THE ORATOR,
BY MARCUS TULLIUS CICERO;
ADDRESSED TO MARCUS BRUTUS;
And now first translated from the Original Latin.
"Song charms the Sense, but Eloquence the Soul."
MILTON.
THE ORATOR.
Which, my Brutus, would be the most difficult talk,—to decline answering a request which you have so often repeated, or to gratify it to your satisfaction,—I have long been at a loss to determine. I should be extremely sorry to deny any thing to a friend for whom I have the warmest esteem, and who, I am sensible, has an equal affection for me;— especially, as he has only desired me to undertake a subject which may justly claim my attention. But to delineate a character, which it would be very difficult, I will not say to acquire, but even to comprehend in its full extent, I thought was too bold an undertaking for him who reveres the censure of the wife and learned. For considering the great diversity of manner among the ablest Speakers, how exceedingly difficult must it be to determine which is best, and give a finished model of Eloquence? This, however, in compliance with your repeated solicitations, I shall now attempt;—not so much from any hopes of succeeding, as from a strong inclination to make the trial. For I had rather, by yielding to your wishes, give you room to complain of my insufficiency; than, by a peremptory denial, tempt you to question my friendship.
You desire to know, then, (and you have often repeated your request) what kind of Eloquence I most approve, and can look upon to be so highly finished, as to require no farther improvement. But should I be able to answer your expectations, and display, in his full perfection, the Orator you enquire after; I am afraid I shall retard the industry of many, who, enfeebled by despair, will no longer attempt what they think themselves incapable of attaining. It is but reasonable, however, that all those who covet what is excellent, and which cannot be acquired without the greatest application, should exert their utmost. But if any one is deficient in capacity, and destitute of that admirable force of genius which Nature bestows upon her favourites, or has been denied the advantages of a liberal education, let him make the progress he is able. For while we are driving to overtake the foremost, it is no disgrace to be found among the second class, or even the third. Thus, for instance, among the poets, we respect the merit not only of a Homer (that I may confine myself to the Greeks) or of Archilochus, Sophocles, or Pindar, but of many others who occupied the second, or even a lower place. In Philosophy also the diffusive majesty of Plato has not deterred Aristotle from entering the list; nor has Aristotle himself, with all his wonderful knowledge and fertility of thought, disheartened the endeavours of others. Nay, men of an elevated genius have not only disdained to be intimidated from the pursuit of literary fame;—but the very artists and mechanics have never relinquished their profession, because they were unable to equal the beauty of that Iasylus which we have seen at Rhodes, or of the celebrated Venus in the island of Coos:—nor has the noble image of Olympian Jove, or the famous statue of the Man at Arms, deterred others from making trial of their abilities, and exerting their skill to the utmost. Accordingly, such a large number of them has appeared, and each has performed so well in his own way, that we cannot help being pleased with their productions, notwithstanding our admiration at the nobler efforts of the great masters of the chissel.
But among the Orators, I mean those of Greece, it is astonishing how much one of them has surpassed the rest:—and yet, though there was a Demosthenes, there were even then many other Orators of considerable merit;—and such there were before he made his appearance, nor have they been wanting since. There is, therefore, no reason why those who have devoted themselves to the study of Eloquence, should suffer their hopes to languish, or their industry to flag. For, in the first place, even that which is most excellent is not to be despaired of;—and, in all worthy attempts, that which is next to what is best is great and noble.
But in sketching out the character of a compleat Orator, it is possible I may exhibit such a one as hath never yet existed. For I am not to point out the Speaker, but to delineate the Eloquence than which nothing can be more perfect of the kind:—an Eloquence which hath blazed forth through a whole Harangue but seldom, and, it may be, never; but only here and there like a transient gleam, though in some Orators more frequently, and in others, perhaps, more sparingly.
My opinion, then, is,—that there is no human production of any kind, so compleatly beautiful, than which there is not a something still more beautiful, from which the other is copied like a portrait from real life, and which can be discerned neither by our eyes nor ears, nor any of our bodily senses, but is visible only to thought and imagination. Though the statues, therefore, of Phidias, and the other images above-mentioned, are all so wonderfully charming, that nothing can be found which is more excellent of the kind; we may still, however, suppose a something which is more exquisite, and more compleat. For it must not be thought that the ingenious artist, when he was sketching out the form of a Jupiter, or a Minerva, borrowed the likeness from any particular object;—but a certain admirable semblance of beauty was present to his mind, which he viewed and dwelt upon, and by which his skill and his hand were guided. As, therefore, in mere bodily shape and figure there is a kind of perfection, to whose ideal appearance every production which falls under the notice of the eye is referred by imitation; so the semblance of what is perfect in Oratory may become visible to the mind, and the ear may labour to catch a likeness. These primary forms of thing are by Plato (the father of science and good language) called Ideas; and he tells us they have neither beginning nor end, but are co-eval with reason and intelligence; while every thing besides has a derived, and a transitory existence, and passes away and decays, so as to cease in a short time to be the thing it was. Whatever, therefore, may be discussed by reason and method, should be constantly reduced to the primary form or semblance of it's respective genus.
I am sensible that this introduction, as being derived not from the principles of Eloquence, but from the deepest recesses of Philosophy, will excite the censure, or at least the wonder of many, who will think it both unfashionable and intricate. For they will either be at a loss to discover it's connection with my subject, (though they will soon be convinced by what follows, that, if it appears to be far-fetched, it is not so without reason;)—or they will blame me, perhaps, for deserting the beaten track, and striking out into a new one. But I am satisfied that I often appear to advance novelties, when I offer sentiments which are, indeed, of a much earlier date, but happen to be generally unknown: and I frankly acknowledge that I came forth an Orator, (if indeed I am one, or whatever else I may be deemed) not from the school of the Rhetoricians, but from the spacious walks of the Academy. For these are the theatres of diversified and extensive arguments which were first impressed with the foot-steps of Plato; and his Dissertations, with those of other Philosophers, will be found of the greatest utility to an Orator, both for his exercise and improvement; because all the fertility, and, as it were, the materials of Eloquence, are to be derived from thence;—but not, however, sufficiently prepared for the business of the Forum, which, as themselves have frequently boasted, they abandoned to the rustic Muses of the vulgar! Thus the Eloquence of the Forum, despised and rejected by the Philosophers, was bereaved of her greatest advantages:—but, nevertheless, being arrayed in all the brilliance of language and sentiment, she made a figure among the populace, nor feared the censure of the judicious few. By this means, the learned became destitute of a popular Eloquence, and the Orators of polite learning.
We may, therefore, consider it as a capital maxim, (the truth of which will be more easily understood in the sequel) that the eloquent Speaker we are enquiring after, cannot be formed without the assistance of Philosophy. I do not mean that this alone is sufficient; but only (for it is sometimes necessary to compare great things to small) that it will contribute to improve him in the same manner as the Palaestra [Footnote: The Palaestra was a place set apart for public exercises, such as wrestling, running, fencing, &c. the frequent performance of which contributed much to a graceful carriage of the body, which is a necessary accomplishment in a good Actor.] does an Actor; because without Philosophy, no man can speak fully and copiously upon a variety of important subjects which come under the notice of an Orator. Accordingly, in the Phaedrus of Plato, it is observed by Socrates that the great Pericles excelled all the Speakers of his time, because he had been a hearer of Anaxagoras the Naturalist, from whom he supposes that he not only borrowed many excellent and sublime ideas, but a certain richness and fertility of language, and (what in Eloquence is of the utmost consequence) the various arts either of soothing or alarming each particular passion. The same might be said of Demosthenes, whose letters will satisfy us, how assiduously he attended the Lectures of Plato. For without the instruction of Philosophy, we can neither discover what is the Genus or the Species to which any thing belongs, nor explain the nature of it by a just definition, or an accurate analysis of its parts;— nor can we distinguish between what is true and false, or foresee the consequences, point out the inconsistencies, and dissolve the ambiguities which may lie in the case before us. But as to Natural Philosophy (the knowledge of which will supply us with the richest treasures of Elocution;)—and as to life, and it's various duties, and the great principles of morality,—what is it possible either to express or understand aright, without a large acquaintance with these? To such various and important accomplishments we must add the innumerable ornaments of language, which, at the time above mentioned, were the only weapons which the Masters of Rhetoric could furnish. This is the reason why that genuine, and perfect Eloquence we are speaking of, has been yet attained by no one; because the Art of Reasoning has been supposed to be one thing, and that of Speaking another; and we have had recourse to different Instructors for the knowledge of things and words.