[94] Later, however (in the essay on Imitations of the Ancient Ballad, 1830), he said: "In their spirit and diction they nearly resemble fragments of poetry extant in Gaelic." By this time he was probably reverting to the earlier opinion which had made the more vivid impression.
[95] For the Northern Antiquities, edited by Robert Jamieson and published in 1814, Scott wrote an abstract of the Eyrbyggja Saga, using, as one would conclude from his introductory words, the Latin version made by Thorkelin, who published the saga in 1787. The purpose of the publication required the historical and antiquarian rather than the literary point of view, and accordingly we find Scott's notes occupied with historical comment.
[96] In 1804 Weber came to Edinburgh in a deplorable condition of poverty, and was employed and assisted in literary work by Scott during the following nine years. In 1813 he was seized with insanity, and challenged Scott, across the study table, to an immediate duel with pistols. Scott supported Weber during the remaining five years of his life in an insane hospital. He was much liked by the Scott family. Scott rated his learning very highly, and gave him valuable assistance in various literary projects. Weber's chief publications were: Metrical Romances of the Thirteenth, Fourteenth, and Sixteenth Centuries, with Introduction, Notes and Glossary (1810); Dramatic Works of John Ford, with Introduction and Explanatory Notes (1811); Works of Beaumont and Fletcher, with Introduction and Explanatory Notes (1812): to this Scott's notes were the most valuable contribution; Illustrations of Northern Antiquities (1814), with Jamieson and Scott.
[97] See his essay on Imitations of the Ancient Ballad.
[98] Illustrations of Anglo-Saxon Poetry, translated by the Vicar of Batheaston. Conybeare had died two years before the publication of the book.
[99] Review of Ellis's Specimens, Edinburgh Review, April, 1804.
[100] Bletson and Richard Ganlesse.
[101] But see the dictum quoted by Scott in a somewhat over-emphatic way from Ellis's Specimens of the Early English Poets, to the effect that Chaucer's "peculiar ornaments of style, consisting in an affectation of splendour, and especially of latinity," were perhaps his special contribution to the improvement of English poetry. (Edinburgh Review, April, 1804.) Scott said of Dunbar, "This darling of the Scottish muses has been justly raised to a level with Chaucer by every judge of poetry to whom his obsolete language has not rendered him unintelligible." (Memoir of Bannatyne, p. 14.) After naming the various qualities in which Dunbar was Chaucer's rival, he pronounces the Scottish poet inferior in the use of pathos. The relative position here assigned to the two poets seems to be rather an exaltation of Dunbar than a degradation of Chaucer.
[102] Lockhart, Vol. I, p. 408.
[103] Dryden, Vol. XI, p. 245.