There was a picture of Dagote’s which was at this moment an object of fashionable curiosity in Paris. It was a representation of one of the many charitable actions of the unfortunate Marie Antoinette, “then Dauphiness—at that time full of life, and splendour, and joy, adorning and cheering the elevated sphere she just began to move in;” and yet diffusing life, and hope, and joy, in that lower sphere, to which the radiance of the great and happy seldom reaches. The Dauphiness was at that time the pride of France, and the darling of Paris; not only worshipped by the court, but loved by the people. While she was Dauphiness, and during the commencement of her reign, every thing, even disastrous accidents, and the rigour of the season, served to give her fresh opportunity of winning the affection and exciting the enthusiasm of the people. When, during the festivities on her marriage, hundreds were crushed to death by the fall of a temporary building, the sensibility of the Dauphiness, the eagerness with which she sent all her money to the lieutenant de police for the families of those who had perished, conciliated the people, and turned even the evil presage to good. Again, during a severe frost, her munificence to the suffering poor excited such gratitude, that the people erected to her honour a vast pyramid of snow—Frail memorial!—“These marks of respect were almost as transitory as the snowy pyramid.”
Ormond went with Mademoiselle O’Faley one morning to see the picture of the Dauphiness; and he had now an opportunity of seeing a display of French sensibility, that eagerness to feel and to excite a sensation; that desire to produce an effect, to have a scene; that half real, half theatric enthusiasm, by which the French character is peculiarly distinguished from the English. He was perfectly astonished by the quantity of exclamations he heard at the sight of this picture; the lifting up of hands and eyes, the transports, the ecstasies, the tears—the actual tears that he saw streaming in despite of rouge. It was real! and it was not real feeling! Of one thing he was clear—that this superfluity of feeling or exaggeration of expression completely silenced him, and made him cold indeed: like one unskilled or dumb he seemed to stand.
“But are you of marble?” cried Mademoiselle—“where is your sensibilité then?”
“I hope it is safe at the bottom of my heart,” said Ormond; “but when it is called for, I cannot always find it—especially on these public occasions.”
“Ah! but what good all the sensibilité in the world do at the bottom of your heart, where nobody see it? It is on these public occasions too, you must always contrive and find it quick at Paris, or after all you will seem but an Englishman.”
“I must be content to seem and to be what I am,” said Ormond, in a tone of playful but determined resignation.
“Bon!” said a voice near him. Mademoiselle went off in impatience to find some better auditor—she did not hear the “Bon.”
Ormond turned, and saw near him a gentleman, whom he had often met at some of the first houses in Paris—the Abbé Morellet, then respected as the most reasonable of all the wits of France, and who has since, through all the trying scenes of the revolution, through the varieties of unprincipled change, preserved unaltered the integrity and frankness of his character; retaining even to his eighty-seventh year all his characteristic warmth of heart and clearness of understanding—le doyen de la littérature Françoise—the love, respect, and admiration, of every honest heart in France. May he live to receive among all the other tributes, which his countrymen pay publicly and privately to his merit, this record of the impression his kindness left on grateful English hearts!
Our young hero had often desired to be acquainted with the Abbé; but the Abbé had really hitherto passed him over as a mere young man of fashion, a mere Milord Anglois, one of the ephemeral race, who appear in Parisian society, vanish, and leave no trace behind. But now he did him the honour to enter into conversation with him. The Abbé peculiarly disliked all affectation of sentiment and exaggeration: they were revolting to his good sense, good taste, and feeling. Ormond won directly his good opinion and good-will, by having insisted upon it to Mademoiselle, that he would not for the sake of fashion or effect pretend to feel more than he really did.
“Bah!” said the Abbé, “hear all those women now and all those men—they do not know what they are saying—they make me sick. And, besides, I am afraid these flattering courtiers will do no good to our young Dauphiness, on whom so much of the future happiness or misery of France will depend. Her heart is excellent, and they tell me she announces a strong character; but what head of a young beauty and a young Queen will be able to withstand perpetual flattery? They will lead her wrong, and then will be the first to desert her—trust me, I know Paris. All this might change as quickly as the turn of a weathercock; but I will not trouble you with forebodings perhaps never to be realized. You see Paris, Monsieur, at a fortunate time,” continued he; “society is now more agreeable, has more freedom, more life and variety, than at any other period that I can remember.”