There were three classes among the population of Laconia—the Dorians, of Sparta; their serfs, the He'lots; and the people of the provincial districts. The former, properly called Spartans, were the ruling caste, who neither employed themselves in agriculture nor practiced any mechanical art. The Helots were slaves, who, as is generally believed, on account of their obstinate resistance in some early wars, and subsequent conquest, had been reduced to the most degrading servitude. The people of the provincial districts were a mixed race, composed partly of strangers who had accompanied the Dorians and aided them in their conquest, and partly of the old inhabitants of the country who had submitted to the conquerors. The provincials were under the control of the Spartan government, in the administration of which they had no share, and the lands which they held were tributary to the state; they formed an important part of the military force of the country, and had little to complain of but the want of political independence.
II. SPARTAN POETRY AND MUSIC.
With all her devotion to the pursuit of arms, the bard, the sculptor, and the architect found profitable employment in Sparta. While the Spartans never exhibited many of those qualities of mind and heart which were cultivated at Athens with such wonderful success, they were not strangers to the influences of poetry and music. Says the poet CAMPBELL, "The Spartans used not the trumpet in their march into battle, because they wished not to excite the rage of their warriors. Their charging step was made to the 'Dorian mood of flute and soft recorder.' The valor of a Spartan was too highly tempered to require a stunning or rousing impulse. His spirit was like a steed too proud for the spur."
They marched not with the trumpet's blast,
Nor bade the horn peal out,
And the laurel-groves, as on they passed,
Rung with no battle-shout!
They asked no clarion's voice to fire
Their souls with an impulse high;
But the Dorian reed and the Spartan lyre
For the sons of liberty!
And still sweet flutes, their path around,
Sent forth Eolian breath;
They needed not a sterner sound
To marshal them for death!
—MRS. HEMANS.
"The songs of the Spartans," says PLUTARCH, "had a spirit which could rouse the soul, and impel it in an enthusiastic manner to action. They consisted chiefly of the praises of heroes that had died for Sparta, or else of expressions of detestation for such wretches as had declined the glorious opportunity. Nor did they forget to express an ambition for glory suitable to their respective ages. Of this it may not be amiss to give an instance. There were three choirs in their festivals, corresponding with the three ages of man. The old men began,
'Once in battle bold we shone;'
the young men answered,
'Try us; our vigor is not gone;'