Rachel looked out across the miles of roofs which lay below her garret window. The sound was in her ears of that great whirlpool wherein youth and beauty and innocence go down quick day by day. The wilderness of leaden roofs turned suddenly before her eyes into a sullen furrowed sea of shame and crime which, awaiting no future day of judgment, daily gave up its awful dead.
Presently Hester came in, panting a little after the long ascent of worn stairs, and dragging with her a large parcel. It was a fur-lined cloak. Hester spread it mutely before her friend, and looked beseechingly at her. Then she kissed her, and the two girls clung together for a moment in silence.
"Dearest," said Rachel, "don't give me new things. It isn't that—you know I did take it when I was in need. But, oh, Hester, I know you can't afford it. I should not mind if you were rich, at least, I would try not, but—if you would only give me some of your old clothes instead. I should like them all the better because you had worn them." And Rachel kissed the lapel of Hester's coat.
"I can't," whispered Hester into Rachel's hair. "The best is only just good enough."
"Wouldn't it be kinder to me?"
Hester trembled, and then burst into tears.
"I will wear it, I will wear it," said Rachel, hurriedly. "Look, Hester! I have got it on. How deliciously warm! and—do look!—it has two little pockets in the fur lining."
But Hester wept passionately, and Rachel sat down by her on the floor in the new cloak till the paroxysm was over.
How does a subtle affinity find a foothold between natures which present an obvious, a violent contrast to each other? Why do the obvious and the subtle forget their life-long feud at intervals and suddenly appear for a moment in each other's society?
Rachel was physically strong. Hester was weak. The one was calm, patient, practical, equable, the other imaginative, unbalanced, excitable.