"The arch, or ceiling, was covered with a cheap concrete. The first puff of flame destroyed this. It crumbled away, exposing the twisted mass of steel re-enforcement and girders, and fell on the audience. This killed many. Looking from below, the bewildered, choking and maddened crowd thought it was the result of a panic above. They believed the galleries were falling and in the rush resulting many more were killed.
"The Iroquois theater was the most-talked-of construction in the country at the time of its building. It was believed to be the expression of the most modern ideas in regard to theater building; to be about as near fireproof as one could be. My investigation satisfied me that it was one of the worst firetraps in the city. There was so much wood and so much plush and inflammable trimming about everything. The insufficient exits tell the rest of the story."
ILLUMINATED EXIT SIGNS.
On this point T. B. Badt, a consulting electrical engineer of Chicago, writes:
"It has been stated that in the Iroquois no exit signs were over the doors, and it has been suggested that this was one of the causes of loss of life. The question arises, what would signs have been good for if the theater was thrown in darkness? The signs would not have been seen any more than the doors underneath the draperies. In order to avoid such trouble I should propose the following:
"Have over each door a transparent sign made out of metal with glass crystal letters, and have same illuminated from the outside of the building wall by means of a lantern attached on the outside, and have this lantern supplied by a source of light independent of the theater lighting system, either electric or gas. The sign would be illuminated at all times during the performance; it would not be an objection during dark scenes, because there would be practically no light thrown through the glass letters to interfere with the darkness inside; at the same time the sign would stand there glaring the word 'exit,' no matter how dark the theater or how light the theater. The main point I am trying to raise is that any device which has to be operated in case of an emergency is liable to fail, but an illuminated sign that will be illuminated at all times will be there no matter what trouble may happen, because nobody can forget to light it during the excitement, as it is already lighted before the performance commences. This, in my opinion, is the keynote for all devices which are intended to prevent panics in theaters. An automatic device is dependent upon certain conditions, usually rise of temperature near the ceiling. A manually operated safety device depends upon the presence of mind and cool-headedness of a certain employee and in my opinion all these features should be eliminated. Everything should be ready for an emergency and not be dependent upon somebody or something to make it ready. All exit doors ought to be unlocked and swing open towards the outside, and this, in connection with the permanently illuminated sign above the door saying 'exit,' in my opinion, would prevent any of the calamities heretofore experienced in theater disasters."
CHAPTER XIX.
THE SWORN TESTIMONY OF THE SURVIVORS.