We turned off sharply to the left and at the end of a long avenue saw the house, half hidden by the trees. The entrance through a low archway, flanked on each side by high round towers covered with ivy, is most picturesque. The château is built around three sides of a square court-yard, the other side looking straight over broad green meadows ending in a background of wood. A moat runs almost all around the house—a border of salvias making a belt of colour which is most effective. We found the family—Marquis and Marquise de Lasteyrie and their two sons—waiting at the hall door. The Marquis, great-grandson of the General Marquis de Lafayette, is a type of the well-born, courteous French gentleman (one of the most attractive types, to my mind, that one can meet anywhere). There is something in perfectly well-bred French people of a certain class that one never sees in any other nationality. Such refinement and charm of manner—a great desire to put every one at their ease and to please the person with whom they are thrown for the moment. That, after all, is all one cares for in the casual acquaintances one makes in society. From friends, of course, we want something deeper and more lasting, but life is too short to find out the depth and sterling qualities of the world in general.
The Marquise is an Englishwoman, a cousin of her husband, their common ancestor being the Duke of Leinster; clever, cultivated, hospitable, and very large minded, which has helped her very much in her married life in France during our troubled epoch, when religious questions and political discussions do so much to embitter personal relations. The two sons are young and gay, doing the honours of their home simply and with no pose of any kind. There were two English couples staying in the house.
We had tea in the dining-room downstairs—a large room with panels and chimney-piece of dark carved wood. Two portraits of men in armour stand out well from the dark background. There is such a wealth of pictures, engravings, and tapestries all over the house that one cannot take it all in at first. The two drawing-rooms on the first floor are large and comfortable, running straight through the house; the end room in the tower—a round room with windows on all sides—quite charming. The contrast between the modern—English—comforts (low, wide chairs, writing-table, rugs, cushions, and centre-table covered with books in all languages, a very rare thing in a French château, picture papers, photographs, etc.) and the straight-backed, spindle-legged old furniture and stiff, old-fashioned ladies and gentlemen, looking down from their heavy gold frames, is very attractive. There is none of the formality and look of not being lived in which one sees in so many French salons, and yet it is not at all modern. One never loses for a moment the feeling of being in an old château-fort.
It was so pretty looking out of my bedroom window this morning. It was a bright, beautiful autumn day, the grass still quite green. Some of the trees changing a little, the yellow leaves quite golden in the sun. There are many American trees in the park—a splendid Virginia Creeper, and a Gloire de Dijon rose-bush, still full of bloom, were sprawling over the old gray walls. Animals of all kinds were walking about the court-yard; some swans and a lame duck, which had wandered up from the moat, standing on the edge and looking about with much interest; a lively little fox-terrier, making frantic dashes at nothing; one of the sons starting for a shoot with gaiters and game-bag, and his gun over his shoulder, his dog at his heels expectant and eager. Some of the guests were strolling about and from almost all the windows—wide open to let in the warm morning sun—there came cheerful greetings.
I went for a walk around the house before breakfast. There are five large round towers covered with ivy—the walls extraordinarily thick—the narrow little slits for shooting with arrows and the round holes for cannon balls tell their own story of rough feudal life. On one side of the castle there is a large hole in the wall, made by a cannon ball sent by Turenne. He was passing one day and asked to whom the château belonged. On hearing that the owner was the Maréchal de la Feuillade, one of his political adversaries, he sent a cannon ball as a souvenir of his passage, and the gap has never been filled up.
I went all over the house later with the Marquis de Lasteyrie. Of course, what interested me most was Lafayette's private apartments—bedroom and library—the latter left precisely as it was during Lafayette's lifetime; bookcases filled with his books in their old-fashioned bindings, running straight around the walls and a collection of manuscripts and autograph letters from kings and queens of France and most of the celebrities of the days of the Valois—among them several letters from Catherine de Medicis, Henry IV, and la Reine Margot. One curious one from Queen Margot in which she explains to the Vicomte de Chabot (ancestor of my host) that she was very much preoccupied in looking out for a wife for him with a fine dot, but that it was always difficult to find a rich heiress for a poor seigneur.
There are also autographs of more modern days, among which is a letter from an English prince to the Vicomte de Chabot (grandfather of the Marquis de Lasteyrie), saying that he loses no time in telling him of the birth of a very fine little girl. He certainly never realized when he wrote that letter what would be the future of his baby daughter. The writer was the Duke of Kent—the fine little girl, Queen Victoria.
In a deep window-seat in one corner, overlooking the farm, is the writing-table of Lafayette. In the drawers are preserved several books of accounts, many of the items being in his handwriting. Also his leather arm-chair (which was exhibited at the Chicago World's Fair), and a horn or speaking-trumpet through which he gave his orders to the farm hands from the window. The library opened into his bedroom—now the boudoir of the Marquise de Lasteyrie—with a fine view over moat and meadow. In this room there have been many changes, but the old doors of carved oak still remain.
There are many interesting family portraits—one of the father of Lafayette, killed at Minden, leaving his young son to be brought up by two aunts, whose portraits are on either side of the fireplace.
It is curious to see the two portraits of the same epoch so absolutely unlike. Mme. de Chavagnac, an old lady, very simply dressed, almost Puritanical, with a white muslin fichu over her plain black silk dress—the other, Mademoiselle de Lafayette, in the court dress of the time of Louis XVI, pearls and roses in the high, powdered coiffure and a bunch of orange flowers on one shoulder, to indicate that she was not a married woman.