Cicero's Brutus or History of Famous Orators; also His Orator, or Accomplished Speaker.

by Marcus Tullius Cicero

Antonius, [Footnote: A celebrated Orator, and grandfather to M. Antonius The Triumvir.] therefore, to whom our ancestors adjudged the palm of Eloquence, and who had much natural penetration and sagacity, has observed in the only book he published, "that he had seen many good Speakers, but not a single Orator." The full and perfect semblance of Eloquence had so thoroughly possessed his mind, and was so completely visible there, though no where exemplified in practice, that this consummate Genius, (for such, indeed, he was) observing many defects in both himself and others, could discover no one who merited the name of eloquent. But if he considered neither himself, nor Lucius Crassus, as a genuine Orator, he must have formed in his mind a sublime idea of Eloquence, under which, because there was nothing wanting to compleat it, he could not comprehend those Speakers who were any ways deficient. Let us then, my Brutus, (if we are able) trace out the Orator whom Antonius never saw, and who, it may be, has never yet existed; for though we have not the skill to copy his likeness in real practice, (a talk which, in the opinion of the person above- mentioned, would be almost too arduous for one of the Gods,) we may be able, perhaps, to give some account of what he ought to be.

Good Speaking, then, may be divided into three characters, in each of which there are some who have made an eminent figure: but to be equally excellent in all (which is what we require) has been the happiness of few.

The lofty and majestic Speaker, who distinguishes himself by the energy of his sentiments, and the dignity of his expression, is impetuous,—diversified,—copious,—and weighty,—and abundantly qualified to alarm and sway the passions;—which some effect by a harsh, and a rough, gloomy way of speaking, without any harmony or measure; and others, by a smooth, a regular, and a well-proportioned style.

On the other hand, the simple and easy Speaker is remarkably dexterous and keen, and aiming at nothing but our information, makes every thing he discourses upon, rather clear and open than great and striking, and polishes it with the utmost neatness and accuracy. But some of this kind of Speakers, who are distinguished by their peculiar artificie, are designedly unpolished, and appear rude and unskilful, that they may have the better opportunity of deceiving us:—while others, with the same poverty of style, are far more elegant and agreeable,—that is, they are pleasant and facetious, and sometimes even florid, with here and there an easy ornament.

But there is likewise a middle kind of Oratory, between the two above- mentioned, which neither has the keenness of the latter, nor hurls the thunder of the former; but is a mixture of both, without excelling in either, though at the same time it has something of each, or (perhaps, more properly) is equally destitute of the true merit of both. This species of Eloquence flows along in a uniform course, having nothing to recommend it, but it's peculiar smoothness and equability; though at the same time, it intermingles a number of decorations, like the tufts of flowers in a garland, and embellishes a discourse from beginning to end with the moderate and less striking ornaments of language and sentiment.

Those who have attained to any degree of perfection in either of the above characters, have been distinguished as eminent Orators: but the question is whether any of them have compassed what we are seeking after, and succeeded equally in all. For there have been several who could speak nervously and pompously, and yet, upon occasion, could express themselves with the greates address, and simplicity. I wish I could refer to such an Orator, or at least to one who nearly resembles him, among the Romans; for it would certainly have been more to our credit to be able to refer to proper examples of our own, and not be necessitated to have recourse to the Greeks. But though in another treatis of mine, which bears the name of Brutus, [Footnote: A very excellent Treatise in the form of a Dialogue. It contains a critical and very instructive account of all the noted Orators of Greece and Rome and might be called, with great propriety, the History of Eloquence. Though it is perhaps the most entertaining of all Cicero's performances, the Public have never been obliged before with a translation of it into English; which, I hope, will sufficiently plead my excuse for preforming to undertake it.] I have said much in favour of the Romans, partly to excite their emulation, and, in some measure, from a partial fondness for my country; yet I must always remember to give the preference to Demosthenes, who alone has adapted his genius to that perfect species of Eloquence of which I can readily form an idea, but which I have never yet seen exemplified in practice. Than him, there has never hitherto existed a more nervous, and at the same time, a more subtle Speaker, or one more cool and temperate. I must, therefore, caution those whose ignorant discourse is become so common, and who wish to pass for Attic Speakers, or at least to express themselves in the Attic taste, —I must caution them to take him for their pattern, than whom it is impossible that Athens herself should be more completely Attic: and, as to genuine Atticism, that them learn what it means, and measure the force of Eloquence, not by their own weakness and incapacity, but by his wonderful energy and strength. For, at present, a person bestows his commendation upon just so much as he thinks himself capable of imitating. I therefore flatter myself that it will not be foreign to my purpose, to instruct those who have a laudable emulation, but are not thoroughly settled in their judgment, wherein the merit of an Attic Orator consists.

The taste of the Audience, then, has always governed and directed the Eloquence of the Speaker: for all who wish to be applauded, consult the character, and the inclinations of those who hear them, and carefully form and accommodate themselves to their particular humours and dispositions. Thus in Caria, Phrygia, and Mysia, because the inhabitants have no relish for true elegance and politeness, the Orators have adopted (as most agreeable to the ears of their audience) a luxuriant, and, if I may so express myself, a corpulent style; which their neighbours the Rhodians, who are only parted from them by a narrow straight, have never approved, and much less the Greeks; but the Athenians have entirely banished it; for their taste has always been so just and accurate that they could not listen to any thing but what was perfectly correct and elegant. An Orator, therefore, to compliment their delicacy, was forced to be always upon his guard against a faulty or a distasteful expression.

Accordingly, he, whom we have just mentioned as surpassing the rest, has been careful in his Oration for Ctesiphon, (which is the best he ever composed) to set out very cooly and modestly: when he proceeds to argue the point of law, he grows more poignant and pressing; and as he advances in his defence, he takes still greater liberties; till, at last, having warmed the passions of his Judges, he exults at his pleasure through the reamining part of his discourse. But even in him, thus carefully weighing and poising his every word Aeschines [Footnote: Aeschines was a cotemporary, and a professed rival of Demosthenes. He carried his animosity so far as to commence a litigious suit against him, at a time when the reputation of the latter was at the lowest ebb. But being overpowered by the Eloquence of Demosthenes, he was condemned to perpetual banishment.] could find several expressions to turn into ridicule:—for giving a loose to his raillery, he calls them harsh, and detestable, and too shocking to be endured; and styling the author of them a very monster, he tauntingly asks him whether such expressions could be considered as words or not rather as absolute frights and prodigies. So that to AEschines not even Demosthenes himself was perfectly Attic; for it is an easy matter to catch a glowing expression, (if I may be allowed to call it so) and expose it to ridicule when the fire of attention is extinguished. Demosthenes, therefore, when he endeavours to excuse himself, condescends to jest, and denies that the fortune of Greece was in the least affected by the singularity of a particular expression, or by his moving his hand either this way or that.

With what patience, then, would a Mysian or a Phrygian have been heard at Athens, when even Demosthenes himself was reproached as a nuisance? But should the former have begun his whining sing-song, after the manner of the Asiatics, who would have endured it? or rather, who would not have ordered him to be instantly torn from the Rostrum? Those, therefore, who can accommodate themselves to the nice and critical ears of an Athenian audience, are the only persons who should pretend to Atticism.

But though Atticism may be divided into several kinds, these mimic Athenians suspect but one. They imagine that to discourse plainly, and without any ornament, provided it be done correctly, and clearly, is the only genuine Atticism. In confining it to this alone, they are certainly mistaken; though when they tell us that this is really Attic, they are so far in the right. For if the only true Atticism is what they suppose to be, not even Pericles was an Attic Speaker, though he was universally allowed to bear away the palm of Eloquence; nor, if he had wholly attached himself to this plain and simple kind of language, would he ever have been said by the Poet Aristophanes to thunder and lighten, and throw all Greece into a ferment.