He suddenly withdrew his hands from her with a sharp exclamation. Milly's teeth were pearly white and rather small, but they were pointed, and they had met in the flesh of the right hand which rested so firmly on her shoulder. He fell back and put his hand to his mouth. A boat-hook lay within her reach, and her end of the canoe had drifted near enough to the river-bank for her to be able to catch hold with the hook and to pull it farther in. Braced to the uttermost by rage and fear, she bounded to her feet without upsetting the canoe. It lurched violently, but righted itself, swinging out once more into the stream. Maxwell looked up and saw her standing on the river-bank above him. She did not stay to parley, but with lifted skirt hurried up the steep meadow, through the sun-flecked shadows of the elm-trees, towards the path. When she was half-way up a harsh, sardonic laugh sounded behind her, and instinctively she looked back. Maxwell held up his wounded hand:

"Primitive woman at last, Mildred!" he shouted. "Don't apologize, I sha'n't."


CHAPTER XVII

Ian only came home just in time to scramble into his evening dress-suit for a dinner at the Fletchers'. He needed not to fear delay either from that shirt-button at the back, refractory or on the last thread, or from any other and more insidious trap for the hurrying male. Milly looked after him in a way which, if the makers of traditions concerning wives were not up to their necks in falsehood, must have inspired devotion in the heart of any husband alive. She had already observed that he had been allowed to lose most of the pocket-handkerchiefs she had marked for him in linen thread. That trifles such as this should cause bitterness will seem as absurd to sensible persons as it would to be told that our lives are made up of mere to-morrows—if Shakespeare had not happened to put that in his own memorable way. For it takes a vast deal of imagination to embrace the ordinary facts of life and human nature. But even the most sensible will understand that it was annoying for Milly regularly to find her own and the family purse reduced to a state that demanded rigid economy. The Invader, stirring in that limbo where she lay, might have answered that rigid economy was Milly's forte and real delight, and that it was well she should have nothing to spend in ridiculously disguising the fair body they were condemned to share. Mildred certainly left behind her social advantages which both Ian and Milly enjoyed without exactly realizing their source, while her bric-à-brac purchases, from an eighteenth-century print to a Chinese ivory, were always sure to be rising investments. But all such minor miseries as her invasion might multiply for Milly, were forgotten in the horror of the abyss that had now opened under her feet. For long after that second return of hers, on the night of the thunderstorm, a shadow, a dreadful haunting thought, had hovered in the back of her mind. Gradually it had faded with the fading of a memory; but to-night the colors of that memory revived, the thought startled into a more vivid existence.

In the press and hurry of life, not less in Oxford than in other modern towns, the Stewarts and Fletchers did not meet so often and intimately as to make inevitable the discovery of Mildred Stewart's dual personality by her cousins. They said she had developed moods; but with the conservatism of relations, saw nothing in her that they had not seen in her nursery days.

Ian and Milly walked home from dinner, according to Oxford custom, but a Durham man walked with them, talking over a College question with Ian, and they did not find themselves alone until they were within the wainscoted walls of the old house. Milly had looked so pale all the evening that Ian expected her to go to bed at once; but she followed him into the study, where the lamp was shedding its circle of light on the heaped books and papers of his writing-table. Making some perfunctory remarks which she barely answered, he sat down to work at an address which he was to deliver at the meeting of a learned society in London.

Milly threw off her white shawl and seated herself on the old, high-backed sofa. Her dress was of some gauzy material of indeterminate tone, interwoven with gold tinsel, and a scarf of gauze embroidered with gold disguised what had seemed to her an over-liberal display of dazzling shoulders. Ian, absorbed in his work, hardly noticed his wife sitting in the penumbra, chin on hand, staring before her into nothingness, like some Cassandra of the hearth, who listens to the inevitable approaching footsteps of a tragic destiny. At last she said:

"I've got something awful to tell you."