Pelle the Conqueror — Complete

by Martin Andersen Nexø

It can be still cozier on work-day evenings. Then the fire is burning openly in the stove, even after eight o’clock, and the lamp is shining, and Morten is there again. People come from all directions and look in for a moment’s visit, and the cold, an impediment to everything else, awakens all sorts of notable reminiscences. It is as though the world itself comes creeping into the workshop. Jeppe conjures up his apprentice years in the capital, and tells of the great bankruptcy; he goes right back to the beginning of the century, to a wonderful old capital where the old people wore wigs, and the rope’s-end was always at hand and the apprentices just kept body and soul together, begging on Sundays before the doors of the townsfolk. Ah, those were times! And he comes home and wants to settle down as master, but the guild won’t accept him; he is too young. So he goes to sea as cook, and comes to places down south where the sun burns so fiercely that the pitch melts in the seams and the deck scorches one’s feet. They are a merry band, and Jeppe, little as he is, by no means lags behind the rest. In Malaga they storm a tavern, throw all the Spaniards out of the window, and sport with the girls—until the whole town falls upon them and they have to fly to their boat. Jeppe cannot keep up with them, and the boat shoves off, so that he has to jump into the water and swim for it. Knives fall splashing about him in the water, and one sticks shivering in his shoulder-blades. When Jeppe comes to this he always begins to strip his back to show the scar, and Master Andres holds him back. Pelle and Morten have heard the story many a time, but they are willing always to hear it again.

And Baker Jörgen, who for the greater part of his life has been a seaman on the big vessels sailing the northern and southern oceans, talks about capstans and icebergs and beautiful black women from the West Indies. He sets the capstan turning, so that the great three-master makes sail out of the Havana roadstead, and all his hearers feel their hearts grow light.

“Heave ho, the capstan,
Waltz her well along!
Leave the girl a-weeping,
Strike up the song!”

So they walk round and round, twelve men with their breasts pressed against the heavy capstan-bars; the anchor is weighed, and the sail fills with the wind—and behind and through his words gleam the features of a sweetheart in every port. Bjerregrav cannot help crossing himself—he who has never accomplished anything, except to feel for the poor; but in the young master’s eyes everybody travels—round and round the world, round and round the world. And Wooden-leg Larsen, who in winter is quite the well-to-do pensioner, in blue pilot-coat and fur cap, leaves his pretty, solidly-built cottage when the Spring comes, and sallies forth into the world as a poor organ-grinder—he tells them of the Zoological Gardens on the hill, and the adventurous Holm-Street, and of extraordinary beings who live upon the dustbins in the back-yards of the capital.

But Pelle’s body creaks whenever he moves; his bones are growing and seeking to stretch themselves; he feels growth and restlessness in every part and corner of his being. He is the first to whom the Spring comes; one day it announces itself in him in the form of a curiosity as to what his appearance is like. Pelle has never asked himself this question before; and the scrap of looking-glass which he begged from the glazier from whom he fetches the glass scrapers tells him nothing truly. He has at bottom a feeling that he is an impossible person.

He begins to give heed to the opinions of others respecting his outward appearance; now and again a girl looks after him, and his cheeks are no longer so fat that people can chaff him about them. His fair hair is wavy; the lucky curl on his forehead is still visible as an obstinate little streak; but his ears are still terribly big, and it is of no use to pull his cap over them, in order to press them close to his head. But he is tall and well-grown for his age, and the air of the workshop has been powerless to spoil his ruddy complexion; and he is afraid of nothing in the world— particularly when he is angry. He thinks out a hundred different kinds of exercise in order to satisfy the demands of his body, but it is of no use. If he only bends over his hammer-work he feels it in every joint of his body.

And then one day the ice breaks and goes out to sea. Ships are fitted out again, and provisioned, and follow the ice, and the people of the town awake to the idea of a new life, and begin to think of green woods and summer clothing.

And one day the fishing-boats arrive! They come gliding across from Hellavik and Nogesund on the Swedish coast. They cut swiftly through the water, heeling far over under their queer lateen sails, like hungry sea-birds that sweep the waves with one wing-tip in their search for booty. A mile to seaward the fishermen of the town receive them with gunshots; they have no permission to anchor in the fishing port, but have to rent moorings for themselves in the old ship’s harbor, and to spread out the gear to dry toward the north. The craftsmen of the town come flocking down to the harbor, discussing the foreign thieves who have come from a poorer country in order to take the bread out of the mouths of the townsfolk; for they are inured to all weathers, and full of courage, and are successful in their fishing. They say the same things every Spring, but when they want to buy herrings they deal with the Swedes, who sell more cheaply than the Bornholmers. “Perhaps our fishermen wear leather boots?” inquires Jeppe. “No, they wear wooden shoes week- days and Sunday alike. Let the wooden-shoe makers deal with them—I buy where the fish is cheapest!”

It is as though the Spring in person has arrived with these thin, sinewy figures, who go singing through the streets, challenging the petty envy of the town. There are women, too, on every boat, to mend and clean the gear, and they pass the workshop in crowds, searching for their old lodgings in the poor part of the town near the “Great Power’s” home. Pelle’s heart leaps at the sight of these young women, with pretty slippers on their feet, black shawls round their oval faces, and many fine colors in their dress. His mind is full of shadowy memories of his childhood, which have lain as quiet as though they were indeed extinguished; vague traditions of a time that he has experienced but can no longer remember; it is like a warm breath of air from another and unknown existence.

If it happens that one or another of these girls has a little child on her arm, then the town has something to talk about. Is it Merchant Lund again, as it was last year? Lund, who since then had been known only as “the Herring Merchant”? Or is it some sixteen- year-old apprentice, a scandal to his pastor and schoolmaster, whose hands he has only just left?