In the passage leading to most of the churches was a table, at which several ladies of the highest rank sat collecting alms for the poor. The fair queteuses had not been very successful, and that chiefly amongst the lower classes. The fatigue was terrible, walking for so many hours on that bad pavement with thin satin shoes, so that at length our feet seemed to move mechanically, and we dropped on our knees before each altar like machines touched by a spring, and rose again with no small effort. Of all the churches we entered that night, the cathedral was the most magnificent, but the most beautiful and tasteful was San Francisco. The crowd there was so dense, that we were almost carried off our feet, and were obliged, in defiance of all rule, to take the arms of our caballeros. Still it was worth the trouble of making our way through it to see such a superbly illuminated altar. It was now eleven o'clock, and the crowd were breaking up as the churches are shut before midnight. In one corner of the middle aisle, near the door, was the representation of a prison from which issued a stream of soft music, and at the window was a figure of Christ in chains, his eyes bandaged, and a Jew on each side; the chains hanging from his hands, and clanking as if with the motion of his arms. The rush here was immense. Numbers of people were kneeling before the window of the prison, and kissing the chains and beating their breasts with every appearance of contrition and devotion. This was the night before the Crucifixion, and the last scene of the Holy Thursday.
We reached home hardly able to stand. I never felt more dazzled, bewildered, and sleepy; but I was wakened by finding a packet of letters from home, which brought back my thoughts, or rather carried them away to very different lands.
On Good Friday, a day of sorrow and humiliation, the scene in the morning is very different. The great sacrifice is complete—the Immortal has died a mortal death. The ladies all issue forth in mourning, and the churches look sad and wan after their last night's brilliancy. The heat was intense. We went to San Francisco, again to the Tribuna of the Countess de Santiago, to see the Adoration and Procession of the Cross, which was very fine.
But the most beautiful and original scene was presented towards sunset in the great square, and it is doubtful whether any other city in the world could present a coup-d'oeil of equal brilliancy. Having been offered the entree to some apartments in the palace, we took our seats on the balconies, which commanded a view of the whole. The Plaza itself, even on ordinary days, is a noble square, and but for its one fault, a row of shops called the Parian, which breaks its uniformity, would be nearly unrivalled. Every object is interesting. The eye wanders from the cathedral to the house of Cortes (the Monte Pio), and from thence to a range of fine buildings with lofty arcades to the west. From our elevated situation, we could see all the different streets that branch out from the square, covered with gay crowds pouring in that direction to see another great procession, which was expected to pass in front of the palace. Booths filled with refreshments, and covered with green branches and garlands of flowers, were to be seen in all directions, surrounded by a crowd who were quenching their thirst with orgeat, chia,[1] lemonade, or pulque. The whole square, from the cathedral to the Portales, and from the Monte Pio to the palace, was covered with thousands and tens of thousands of figures, all in their gayest dresses, and as the sun poured his rays down upon their gaudy colours, they looked like armies of living tulips. Here was to be seen a group of ladies, some with black gowns and mantillas; others, now that their church-going duty was over, equipped in velvet or satin, with their hair dressed,—and beautiful hair they have; some leading their children by the hand, dressed… alas! how they were dressed! Long velvet gowns trimmed with blonde, diamond earrings, high French caps befurbelowed with lace and flowers, or turbans with plumes of feathers. Now and then the head of a little thing that could hardly waddle alone, might have belonged to an English dowager-duchess in her opera-box. Some had extraordinary bonnets, also with flowers and feathers, and as they toddled along, top heavy, one would have thought they were little old women, till a glimpse was caught of their lovely little brown faces and black eyes. Now and then a little girl, simply dressed with a short frock, and long black hair plaited down and uncovered, would trip along, a very model of grace amongst the small caricatures. The children here are generally beautiful, their features only too perfect and regular for the face "to fulfil the promise of its spring." They have little colour, with swimming black or hazel eyes, and long lashes resting on the clear pale cheek, and a perfect mass of fine dark hair of the straight Spanish or Indian kind plaited down behind. [Footnote 1: A drink made of the seed of the plant of that name.]
As a contrast to the Señoras, with their over-dressed beauties, were the poor Indian women, trotting across the square, their black hair plaited with dirty red ribbon, a piece of woollen cloth wrapped about them, and a little mahogany baby hanging behind, its face upturned to the sky, and its head going jerking along, somehow without its neck being dislocated. The most resigned expression on earth is that of an Indian baby. All the groups we had seen promenading the streets the day before were here collected by hundreds; the women of the shopkeeper class, or it may be lower, in their smart white embroidered gowns, with their white satin shoes, and neat feet and ankles, and rebosos or bright shawls thrown over their heads; the peasants and countrywomen, with their short petticoats of two colours, generally scarlet and yellow (for they are most anti-quakerish in their attire), thin satin shoes and lace-trimmed chemises, or bronze-coloured damsels, all crowned with flowers, strolling along with their admirers, and tingling their light guitars. And above all, here and there a flashing Poblana, with a dress of real value and much taste, and often with a face and figure of extraordinary beauty, especially the figure; large and yet élancée, with a bold coquettish eye, and a beautiful little brown foot, shown off by the white satin shoe; the petticoat of her dress frequently fringed and embroidered in real massive gold, and a reboso either shot with gold, or a bright-coloured China crape shawl, coquettishly thrown over her head. We saw several whose dresses could not have cost less than five hundred dollars.
Add to this motley crowd, men dressed à la Mexicaine, with their large ornamented hats and serapes, or embroidered jackets, sauntering along, smoking their cigars, léperos in rags, Indians in blankets, officers in uniform, priests in their shovel hats, monks of every order; Frenchmen exercising their wit upon the passers-by; Englishmen looking cold and philosophical; Germans gazing through their spectacles, mild and mystical; Spaniards seeming pretty much at home, and abstaining from remarks; and it may be conceived that the scene at least presented variety. Sometimes the tinkling of the bell announced the approach of Nuestro Amo. Instantly the whole crowd are on their knees, crossing themselves devoutly. Two men who were fighting below the window suddenly dropped down side by side. Disputes were hushed, flirtations arrested, and to the busy hum of voices succeeded a profound silence. Only the rolling of the coach-wheels and the sound of the little bell were heard.
No sooner had it passed than the talkers and the criers recommenced with fresh vigour. The venders of hot chestnuts and cooling beverages plied their trade more briskly than ever. A military band struck up an air from Semiramis: and the noise of the innumerable matracas (rattles), some of wood and some of silver, with which every one is armed during the last days of the holy week, broke forth again as if by magic, while again commenced the sale of the Judases, fireworks in the form of that arch-traitor, which are sold on the evening of Good Friday, and let off on Saturday morning. Hundreds of these hideous figures were held above the crowd, by men who carried them tied together on long poles. An ugly misshapen monster they represent the betrayer to have been. When he sold his master for thirty pieces of silver, did he dream that in the lapse of ages his effigies should be held up to the execration of a Mexican mob, of an unknown people in undiscovered countries beyond the seas?—A secret bargain, perhaps made whisperingly in a darkened chamber with the fierce Jewish rulers; but now shouted forth in the ears of the descendants of Montezuma and Cortes!
But the sound of a distant hymn rose on the air, and shortly after there appeared, advancing towards the square, a long and pompous retinue of mitred priests, with banners and crucifixes and gorgeous imagery, conducting a procession in which figures representing scenes concerning the death of our Saviour, were carried by on platforms, as they were the preceding evening. There was the Virgin in mourning at the foot of the cross—the Virgin in glory—and more saints and more angels—St. Michael and the dragon, etc., etc., a glittering and innumerable train. Not a sound was heard as the figures were carried slowly onwards in their splendid robes, lighted by thousands of tapers, which mingled their unnatural glare with the fading light of day.
As the Miserere was to be performed in the cathedral late in the evening, we went there, though with small hopes of making our way through the tremendous crowd. Having at length been admitted through a private entrance, per favour, we made our way into the body of the church; but the crowd was so intolerable, that we thought of abandoning our position, when we were seen and recognised by some of the priests, and conducted to a railed-off enclosure near the shrine of the Virgin, with the luxury of a Turkey carpet. Here, separated from the crowd, we sat down in peace on the ground. The gentlemen were accommodated with high-backed chairs, beside some ecclesiastics; for men may sit on chairs or benches in church, but women must kneel or sit on the ground. Why? "Quien sabe?" (Who knows?) is all the satisfaction I have ever obtained on that point.
A Lonely Walk