There were pictures and souvenirs of all the Orléans family—the Lasteyries having been always faithful and devoted friends of those unfortunate princes; a charming engraving of the Comte de Paris, a noble looking boy in all the bravery of white satin and feathers—the original picture is in the possession of the Duc de Chartres. It was sad to realize when one looked at the little prince with his bright eyes and proud bearing, that the end of his life would be so melancholy—exile and death in a foreign land.

There are all sorts of interesting pictures and engravings scattered about the house in the numberless corridors and anterooms. One most interesting and very rare print represents a review at Potsdam held by Frederick the Great. Two conspicuous figures are the young Marquis de Lafayette in powdered wig and black silk ribbon, and the English General Lord Cornwallis, destined to meet as adversaries many years later during the American Revolution. There are many family pictures on the great stone staircase, both French and English, the Marquis de Lasteyrie, on the maternal side, being a great-grandson of the Duke of Leinster. Some of the English portraits are very charming, quite different from the French pictures.

In the centre panel is the well-known portrait of Lafayette by Ary Scheffer—not in uniform—no trace of the dashing young soldier; a middle-aged man in a long fur coat, hat and stick in his hand; looking, as one can imagine he did when he settled down, after his brilliant and eventful career, to the simple patriarchal life at La Grange, surrounded by devoted children, grandchildren, and friends.

We were interrupted long before I had seen all the interesting part of the house and its contents, as it was time to start for La Houssaye, where all the party were expected at tea. We went off in three carriages—quite like a "noce," as the Marquise remarked. The drive (about an hour) was not particularly interesting. We were in the heart of the great agricultural district and drove through kilometres of planted fields—no hills and few woods.

We came rather suddenly on the château, which stands low, like all châteaux surrounded by moats, turning directly from the little village into the park, which is beautifully laid out with fine old trees. We had glimpses of a lovely garden as we drove up to the house, and of two old towers—one round and one square. The château stands well—a very broad moat, almost a river, running straight around the house and gardens. We crossed the drawbridge, which always gives me a sensation of old feudal times and recalls the days of my childhood when I used to sit under the sickle-pear tree at "Cherry Lawn" reading Scott's "Marmion"—"Up drawbridge, grooms—what, Warder, ho! Let the portcullis fall!" wondering what a "portcullis" was, and if I should ever see one or even a château-fort.

La Houssaye is an old castle built in the eleventh century, but has passed through many vicissitudes. All that remains of the original building are the towers and the foundations. It was restored in the sixteenth century and has since remained unchanged. During the French Revolution the family of the actual proprietor installed themselves in one of the towers and lived there many long weary weeks, never daring to venture out, show any lights, or give any sign of life—in daily terror of being discovered and dragged to Paris before the dreaded revolutionary tribunals. Later it was given, by Napoleon, to the Marshall Augereau, who died there. It has since been in the family of the present proprietor, Monsieur de Mimont, who married an American, Miss Forbes.

The rain, which had been threatening all the afternoon, came down in torrents just as we crossed the drawbridge, much to the disappointment of our host and hostess, who were anxious to show us their garden, which is famous in all the countryside. However, in spite of the driving rain, we caught glimpses through the windows of splendid parterres of salvias and cannas, making great spots of colour in a beautiful bit of smooth green lawn. In old days the château was much bigger, stretching out to the towers. Each successive proprietor has diminished the buildings, and the present château, at the back, stands some little distance from the moat, the vacant space being now transformed into their beautiful gardens.

We only saw the ground-floor of the house, which is most comfortable. We left our wraps in the large square hall and passed through one drawing-room and a small library into another, which is charming—a corner room looking on the gardens—the walls, panels of light gray wood, prettily carved with wreaths and flowers.

We had tea in the dining-room on the other side of the hall; a curious room, rather, with red brick walls and two old narrow doors of carved oak. The tea—most abundant—was very acceptable after our long damp drive. One dish was rather a surprise—American waffles—not often to be found, I imagine, in an old French feudal castle, but Madame de Mimont's nationality explained it. I was very sorry not to see the park which is beautifully laid out, but the rain was falling straight down as hard as it could—almost making waves in the moat, and a curtain of mist cut off the end of the park.

Our dinner and evening at La Grange were delightful. The dining-room is particularly charming at night. The flowers on the table, this evening, were red, and the lights from the handsome silver candélabres made a brilliant spot of warmth and colour against the dark panelled walls—just shining on the armour of the fine Ormond portraits hanging on each side of the fireplace. The talk was always easy and pleasant.