The native tunes used with these songs are far superior, and I expect many of them are very old. They are often full of variety and beauty, particularly those of the M’pongwe and Igalwa, of which I will speak later.
The dances I have no personal knowledge of, but there is nothing in Baumann’s description to make one think they are distinct in themselves from the mainland dances. I once saw a dance at Fernando Po, but that was among Portos, and it was my old friend the Batuco in all its beauty. But there is a distinct peculiarity about the places the dances are held on, every village having a kept piece of ground outside it which is the dancing place for the village - the ball-room as it were; and exceedingly picturesque these dances must be, for they are mostly held during the nights of full moon. These kept grounds remind one very much of the similar looking patches of kept grass one sees in villages in Ka Congo, but there is no similarity in their use, for the Ka Congo lawns are of fetish, not frivolous, import.
The Bubis have an instrument I have never seen in an identical form on the mainland. It is made like a bow, with a tense string of fibre. One end of the bow is placed against the mouth, and the string is then struck by the right hand with a small round stick, while with the left it is scraped with a piece of shell or a knife-blade. This excruciating instrument, I warn any one who may think of living among the Bubis, is very popular. The drums used are both the Dualla form - all wood - and the ordinary skin-covered drum, and I think if I catalogue fifes made of wood, I shall have nearly finished the Bubi orchestra. I have doubts on this point because I rather question whether I may be allowed to refer to a very old bullock hide - unmounted - as a musical instrument without bringing down the wrath of musicians on my head. These stiff, dry pelts are much thought of, and played by the artistes by being shaken as accompaniments to other instruments - they make a noise, and that is after all the soul of most African instrumental music. These instruments are all that is left of certain bullocks which many years ago the Spaniards introduced, hoping to improve the food supply. They seemed as if they would have flourished well on the island, on the stretches of grass land in the Cordillera and the East, but the Bubis, being great sportsmen, killed them all off.
The festivities of the Bubis - dances, weddings, feasts, etc., - at which this miscellaneous collection of instruments are used in concert, usually take place in November, the dry season; but the Bubi is liable to pour forth his soul in the bosom of his family at any time of the day or night, from June to January, and when he pours it forth on that bow affair it makes the lonely European long for home.
Divisions of time the Bubi can hardly be said to have, but this is a point upon which all West Africans are rather weak, particularly the Bantu. He has, however, a definite name for November, December, and January - the dry season months - calling them Lobos.
The Fetish of these people, although agreeing on broad lines with the Bantu Fetish, has many interesting points, as even my small knowledge of it showed me, and it is a subject that would repay further investigation; and as by fetish I always mean the governing but underlying ideas of a man’s life, we will commence with the child. Nothing, as far as I have been able to make out, happens to him, for fetish reasons, when he first appears on the scene. He receives at birth, as is usual, a name which is changed for another on his initiation into the secret society, this secret society having also, as usual, a secret language. About the age of three or five years the boy is decorated, under the auspices of the witch doctor, with certain scars on the face. These scars run from the root of the nose across the cheeks, and are sometimes carried up in a curve on to the forehead.
Tattooing, in the true sense of the word, they do not use much, but they paint themselves, as the mainlanders do, with a red paint made by burning some herb and mixing the ash with clay or oil, and they occasionally - whether for ju-ju reasons or for mere decoration I do not know - paint a band of yellow clay round the chest; but of the Bubi secret society I know little, nor have I been able to find any one who knows much more. Hutchinson, [{61}] in his exceedingly amusing description of a wedding he was once present at among these people, would lead one to think the period of seclusion of the women’s society was twelve months.
The chief god or spirit, O Wassa, resides in the crater of the highest peak, and by his name the peak is known to the native. Another very important spirit, to whom goats and sheep are offered, is Lobe, resident in a crater lake on the northern slope of the Cordilleras, and the grass you sometimes see a Bubi wearing is said to come from this lake and be a ju-ju of Lobe’s. Dr. Baumann says that the lake at Riabba from which the spirit Uapa rises is more holy, and that he is small, and resides in a chasm in a rock whose declivity can only be passed by means of bush ropes, and in the wet season he is not get-at-able at all. He will, if given suitable offerings, reveal the future to Bubis, but Bubis only. His priest is the King of all the Bubis, upon whom it is never permitted to a white man, or a Porto, to gaze. Baumann also gives the residence of another important spirit as being the grotto at Banni. This is a sea-cave, only accessible at low water in calm weather. I have heard many legends of this cave, but have never had an opportunity of seeing it, or any one who has seen it first hand.
The charms used by these people are similar in form to those of the mainland Bantu, but the methods of treating paths and gateways are somewhat peculiar. The gateways to the towns are sometimes covered by freshly cut banana leaves, and during the religious feast in November, the paths to the villages are barred across with a hedge of grass which no stranger must pass through.
The government is a peculiar one for West Africa. Every village has its chief, but the whole tribe obey one great chief or king who lives in the crater-ravine at Riabba. This individual is called Moka, but whether he is now the same man referred to by Rogoszinsky, Mr. Holland, and the Rev. Hugh Brown, who attempted to interview him in the seventies, I do not feel sure, for the Bubis are just the sort of people to keep a big king going with a variety of individuals. Even the indefatigable Dr. Baumann failed to see Moka, though he evidently found out a great deal about the methods of his administration and formed a very high opinion of his ability, for he says that to this one chief the people owe their present unity and orderliness; that before his time the whole island was in a state of internecine war: murder was frequent, and property unsafe. Now their social condition, according to the Doctor’s account, is a model to Europe, let alone Africa. Civil wars have been abolished, disputes between villages being referred to arbitration, and murder is swiftly and surely punished. If the criminal has bolted into the forest and cannot be found, his village is made responsible, and has to pay a fine in goats, sheep and tobacco to the value of 16 pounds. Theft is extremely rare and offences against the moral code also, the Bubis having an extremely high standard in this matter, even the little children having each a separate sleeping hut. In old days adultery was punished by cutting off the offender’s hand. I have myself seen women in Fernando Po who have had a hand cut off at the wrist, but I believe those were slave women who had suffered for theft. Slaves the Bubis do have, but their condition is the mild, poor relation or retainer form of slavery you find in Calabar, and differs from the Dualla form, for the slaves live in the same villages as their masters, while among the Duallas, as among most Bantu slave-holding tribes, the slaves are excluded from the master’s village and have separate villages of their own. For marriage ceremonies I refer you to Mr. Hutchinson. Burial customs are exceedingly quaint in the southern and eastern districts, where the bodies are buried in the forest with their heads just sticking out of the ground. In other districts the body is also buried in the forest, but is completely covered and an erection of stones put up to mark the place.