 1584, 4to. Merit of the work, i. 137,
138, iv. 271. Often cited in the Milanese
school, and throughout the work. Noticed, iv.
220, 267.
—— The same. Idea of the Temple of Painting, &c. Milan, 1590, 4to. In Bologna, without date of year, in 8vo. Why it is also called Theatre of
Painting, iv. 210. Cited, i. 170, 246, and in several books of the work.
—— The same. Grotteschi, or Verses divided into seven
books. Milan, 1587, 4to.iv. 273.
Longhi, Alessandro. Compendium of the Lives of the most
celebrated Venetian Historical Painters in the present century, with their
portraits taken from the life. Venice, 1762, folio. iii. 363, et seq.
Lorgna, Cav., Torri Cav. Astorri Gio. Maria, Fabro Giovanni. Treatises
respecting the Punic Wax, and upon painting in caustic.v. 357.
Malvasia, Co. Canon. Cesare. Felsina Pittrice.
Bologna, 2 vols.4to.
1678. Merit of this work, v. 4. Cited,
i. 37, v. 10, and
often in the Bolognese school, and throughout the Index. Corrected by the
author in some rather severe remarks, v. 68. Not
approved in some points, iv. 289, v. 14, 35, 56, 58.
Manni, Domenico Maria. Concerning the true Painter Luca Santo,
and the period when he flourished. Florence, 1764, 4to.ii. 9.
Manni. The same. On the Error still persisted in of attributing
Pictures to the holy Evangelist. Florence, 1766, 4to.ii. 9.
—— The same. Lives of some Artists inserted in the
Collection of the Calogerà, tom. 38
and 45; and in the Opuscoli Milanesi. i. 91. See also article Baldinucci.
Mariette, Mr. Letters on Painting.i. 154, 167, 431, iv. 144, and in
other parts. See also Condivi.
—— The same. Description of Prints engraved after the
pictures in the collection of Mr. Boyer d'Aguilles, with an abridged
Character of each Painter. Paris, fol.
In Index I.
Marino. Gallery of the Cav.
Marino. The edition cited is that without date of place or year, in
12mo.ii. 227,
v. 468.
—— The same. Letters. Venice, 1628, 12mo.iv. 58, v. 468.
Mariotti, Annibale. Lettere Pittoriche Perugine.
Perugia, 1788, 8vo.ii. 7, and other parts of the Roman school.
Mazzolari, D. Ilario. Le Reali Grandezze dell'Escuriale
di Spagna. Bologna, 1648, 4to.v. 62, 63*[9],
383.
Mecatti, Giuseppe Maria. Historical Notices respecting the
Chapter-house of S. Maria Novella, belonging to
the Dominican monks, commonly called Il Cappellone degli
Spagnuoli. Florence, 1737, 4to.i. 59.
Meerman, Gerardi. Origines Typographicæ. Hagæ
Commitum, 1765, 2 tom.4to. Cited, i. 128, and other
parts of the same §.
Melchiori, Natale. Lives of the Venetian Painters,
MS.iii. 5, 267, and other places in the last epochs of the
school. The autograph is in the possession of the Signori Burchielati at
Trevigi, and a copy in that of the Cav.
Lazara.
Memoirs for the Fine Arts. Rome, from the year 1785 to
1788, 4 vols.4to.
ii. 344, and in other parts of the Roman
school. See De Rossi.
Mengs, Cav. Anton Raffaello. Opere diverse, 2 vols. Two
editions are cited: that of Parma, 1780, 2 vols.
4to. commonly that of Bassano, 1783,
2 vols.8vo. Of
the Roman, in 4to. and in 8vo. Merit of these works, ii.
313. Cited, Preface, ix. and vol.i. 73, 95, 147, iii.
139, 144, iv. 87, v.
115, 125, 247, and other parts of the work.
Milizia. Memoirs of Ancient and Modern Architects. Parma,
1781, 2 vols.8vo.;
and with new additions at Bassano, 1785, 2 vols.8vo.i. 426. See also Art of Vision.
Montani, Gioseffo. His MS.
Lives.v. 161.
Morelli, Cav. D. Jacopo, Keeper of the
R. Library at S. Mark's in Venice. Account
of works of Design during the first half of the sixteenth century, then
existing at Padua, Cremona, Milan, Pavia, Bergamo, Crema, and
Venice. Anonymous. Bassano, 1800, 8vo.iii. 3, and often in the cities pointed
out.
Moreni, Ab. Domenico. Historical Notices of places adjacent to
Florence, 6 tom.8vo. Florence, 1790, 1792, 1793, 4, 5, 6. i. 52, and in Index I.
Morigia, Paolo. On the Milanese Nobility, with the additions of
Borsieri. Milan, 1619, 8vo.iv. 234, and in Index I.
Morrona, da, Alessandro. Pisa Illustrata nelle Arti del
Disegno, from 1787 to 1793, 3 vols.8vo.i. 8, 9, and
often in the first book of the same volume.
Moschini, P. G. A. Somasco. Account of the Island of
Murano. Venice, 1807, 8vo.iii. 22.