[104] Dryden, Vol. XI, p. 396.
[105] Ibid., Vol. VI, p. 243.
[106] Ibid., Vol. XI, p. 338.
[107] The discussion of popular superstitions given in the introduction to the Minstrelsy and in the Essay on Fairies, which is prefixed to the ballad of Young Tamlane, suggests comparison with the Letters on Demonology and Witchcraft which Scott wrote in the year before he died. He collected a remarkable library in regard to superstition, and thought at various times of making a book on the subject, but the project was pushed aside for other matters until 1831. The Letters which he wrote then are full of pleasant anecdote and judicious comment, and though they lack the vigor of his earlier work they have remained fairly popular. An edition of Kirk's Secret Commonwealth of Elves and Fairies, published in 1815, has been attributed to Scott. (See below, the Bibliography of books edited by Scott.) Reviews of his which have not been mentioned in this chapter, but which naturally connect themselves with the subjects here discussed, are the following: The Culloden Papers—an account of the Highland clans, largely narrative (Quarterly, January, 1816); Ritson's Annals of the Caledonians, Picts and Scots—an article of more than forty pages, discussing the early history of Scotland and the historians who have written upon it (Quarterly, July, 1829); Tytler's History of Scotland—an article similar to that on Ritson's book (Quarterly, November, 1829); Pitcairn's Ancient Criminal Trials—a long article, which begins with an extended digression on booksellers and collectors and on the Roxburghe and Bannatyne clubs (Quarterly, February, 1831); Sibbald's Chronicle of Scottish Poetry—merely a series of notes on special points (Edinburgh Review, October, 1803); Southey's Chronicle of the Cid (Quarterly, February, 1809). For the Encyclopædia Britannica Scott wrote an essay on Chivalry, as well as the one on Romance to which reference has been made.
[108] Review of Kelly's Reminiscences and the Life of Kemble, Quarterly Review, June, 1826.
[109] Lockhart, Vol. II, p. 97.
[110] Terry had been educated as an architect, and his knowledge and taste were of assistance to Scott in connection with the building and furnishing of Abbotsford. After 1812 he played chiefly in London. In 1816 his version of Guy Mannering, the first of his adaptations from Scott, was presented. Before this he had taken the part of Roderick Dhu in two dramatic versions of The Lady of the Lake. In 1819 he was the first David Deans in his adaptation of The Heart of Midlothian. Six years later he became manager of the Adelphi theater, in association with F.H. Yates. At this time Scott became Terry's security for £1280, a sum which he was afterward obliged to pay with the addition of £500 for which the credit of James Ballantyne was pledged. When financial embarrassment caused Terry to retire from the management his mental and physical powers gave way, and he died of paralysis in 1829. Terry admired Scott so much that he learned to imitate his facial expression, his speech and his handwriting.
[111] Lockhart, Vol. I, p. 94.
[112] The phrase, which was a favorite one of Scott's, is spoken not by Tony Lumpkin, but by one of his tavern companions. Scott's use of it is an indication of the way in which he was familiar with the drama. Very likely he never reread the play after his youth, but his strong memory doubtless retained a pretty definite impression of it.
[113] Review of the Life and Works of John Home, Quarterly, June, 1827.