He loves to think of God as ruling the universe by perpetual reason and certain order, as sowing stars in the sky, as binding the elements by number, as Himself immovable, yet revolving the spheres and decreeing natural events in a fixed series.[2531] The attitude is like that of the Timaeus and Aristotle’s Metaphysics, closely associating astronomy and theology, favorable to belief in astrology, in support of which later scholastic writers cite Boethius.
Fate and free will.
We may further note the main points in Boethius’ argument concerning fate and free will, providence and predestination,[2532] which was often cited by later writers. He declares that all generation and change and movement proceed from the divine mind or Providence,[2533] while fate is the regular arrangement inherent in movable objects by which divine providence is realized.[2534] Fate may be exercised through spirits, angelic or daemonic, through the soul or through the aid of all nature or “by the celestial motion of the stars.”[2535] It is with the last that Boethius seems most inclined to identify fati series mobilis. “That series moves sky and stars, harmonizes the elements one with another, and transforms them from one to another.” More than that, “It constrains human fortunes in an indissoluble chain of causes, which, since it starts from the decree of immovable Providence, must needs itself also be immutable.”[2536] Boethius, however, does not believe in a complete fatalism, astrological or otherwise. He holds that nothing escapes divine providence, to which there is no distinction between past, present, and future.[2537] As the human reason can conceive universals, although sense and imagination are able to deal only with particulars, so the divine mind can foresee the future as well as the present. But there are some things which are under divine providence but which are not subject to fate.[2538] Divine providence imposes no fatal necessity upon the human will, which is free to choose its course.[2539] The world of nature, however, existing without will or reason of its own, conforms absolutely to the fatal series provided for it. As for chance, Boethius agrees with Aristotle’s Physics that there is really no such thing, but that what is commonly ascribed to chance really results from an unexpected coincidence of causes, as when a man plowing a field finds a treasure which another has buried there.[2540] Thus Boethius maintains the co-existence of the fatal series expressed in the stars, divine providence, and human free will, a thesis likely to reassure Christians inclined to astrology who had been somewhat disturbed by the fulminations of the fathers against the genethliaci, just as his constant rhapsodizing over the stars and heavens would lead them to regard the science of the stars as second only to divine worship. Indeed, his position was the usual one in the subsequent middle ages.
Music of the stars and universe.
The stars also come into Boethius’ treatise on music, where one of the three varieties of music is described as mundane, where the music of the spheres is declared to exist although inaudible to us, and where each planet is connected with a musical chord. Plato is quoted as having said, not in vain, that the world soul is compounded of musical harmony, and it is affirmed that the four different and contrary elements could never be united in one system unless some harmony joined them.[2541]
Isidore of Seville.
Isidore was born about 560 or 570, became bishop of Seville in 599 or 600, and died in the year 636. Although mention should perhaps be made of his briefer De natura rerum,[2542] a treatise dedicated to King Sisebut who reigned from 612 to 620, Isidore’s chief work from our standpoint is the Etymologiae.[2543] His friend, bishop Braulio, writing after Isidore’s death, says that he had left unfinished the copy of this work which he made at his request, but this was apparently a second edition, since in a letter written to Isidore probably in 630, Braulio speaks of copies as already in circulation, although he describes their text as corrupt and abbreviated. But apparently the work had been composed seven years before this.[2544] The Etymologies was undoubtedly a work of great importance and influence in the middle ages, but one should not be led, as some writers have been, into exaggerated praise of Isidore’s erudition on this account.[2545] For the work’s importance consists chiefly in showing how scanty was the knowledge of the early middle ages. Its influence also would seem not to have been entirely beneficial, since writers continued to cite it as an authority as late as the thirteenth century, when it might have been expected to have outlived its usefulness. We suspect that it proved too handy and convenient and tended to encourage intellectual laziness and stagnation more than any anthology of literary quotations did. Arevalus listed ten printed editions of it before 1527, showing that it was as popular in the time of the Renaissance as in the middle ages.
Method of the Etymologies.
The Etymologies is little more than a dictionary, in which words are not listed alphabetically but under subjects with an average of from one to a half dozen lines of derivation and definition for each term. The method is, as Brehaut well says, “to treat each subject by ... defining the terms belonging to it.”[2546] Pursuing this method, Isidore treats of various arts and sciences, human interests and natural phenomena: the seven liberal arts, medicine, and law; chronology and bibliography; the church, religion, and theology; the state and family, physiology, zoology, botany, mineralogy, geography, and astronomy; architecture and agriculture; war and sport; arms and armor; ships and costume and various utensils of domestic life. Such is the classification which later medieval writers were to adopt or adapt rather than the arrangement followed in Pliny’s Natural History. Isidore’s association of words and definitions under topics makes an approach, at least, to the articles of encyclopedias: sometimes there is a brief discussion of the general topic before the particular terms and names are considered; sometimes there are chronological tables, family trees, or lists of signs and abbreviations. In short, Isidore forms a connecting link between Pliny and the encyclopedists of the thirteenth century.
Its sources.