Next, described as displayed on the shield, is a picture of spies at a distance, an ambuscade, and a battle; the scene then changes to ploughing and sowing, and the incidents connected with the gathering of a bountiful harvest; then are introduced a vineyard, the gathering of the grapes, and a merrymaking by the youths at the close of the day; then we have a wild outlying scene of herdsmen with their cattle, the latter attacked by two famished lions, and the tumult that followed. The description closes as follows:
Now the god's changeful artifice displayed
Fair flocks at pasture in a lovely glade;
And folds and sheltering stalls peeped up between,
And shepherd-huts diversified the scene.
Now on the shield a choir appear'd to move,
Whose flying feet the tuneful labyrinth wove;
Youths and fair girls there, hand in hand, advanced,
Timed to the song their steps, and gayly danced.
Round every maid light robes of linen flowed;
Round every youth a glossy tunic glowed;
Those wreathed with flowers, while from their partners hung
Swords that, all gold, from belts of silver swung.
Train'd by nice art each flexile limb to wind,
Their twinkling feet the measured maze entwined,
Fleet as the wheel whose use the potter tries,
When, twirl'd beneath his hand, its axle flies.
Now all at once their graceful ranks combine,
Each rang'd against the other, line with line.
The crowd flock'd round, and, wondering as they view'd,
Thro' every change the varying dance pursued;
The while two tumblers, as they led the song,
Turned in the midst and rolled themselves along.
Then, last, the god the force of Ocean bound,
And poured its waves the buckler's orb around.
—B. XVIII. SOTHEBY'S Trans.
Achilles Engages in the Fight.
Desire to avenge the death of Patroclus proves more powerful in the breast of Achilles than anger against Agamemnon, and, clad in his new armor, he is with difficulty restrained from rushing alone into the fight while his comrades are resting. Turning and addressing his horses, he reproaches them with the death of Patroclus. One of them is represented as being Miraculously endowed with voice, and, replying to Achilles, prophesies his death in the near future; but, with unabated rage, the intrepid chief replies:
"So let it be!
Portents and prodigies are lost on me.
I know my fate: to die, to see no more
My much-loved parents and my native shore.
Enough—when Heaven ordains I sink in night.
Now perish Troy!" he said, and rushed to fight.
Jupiter now assembles the gods in council, and permits them to assist either party. The poet vividly describes the terrors of the combat and the tumult that arose when "the powers descending swelled the fight." Achilles first encounters Æne'as, who is preserved by Neptune; he then meets Hector, whom he is on the point of killing, when Apollo rescues him and carries him away in a cloud. The Trojans, defeated with terrible slaughter, are driven into the river Scamander, where Achilles receives the aid of Neptune and Pallas.
This Death of Hector.