That one chance meeting was the first of many. Flowers came to Rachel's little room, and romance came with them. Rachel's proud, tender heart struggled, and then gave way before this radiant first love blossoming in the midst of her loneliness. At last, on a March afternoon, when the low sun caught the daffodils he had brought her, he told her he loved her.
Days followed, exquisite days, which have none like them in later life whatever later life may bring. That year the spring came early, and they went often together into the country. And that year when all the world was white with blossom the snow came and laid upon earth's bridal veil a white shroud. Every cup of May blossom, every petal of hawthorn, bent beneath its burden of snow. And so it was in the full spring-tide of Rachel's heart. The snow came down upon it. She discovered at last that though he loved her he did not wish to marry her; that even from the time of that first meeting he had never intended to marry her. That discovery was a shroud. She wrapped her dead love in it, and would fain have buried it out of her sight.
But only after a year of conflict was she suffered to bury it—after a year during which the ghost of her dead ever came back, and came back to importune her vainly with its love. Rachel's poor neighbors grew accustomed to see the tall, handsome, waiting figure which always returned and returned, but which at last, after one dreadful day, was seen no more in Museum Buildings. Rachel had laid the ghost at last. But the conflict remained graven in her face.
On a certain cold winter morning Hester darted across the wet pavement from the brougham to the untidy entrance of Museum Buildings where Rachel still lived. It was a miserable day. The streets and bare trees looked as if they had been drawn in in ink, and the whole carelessly blotted before it was dry. All the outlines were confused, blurred. The cold penetrated to the very bones of the shivering city.
Rachel had just come in, wet and tired, bringing with her a roll of manuscript to be transcribed. A woman waiting for her on the endless stone stairs had cursed her for taking the bread out of her mouth.
"He always employed me till you came," she shrieked, shaking her fist at her, "and now he gives it all to you because you're younger and better-looking."
She gave the woman as much as she dared spare, the calculation did not take long, and went on climbing the stairs.
Something in the poor creature's words, something vague but repulsive in her remembrance of the man who paid her for the work by which she could barely live, fell like lead into Rachel's heart. She looked out dumbly over the wilderness of roofs. The suffering of the world was eating into her soul; the suffering of this vast travailing East London, where people trod each other down to live.
"If any one had told me," she said to herself, "when I was rich, that I lived on the flesh and blood of my fellow-creatures, that my virtue and ease and pleasure were bought by their degradation and toil and pain, I should not have believed it, and I should have been angry. If I had been told that the clothes I wore, the food I ate, the pen I wrote with, the ink I used, the paper I wrote on—all these, and everything I touched, from my soap to my match-box, especially my match-box, was the result of sweated labor, I should not have believed it, I should have laughed. But yet it is so. If I had not been rich once myself I should think as all these people do, that the rich are devils incarnate to let such things go on. They have the power to help us. We have none to help ourselves. But they never use it. The rich grind the poor for their luxuries with their eyes shut, and we grind each other for our daily bread with our eyes open. I have got that woman's work. I have struggled hard enough to get it, but, though I did not realize it, I might have known that I had only got on to the raft by pushing some one else off it."