and the boys concluded,

'The palm remains for us alone.'

Indeed, if we consider with some attention such of the Lacedæmonian poems as are still extant, and enter into the spirit of those airs which were played upon the flute when marching to battle, we must agree that Terpan'der and Pindar have very fitly joined valor and music together. The former thus speaks of Lacedæmon:

Then gleams the youth's bright falchion; then the Muse
Lifts her sweet voice; then awful Justice opes
Her wide pavilion.

And Pindar sings,

Then in grave council sits the sage:
Then burns the youth's resistless rage
To hurl the quiv'ring lance;
The Muse with glory crowns their arms,
And Melody exerts her charms,
And Pleasure leads the dance.

Thus we are informed not only of their warlike turn, but of their skill in music."

The poet ION, of Chios, gives us the following elegant description of the power of Sparta:

The town of Sparta is not walled with words;
But when young A'res falls upon her men,
Then reason rules, and the hand does the deed.

III. SPARTA'S CONQUESTS.