Scores and scores of witnesses assembled in the little committee rooms and antechambers of the council hall in the great Chicago administrative building, each with his story to add to the story of horror, when the inquest over the dead began on Thursday, January 7, 1904, one week and a day after the disaster.
Some were muffled under great rolls of bandages that concealed frightful scars and burns. Others gave no outward indication of the season of terror they had passed and survived to tell the tale. Fashionable theater goers, actors, actresses and stage hands, chorus girls, belted policemen and grim firemen, all met on terms of temporary equality, forming a heterogeneous assemblage waiting the call to take the stand. One by one they were admitted to the vast council chamber where for days the inquisition continued.
Vast throngs of curious besieged the place, clamoring for opportunity to view the proceedings. None, save the favored few citizens to whom tickets were issued, municipal, county and state officials and representatives of the press, enjoyed that opportunity. To them day after day a growing tale of suffering and death was unfolded such as has not fallen upon mortal ears for half a century. It was a harrowing recital that satiated and sickened the auditors and left them faint at each adjournment.
For days preceding the opening session Coroner Traeger his deputies and the six jurors had been engaged in a canvass of hospitals, undertaking establishments and morgues, viewing the dead. Nor was that ghastly work over when they entered upon the semi-judicial task of taking testimony. Ever and anon they halted the inquiry to proceed to the bedside of some victim that had died after lingering suffering. This formality was necessary before burial permits could issue. Each succeeding call brought to the jurors a shudder. Theirs was a gruesome task for the public service and they felt its burden keenly.
The trend of the statements taken were the same. Details formed the only variations. Some of the statements follow:
THE FIRST WITNESS.
John C. Galvin, 1677 West Monroe street, Chicago, the first witness heard, said:
"On the day the fire occurred I stepped into the vestibule to buy tickets for the following evening. It must have been a little after half past three. As I stepped into the entrance I looked into the lobby and turned to the ticket office, and as I did so the center doors of the lobby foyer and the outside entrance doors were blown open as though by a gust of hot air. I looked into the foyer and I saw people running toward the entrance. I realized at once what the trouble was, and went to the lobby doors and tried to open the west door there, that being the nearest to me. It was locked on the inside and I couldn't do anything with it.
"Then I tried to pacify the people from rushing or crowding, tried to save the panic, but it was no use. I would judge there were probably a dozen, not more than a dozen, cleared the door before the crush came. I recollect the first person to go down seemed to be a rather stout woman, who seemed to be free herself, somebody stepping on her skirt. She turned to gather up her skirts and she was borne down by the crowd, and then they piled on top of each other. I did what I could to release the jam, pulling the people from under the crowd and getting them out into the entrance, out into the street, but all the while the vestibule was filling up by those returning to help their friends, and people rushing into the street and helping to bring the crowd to. I tried to open the outside entrance door, the west door, which I found was bolted on the inside at that time. I tried to lift the bolt, but I couldn't do that.
"Then I kicked out two of the panels. I kicked the glass out of the panels, and I then returned to the west vestibule door and I kicked out the panels of these two doors, that is, the west door, and tried to take some of the people out through the openings. After we got out of the doorway I walked back into the entrance gallery and walked around, and there was a dense smoke coming from the theater.