Baglione, Cav. Giovanni. Lives of
the Painters, Sculptors, and Architects, from the pontificate of Gregory
XIII. in 1573, to the time of Pope Urban
VIII. in 1642. Naples, 1733, 4to.ii. 228. It is cited in the Roman school, the
Florentine, andothers.
Corrected, i. 287.
Opinion on the work, ii. 228.
Baldeschi, Ab. State of the Lateran Church in the year
1723. Rome, 1723, 4to. There is annexed
a View of the remarkable objects in the said Church by
Crescimbeni.
Baldinucci, Filippo. Account of the Professors of Design, from
the time of Cimabue. Six volumes, 4to.
printed at Florence between 1681 and 1688, and after the author's death,
from 1702 to 1728:
his posthumous works completed by his son. i. 283. Cited throughout the work.
Accusations by various foreigners, i. 29,
378, v. 9.
Exculpated, i. 37, 51.
His mistakes, i. 32, 33, 34, 42, 61, 280,
382, 387, ii. 12, 19, 269, 270, iv. 159, 176, v. 9, 360.
Baldinucci. The same, with various dissertations, notes, and
additions, by Giuseppe Piacenza, an architect of Turin. Turin, 2 vols.4to. 1768 and
1770. i. 31, 151, ii.
9, v. 19, 452.
—— The same, with notes by Manni, 20 vols.8vo. Florence, from the
year 1767 to 1774. Corrected, i. 126.
—— The same. Opuscoli contained in
vol. 21 of the before-mentioned edition.
Preface, xxviii. i. 19, 51.
Barbaro, Monsig. Daniello. The
Practice of Perspective. Venice, 1669, fol.
iii. 49.
Barri, Giacomo. Picturesque Tour in Italy. Venice, 1671.
iii. 294, iv.
92.
Bartoli, Francesco. Account of the Paintings, Sculpture, and
Architecture of Italy. 2 vols. Venice,
8vo, 1776, 1777, cited in vol. iv. p. 210,
in the Milanese school and that of Piedmont. Corrected, v. 478.
—— The same. See Guida di Rovigo.
Bartolini, Cav. and Cortinovis, P.
Baruffaldi, Girolamo. Lives of the most celebrated Painters and
Sculptors of Ferrara. They are cited by Guarienti as already edited
at Ferrara; but there only exist MSS.
with the additions of the Can. Luigi Crespi, respecting the
Professors of Ferrara and Lower Romagna, in the hands of the Cav. Jacopo Morelli and the Cav. Lazara. v. 282, et
seq.
Bellori, Giampietro. Lives of the modern Painters, Sculptors, and
Architects. Rome, 1672 and 1728, 4to.
with the addition of the life of the Cav.
Luca Giordano. Cited in the Preface, xxxviii. i. 176, ii. 131, 427, and other
places throughout the work and index.
Opinion upon this author, ii. 6.
—— The same. Other MS.
lives, supposed to be lost, but by some asserted to exist.
See De Murr, Bibliothèque de Peinture, vol. i. p. 28. v. 124.
—— The same. Life of the Cav. Carlo Maratta. Rome, 1731, 4to.ii. 281.
—— The same. Description of the figures painted by
Raffaello d'Urbino in the Vatican palace; where it is inquired also
whether Raffaello enlarged and improved his manner by viewing the works
of Michelangiolo. Edit. 2. Rome, 1751, folio. ii. 73, 121, 278.
Bertoli, Canon. Giandomenico. Sacred and Profane Antiquities of
Aquileia. Venice, 1739, folio. The 2d
vol. of this work is in MS.tom. i.p. 1. iv. 207.
Bettinelli, Ab. Saverio. Revival in Italy of Studies, Arts, and
Manners, after the year 1000, 2 vols.8vo. Bassano, 1775, 1786. i. 14.
—— The same. Of Mantuan Letters and Arts, in
two discourses. Mantua, 1774, 4to.iv. 31, 85.
Bevilacqua, Ippolito. Memoirs of the Life of the Painter Gio.
Bettino Cignaroli. Verona, 1771, 8vo.iii. 380.
Bianconi. See Guida of Milan and of Bologna.
—— The same. Letter on a Miniature of Simon da
Siena, in second vol. of Sienese
Letters, by P. della Valle, i. 392.
Bibiena, da, Ferdinando Galli. Directions for young Students of
Civil Architecture. Bologna, 1725, 8vo.
The same, with new additions, 1731, 8vo. 2
vols. Ed. of Parma was in 1711. v. 272.
Boni, Ab. Mauro. On the painting of a Banner of the Fraternity of
S. Maria di Castello, and on other works executed
in Friuli by Gio. da Udine. Udine, 1797, 8vo.iii. 249.
—— Cav. Onofrio.
Eulogy on the Cav. Pompeo
Batoni. Rome, 1787, 8vo.ii. 320.
Borghini, Raffaello. Il Riposo. Florence, 1584,
8vo.; and again with annotations, 1730, 4to. Cited, Preface, xxxii. i. 231, et seq.
Borsieri, Girolamo. See Morigia. Milan, 1619, 8vo.
Boschini, Marco. La Carta del Navegar
Pittoresco. Venice, 1660, 4to. Cited
often in book i. of volume iii. Noticed, p. 52.
The plan of this work, iii. 260.
His verses, v. 427.
Boschini. See Guida of Venice and of Vicenza.
Bottari, Monsig. Gio. Notes to
the Lives of Vasari. The edition made use of is that commenced at
Leghorn, and continued at Florence in seven volumes, 8vo. from 1767 to 1772. Cited in Pref. xxxiii. and often throughout the work.
Its scope and merit, i. 242.
Not approved, i. 17, 165, 179, 181, 183,
264, 410, ii. 40, 363, iv. 101, 153, 215,
224, 234, v. 35.
—— The same. Notes to the Letters on Painting.Pref.xx.i. 240, 432.
—— The same. Dialogues on the Fine Arts.
Lucca, 1754, 8vo.ii. 7.
Brandolese, Pietro. Testimonianze intorno alla Patavinità di
Andrea Mantegna. Padua, 1805, 8vo.iii. 70.
—— Doubts as to the Existence of the Painter Giovanni
Vivarino da Murano, newly confirmed, and refutation of a pretended
authority to support it. Padua, 1807, 8vo.
iii. 22.
Bugati, Dottor Gaetano. Historical and critical Notices of the
Reliques and Worship of S. Celso Martire.
Milan, 1782, 4to.iv.
208.
Bure, Guillaume François de, Bibliographie
Instructive, vol. viii. 8vo. Paris, 1763, 1782. i.
141.
C.
Cambrucci. History MS. of
Feltre.iii. 78.
Campi, Cav. Ant. Le
Cronache di Cremona, 1575, fol.; and
again at Milan, 1645, 4to.iv. 155, 159, 173, 184.
Carducci, Vincenzio. De las Excelencias de la
Pintura.Baldinucci; or a Dialogue on Painting, its
definition, origin, and essence. Madrid, 1633, 4to.i. 267.
Carrari, Vincenzo. Oration and Verses by several hands on the
Death of Luca Longhi. Ravenna, 1681, 4to.
iv. 103.
Castiglione, Fr. Sabba. Recollections,
or Directions. Venice, 1555, 4to.iv. 248.
Catalogue of the existing Pictures and Paintings in the Casa
Colonna. Rome, 1783, 8vo.ii. 268, and in the Index.
Catalogue of the Pictures, Drawings, and Books, which treat of
the Art of Design, from the Gallery of the late Count Algarotti, in Venice,
drawn up by the Architect Antonio Selva, 8vo.iii. 315, v. 260.
—— Ercolani. Verses and Prose written on a Series of
excellent Paintings in possession of Signor Marco Filippo Ercolani, Prince
of the Empire. A work of the painter Jacopo Alessandro Calvi.
Bologna, 1780, 4to.iii. 16, and often in vol.
v.
—— of Pictures now in possession of D. Gio. Dottor
Vianelli, Canon of the Cathedral of Chioggia. Venice, 1790, 4to.v. 193, 415, and in
the Index I.
Diary of the years 1720 and 1721, written by Rosalba Carriera;
illustrated and published by the same Vianelli. Venice, 1793, 4to.v. 255.
Cavazzone, Francesco. Corona di grazie, favori, o
miracoli della gloriosa Vergine Maria, fatti in Bologna, dove si tratta
delle sue sante e miracolose immagini cavate dal suo naturale.MS. with date 1606.
Example of the noble Art of Design, &c.MS. with date of 1612. They are recorded by
Crespi in his Felsina, p. 18.
v. 27, 196.
Caylus, Bachiliere, Cochin the younger, writers upon painting in
caustic, v. 353.
Cellini, Benvenuto. Two Treatises: one respecting the eight
principal parts of the Goldsmith's Art; the other on matters connected with
that of Sculpture, &c. Florence,
1731, 4to.i. 110,
126, iv. 227, 240.
—— The same. Life of Benvenuto Cellini, written by
himself. Cologne, without date (which is Naples, 1728. See Note on
the works of Cocchi, who wrote the preface). i.
93, 168.
Cennini, Andrea. Treatise on Painting.MS.i. 89.
Christ, Jo. Frederic. Dictionnaire des
Monogrammes, Lettres Initiales, &c.
translated from the German, with additions. Paris, 1750,
8vo.i. 128.
Cignaroli, Giambettino, a Veronese. Series of Veronese Painters
inserted in vol. iii. of the Cronaca dello
Zagata; and MS. notes to the work of Pozzo
on the Veronese Painters. iii. 4.
Cittadella, Cesare. Historical Catalogue of the Painters and
Sculptors of Ferrara. Ferrara, 1782, vol.
iv. 8vo.v.
283, et seq.
Civalli, P. Provincial of the Conventuali Visita Triennale,
inserted in vol. xxv. of the Antichità
Picene. iii. 29, v. 34.
Cochin, Charles Nicholas. Voyage d'Italie, &c. Paris, 1758, 3 vols.8vo. Lausanne, 1773, 3
vols.12mo.
Opinion on this work, pref. xxxvi. Cited,
v. 305, and elsewhere.
Colucci, Ab. Giuseppe. Antichità Picene. Fermo,
21 vols.fol.
1792. ii. 8, 313, and elsewhere.
Combe, la, Mr. Portable Dictionary of the Fine Arts.
Paris, 1752, 1754, 8vo.vols. ii. Pref. xxi.
Corrected, iii. 113.
Comolli, Ab. Inedited Life of Raffaello d'Urbino, illustrated
with notes. Rome, 1791, 4to.2d ed.ii. 51,
52.
Conca, D. Antonio. Descrizione Odeporica della Spagna,
&c. 4 vols. Parma, 1793, et seq.8vo.i. 178, and in the
Index.
Condivi, Ascanio. Life of Michelangiolo Bonarruoti. Rome,
1553, 4to.i. 150,
et seq.
—— The same book, with annotations by Antonfrancesco
Gori and by Mariette. Folio, Florence, 1746. i. 64, 177.
Cortona, da, see Ottonelli.
Cozzando, Lionardo. Abstract of the History of Brescia.
Brescia, 1694, 4to.iii. 327.
Crespi, Can. Luigi. Felsina Pittrice; or
Lives of the Bolognese Painters, not described by Malvasia. Rome,
1769, 4to.v. 5,
and often in that book. Clamours against that work, v. 252.
—— Dialogues in defence of the same work, v. 251.
—— The same. Notes and Additions to the Lives of
Baruffaldi.Opera, MS.v. 283. Cited often in the Ferrarese school.
Corrected, v. 39.
—— The same. Letters on Painting.Pref. xxix.ii. 74, 76, v. 173, 249.
—— The same. Anticritical Dissertation upon two
Readings by Manni, as to the Opinion that St. Luke practised
Painting. Faenza, 1776, 8vo.ii. 9.
—— The same. The Certosa of Bologna described, with
its Paintings. Bologna, 1772, 8vo.ii. 403, v. 133.
Crispolti, Ciatti, Alessi, writers on matters appertaining to Perugia,
ii. 28.
Cumberland, Richard. Anecdotes of eminent Painters in Spain,
&c.ii. 84, 318.
D.
Danti, P. Ignazio, a Dominican. Rules of practical Perspective,
by Giacomo Barocci, called Il Vignola, with the Commentaries of the
preceding. Rome, 1583, folio. v. 51.
Dati, Carlo. Lives of the Ancient Painters. Florence,
1667, 4to.Pref.
xxxviii.i. 178, iv. 103.
Description, Historical, of the Monastery of Monte Casino.
Naples, 1751, 4to.ii. 441.
—— of the Certosa di Bologna. See
Crespi.
—— of the royal Temple and Monastery of S. M. Nuova di Monreale, folio. i. 4.
—— of Cartoons designed by Carlo Cignani, and of
Pictures painted by Sebastian Ricci, with a Compendium of the Lives of two
Professors. Venice, 1749, 4to. In the
Index.
—— of Monte Oliveto Maggiore: o sia Lettera sopra l'Archicenobio di M. D. M., by Giulio
Perini. Florence, 1788, 8vo.i. 411, 414.
—— of the Convent of Assisi. Angeli Francisci Mariæ
Conventus Assisiensis Historia.Montefalisc., 1704, folio.
i. 11, ii. 8.
Dictionaries of Painting, their authors, editions, and opinions on
them. Pref. xx.
Dictionary, New Historical,
&c., 22 vols.8vo. Bassano, 1796. In my citations from this very
laborious work, I might always give the name of the Ab. Francesco Carrara,
who, to the illustrious names before mentioned in several Dictionaries,
added in this work more than five thousand, for the most part of Italian
literati or professors of the fine arts. He having also adduced many
anecdotes respecting them, I have availed myself of several in this
edition. See Index I.
Dolce, Lodovico, Dialogue on Painting. Venice, 1557, 8vo.i. 176, ii. 124.
Dominici, de', Bernardo. Lives of the Neapolitan Painters,
Sculptors, and Architects. Naples, 1742, 1743, 1745, 3 vols.4to. Writers from whom
he collected them, ii. 384. Cited in the last
mentioned volume, through the whole fourth book, iv. 150. Opinion on the work, ii.
384.
Durando, di Villa, Count Felice. A Discourse read on the 4th of
April, 1778, with Notes. It is annexed to the Rules of the R.
Academy of Turin, ib. 1778, folio. v. 492, and other places in the last book.
E.
Eulogies of Illustrious Tuscans. 4 vols.8vo. Lucca, 1771, et
seq.i. 150.
F.
Faccioli. Museum Lapid. Vicentinum. Vicentiæ,
1776, 3 vols.4to.
iii. 77, and in the Index.
Facius, Barthol. De Viris Illustribus; a work
written in 1456, published by Mehus, at Florence, 1745, 4to.iii. 44.
Fantuzzi, Count Marco. Monuments of the Middle Ages at
Ravenna. Venice, 1801, et seq., 6 vols.4to.v. 37, 40.
—— Accounts of the Canon Gio. Andrea Cazzarini of
Pesaro, a distinguished Painter and Man of Letters. Venice, 1804,
8vo.See Index I.
Federici, F. Domenico Maria, de' Predicatori. Account of Works of
Design at Trevigi. Venice, 1803, 2 vols.
4to.ii.
113, iii. 5, 353, and often in the Venetian
school. Cited, iii. 107.
Felibien, J. F. Entretiens sur les Vies et les Ouvrages
des plus excellens Peintres, anciens et modernes. Paris, 1685 and
1688, 2 vols.4to.
Pref. xxxvii.i. 173, v. 58.
Francesconi. Conjecture that a Letter attributed to Baldassar
Castiglione belongs to Raffaello d'Urbino. Florence, 1799, 8vo.ii. 66.
Franchi, Antonio. The Theory of Painting, &c. Lucca, 1739, 8vo.i. 303.
Fresnoy, Caroli Alphonsi. De Arte Graphica Liber. Paris,
1637, 8vo. Translated into several languages,
and explained with notes by Mr. De Piles, and by other writers. See
De Murr, p. 156. Preface, xxxii. iii. 140, and other places.